Author: Harold T. BarrPublisher:
ISBN:
Category : Universities and colleges
Languages : en
Pages :
Book Description
A History of the LSU Faculty Club, 1927-1980
Author: Harold T. BarrPublisher:
ISBN:
Category : Universities and colleges
Languages : en
Pages :
Book Description
The Faculty Club, Louisiana State University
Author: Louisiana State University (Baton Rouge, La.). Faculty ClubPublisher:
ISBN:
Category :
Languages : en
Pages : 16
Book Description
Subject Collections
Author: Publisher: New York : R.R. Bowker Company
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 1126
Book Description
Under Stately Oaks
Author: Thomas F. RuffinPublisher: LSU Press
ISBN: 0807126829
Category : Education
Languages : en
Pages : 183
Book Description
Nestled on a picturesque spot near the banks of the Mississippi River, Louisiana State University is a photographer's dream. From the red pantile roofs and honey-colored stucco of its Italian Renaissance architecture to the "stately oaks and broad magnolias" hailed in the alma mater, the distinct beauty of the campus is unrivaled. Few, however, realize that the history of the state's flagship university is as colorful as the azaleas that adorn its landscape every spring. Through an entertaining marriage of photographs and text, Under Stately Oaks showcases over 140 years of LSU's past and follows the evolution of the tiny Seminary of Learning of the State of Louisiana, founded near Pineville in 1853, into a university of well over thirty thousand students for the twenty-first century. Thomas F. Ruffin sets the images in historical context and offers fascinating information that will enlighten even the most ardent LSU fan. From the first LSU students in 1860 to the 75th anniversary celebrations of the current Baton Rouge campus in 2001, Under Stately Oaks captures the spirit of the university as never before.
Dixie Bohemia
Author: John Shelton ReedPublisher: LSU Press
ISBN: 0807147648
Category : History
Languages : en
Pages : 346
Book Description
In the years following World War I, the New Orleans French Quarter attracted artists and writers with its low rents, faded charm, and colorful street life. By the 1920s Jackson Square had become the center of a vibrant if short-lived bohemia. A young William Faulkner and his roommate William Spratling, an artist who taught at Tulane University, resided among the "artful and crafty ones of the French Quarter." In Dixie Bohemia John Shelton Reed introduces Faulkner's circle of friends -- ranging from the distinguished Sherwood Anderson to a gender-bending Mardi Gras costume designer -- and brings to life the people and places of New Orleans in the Jazz Age. Reed begins with Faulkner and Spratling's self-published homage to their fellow bohemians, "Sherwood Anderson and Other Famous Creoles." The book contained 43 sketches of New Orleans artists, by Spratling, with captions and a short introduction by Faulkner. The title served as a rather obscure joke: Sherwood was not a Creole and neither were most of the people featured. But with Reed's commentary, these profiles serve as an entry into the world of artists and writers that dined on Decatur Street, attended masked balls, and blatantly ignored the Prohibition Act. These men and women also helped to establish New Orleans institutions such as the Double Dealer literary magazine, the Arts and Crafts Club, and Le Petit Theatre. But unlike most bohemias, the one in New Orleans existed as a whites-only affair. Though some of the bohemians were relatively progressive, and many employed African American material in their own work, few of them knew or cared about what was going on across town among the city's black intellectuals and artists. The positive developments from this French Quarter renaissance, however, attracted attention and visitors, inspiring the historic preservation and commercial revitalization that turned the area into a tourist destination. Predictably, this gentrification drove out many of the working artists and writers who had helped revive the area. As Reed points out, one resident who identified herself as an "artist" on the 1920 federal census gave her occupation in 1930 as "saleslady, real estate," reflecting the decline of an active artistic class. A charming and insightful glimpse into an era, Dixie Bohemia describes the writers, artists, poseurs, and hangers-on in the New Orleans art scene of the 1920s and illuminates how this dazzling world faded as quickly as it began.
The Year's Best Horror Stories
Author: Karl Edward WagnerPublisher: D A W Books, Incorporated
ISBN: 9780886770860
Category : Fiction
Languages : en
Pages : 250
Book Description
Subject Collections
Author: Lee AshPublisher: New Providence, N.J. : R.R. Bowker
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 1290
Book Description
Subtitled A Guide to Special Book Collections and Subject Emphases as Reported by University, College, Public, and Special Libraries and Museums in the United States and Canada, previous editions of this standard reference for the library community, the antiquarian book trade, and archival and muse
Dictionary of International Biography
Author: Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 1292
Book Description
A biographical record of contemporary achievement together with a key to the location of the original biographical notes.
The World Who's who of Women
Author: President without a Party
Author: Christopher J. LeahyPublisher: LSU Press
ISBN: 0807173541
Category : Biography & Autobiography
Languages : en
Pages : 537
Book Description
Historians have long viewed President John Tyler as one of the nation’s least effective heads of state. In President without a Party—the first full-scale biography of Tyler in more than fifty years and the first new academic study of him in eight decades—Christopher J. Leahy explores the life of the tenth chief executive of the United States. Born in the Virginia Tidewater into an elite family sympathetic to the ideals of the American Revolution, Tyler, like his father, worked as an attorney before entering politics. Leahy uses a wealth of primary source materials to chart Tyler’s early political path, from his election to the Virginia legislature in 1811, through his stints as a congressman and senator, to his vice-presidential nomination on the Whig ticket for the campaign of 1840. When William Henry Harrison died unexpectedly a mere month after assuming the presidency, Tyler became the first vice president to become president because of the death of the incumbent. Leahy traces Tyler’s ascent to the highest office in the land and unpacks the fraught dynamics between Tyler and his fellow Whigs, who ultimately banished the beleaguered president from their ranks and stymied his election bid three years later. Leahy also examines the president’s personal life, especially his relationships with his wives and children. In the end, Leahy suggests, politics fulfilled Tyler the most, often to the detriment of his family. Such was true even after his presidency, when Virginians elected him to the Confederate Congress in 1861, and northerners and Unionists branded him a “traitor president.” The most complete accounting of Tyler’s life and career, Leahy’s biography makes an original contribution to the fields of politics, family life, and slavery in the antebellum South. Moving beyond the standard, often shortsighted studies that describe Tyler as simply a defender of the Old South’s dominant ideology of states’ rights and strict construction of the Constitution, Leahy offers a nuanced portrayal of a president who favored a middle-of-the-road, bipartisan approach to the nation’s problems. This strategy did not make Tyler popular with either the Whigs or the opposition Democrats while he was in office, or with historians and biographers ever since. Moreover, his most significant achievement as president—the annexation of Texas—exacerbated sectional tensions and put the United States on the road to civil war.