SHOW BOAT PDF Download

Author: EDNA FERBER
Publisher:
ISBN:
Category :
Languages : en
Pages : 410

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Author: James R. Heintze
Publisher: Pendragon Press
ISBN: 9780899900216
Category : Music
Languages : en
Pages : 352

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Author:
Publisher:
ISBN:
Category : College and school drama
Languages : en
Pages : 862

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Author: Carl F. W. Larson
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 208

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Excludes New York City.

Author: Robert Silvester
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 426

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Author: Paul Kuritz
Publisher: PAUL KURITZ
ISBN: 9780135478615
Category : Performing Arts
Languages : en
Pages : 478

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Author: Robert Ignatius Letellier
Publisher: Cambridge Scholars Publishing
ISBN: 1443885088
Category : Music
Languages : en
Pages : 500

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Book Description
Operetta developed in the second half of the 19th century from the French opéra-comique and the more lighthearted German Singspiel. As the century progressed, the serious concerns of mainstream opera were sustained and intensified, leaving a gap between opéra-comique and vaudeville that necessitated a new type of stage work. Jacques Offenbach, son of a Cologne synagogue cantor, established himself in Paris with his series of opéras-bouffes. The popular success of this individual new form of entertainment light, humorous, satirical and also sentimental led to the emergence of operetta as a separate genre, an art form with its own special flavour and concerns, and no longer simply a "little opera". Attempts to emulate Offenbach's success in France and abroad generated other national schools of operetta and helped to establish the genre internationally, in Spain, in England, and especially in Austria Hungary. Here it inspired works by Franz von Suppé and Johann Strauss II (the Golden Age), and later Franz Lehár and Emmerich Kálmán (the Silver Age). Viennese operetta flourished conterminously with the Habsburg Empire and the mystique of Vienna, but, after the First World War, an artistically vibrant Berlin assumed this leading position (with Paul Lincke, Leon Jessel and Edouard Künnecke). As popular musical tastes diverged more and more during the interwar years, with the advent of new influences—like those of cabaret, the revue, jazz, modern dance music and the cinema, as well as changing social mores—the operetta genre took on new guises. This was especially manifested in the musical comedy of London's West End and New York's Broadway, with their imitators generating a success that opened a new golden age for the reinvented genre, especially after the Second World War. This source book presents an overview of the operetta genre in all its forms. The second volume provides a survey of the national schools of Germany, Spain, England, America, the Slavonic countries (especially Russia), Hungary, Italy and Greece. The principal composers are considered in chronological sequence, with biographical material and a list of stage works, selected synopses and some commentary. This volume also contains a discography and an index covering both volumes (general entries, singers and theatres).

Author: Duane Eldon Reed
Publisher:
ISBN:
Category : River boats
Languages : en
Pages : 258

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Author: Julie Goldsmith Gilbert
Publisher: Hal Leonard Corporation
ISBN: 9781557833327
Category : Biography & Autobiography
Languages : en
Pages : 460

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Applause Books This enduring biography of the popular writer begins with Ferber's last years in New York City, exploring the setting in which she did all of her great writing. Diaries, copious correspondence, and the cooperation of distinguished living friends have resulted in a rich portrait of a period and a literary circle not yet fully documented, and an insightful engaging analysis of a woman writer highly influential in the shaping of twentieth century America.

Author: Todd Decker
Publisher: Oxford University Press
ISBN: 0190250534
Category : Biography & Autobiography
Languages : en
Pages : 328

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Book Description
Show Boat: Performing Race in an American Musical draws on exhaustive archival research to tell the story of how Jerome Kern, Oscar Hammerstein II, and a host of directors, choreographers, producers, and performers -- among them Paul Robeson -- made and remade the most important musical in Broadway history.