Author: Eric I. Williams
Publisher: Oklahoma State University Press
ISBN: 9780914956297
Category : Schools, Veterinary
Languages : en
Pages : 285
Book Description
Located in the Oklahoma Collection.
A History of the Oklahoma State University College of Veterinary Medicine
Author: Eric I. Williams
Publisher: Oklahoma State University Press
ISBN: 9780914956297
Category : Schools, Veterinary
Languages : en
Pages : 285
Book Description
Located in the Oklahoma Collection.
Publisher: Oklahoma State University Press
ISBN: 9780914956297
Category : Schools, Veterinary
Languages : en
Pages : 285
Book Description
Located in the Oklahoma Collection.
A History of Research at Oklahoma State University
Author: Craig Chappell
Publisher: University
ISBN:
Category : Education
Languages : en
Pages : 360
Book Description
Publisher: University
ISBN:
Category : Education
Languages : en
Pages : 360
Book Description
Bibliography of the History of Medicine
National Library of Medicine Current Catalog
Author: National Library of Medicine (U.S.)
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 1068
Book Description
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 1068
Book Description
Current Catalog
Author: National Library of Medicine (U.S.)
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 1060
Book Description
First multi-year cumulation covers six years: 1965-70.
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 1060
Book Description
First multi-year cumulation covers six years: 1965-70.
A History of the Oklahoma State University Graduate College
Author: Dorothy A. Witter
Publisher: Oklahoma State University Press
ISBN:
Category : Education
Languages : en
Pages : 280
Book Description
Located in the Oklahoma Collection.
Publisher: Oklahoma State University Press
ISBN:
Category : Education
Languages : en
Pages : 280
Book Description
Located in the Oklahoma Collection.
Indian Affairs
Author: United States
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 944
Book Description
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 944
Book Description
Congressional Record
Author: United States. Congress
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 1366
Book Description
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 1366
Book Description
The Wondrous Story of Anesthesia
Author: Edmond I Eger II
Publisher: Springer Science & Business Media
ISBN: 1461484413
Category : Medical
Languages : en
Pages : 930
Book Description
Edited and written by an international "who's who" of more than 100 authors, including anesthesiologists, nurse anesthetists, bench scientists, a surgeon, and representatives of industry, this text provides a comprehensive history of anesthesia, unique in its focus on the people and events that shaped the specialty around the world, particularly during the past 70 years when anesthesia emerged from empiricism and developed into a science-based practice.
Publisher: Springer Science & Business Media
ISBN: 1461484413
Category : Medical
Languages : en
Pages : 930
Book Description
Edited and written by an international "who's who" of more than 100 authors, including anesthesiologists, nurse anesthetists, bench scientists, a surgeon, and representatives of industry, this text provides a comprehensive history of anesthesia, unique in its focus on the people and events that shaped the specialty around the world, particularly during the past 70 years when anesthesia emerged from empiricism and developed into a science-based practice.
Country Soul
Author: Charles L. Hughes
Publisher: UNC Press Books
ISBN: 1469622440
Category : Music
Languages : en
Pages : 277
Book Description
In the sound of the 1960s and 1970s, nothing symbolized the rift between black and white America better than the seemingly divided genres of country and soul. Yet the music emerged from the same songwriters, musicians, and producers in the recording studios of Memphis and Nashville, Tennessee, and Muscle Shoals, Alabama--what Charles L. Hughes calls the "country-soul triangle." In legendary studios like Stax and FAME, integrated groups of musicians like Booker T. and the MGs and the Muscle Shoals Rhythm Section produced music that both challenged and reconfirmed racial divisions in the United States. Working with artists from Aretha Franklin to Willie Nelson, these musicians became crucial contributors to the era's popular music and internationally recognized symbols of American racial politics in the turbulent years of civil rights protests, Black Power, and white backlash. Hughes offers a provocative reinterpretation of this key moment in American popular music and challenges the conventional wisdom about the racial politics of southern studios and the music that emerged from them. Drawing on interviews and rarely used archives, Hughes brings to life the daily world of session musicians, producers, and songwriters at the heart of the country and soul scenes. In doing so, he shows how the country-soul triangle gave birth to new ways of thinking about music, race, labor, and the South in this pivotal period.
Publisher: UNC Press Books
ISBN: 1469622440
Category : Music
Languages : en
Pages : 277
Book Description
In the sound of the 1960s and 1970s, nothing symbolized the rift between black and white America better than the seemingly divided genres of country and soul. Yet the music emerged from the same songwriters, musicians, and producers in the recording studios of Memphis and Nashville, Tennessee, and Muscle Shoals, Alabama--what Charles L. Hughes calls the "country-soul triangle." In legendary studios like Stax and FAME, integrated groups of musicians like Booker T. and the MGs and the Muscle Shoals Rhythm Section produced music that both challenged and reconfirmed racial divisions in the United States. Working with artists from Aretha Franklin to Willie Nelson, these musicians became crucial contributors to the era's popular music and internationally recognized symbols of American racial politics in the turbulent years of civil rights protests, Black Power, and white backlash. Hughes offers a provocative reinterpretation of this key moment in American popular music and challenges the conventional wisdom about the racial politics of southern studios and the music that emerged from them. Drawing on interviews and rarely used archives, Hughes brings to life the daily world of session musicians, producers, and songwriters at the heart of the country and soul scenes. In doing so, he shows how the country-soul triangle gave birth to new ways of thinking about music, race, labor, and the South in this pivotal period.