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Author: Edward James Martin Publisher: Mimesis ISBN: 9788857523989 Category : History Languages : en Pages : 282
Book Description
This book reports the most famous dispute between the Church and the State over the presence of paintings, mosaics, and statues in churches, in the period from 717 to 843. In no other book was the Iconoclastic Controversy described in a more detailed way. An essential volume not only for those who are interested in the religious discourse, but also for those who want to approach a very peculiar historical and artistic period. This is a new edition of the Society of the Promotion of the Christian Knowledge 1930 publication.
Author: Edward James Martin Publisher: Mimesis ISBN: 9788857523989 Category : History Languages : en Pages : 282
Book Description
This book reports the most famous dispute between the Church and the State over the presence of paintings, mosaics, and statues in churches, in the period from 717 to 843. In no other book was the Iconoclastic Controversy described in a more detailed way. An essential volume not only for those who are interested in the religious discourse, but also for those who want to approach a very peculiar historical and artistic period. This is a new edition of the Society of the Promotion of the Christian Knowledge 1930 publication.
Author: Elena N. Boeck Publisher: Cambridge University Press ISBN: 1107085810 Category : Art Languages : en Pages : 337
Book Description
The first comparative, cross-cultural study of medieval illustrated histories that engages in a direct, confrontational dialogue with Byzantine historical memory.
Author: Timothy Paul Jones Publisher: Rose Publishing ISBN: 1596365773 Category : Religion Languages : en Pages : 231
Book Description
WINNER of the Christian Retailers' Choice Awards 2010 for the "most significant new life-changing products in the Christian retail industry." Christian History Made Easy clearly lays out the most important events in the history of the church, from the time of Jesus to modern day. Christian History Made Easy explains early church history, the Church Councils, the Great Schism, the Crusades, Francis of Assisi, John Wycliffe, Martin Luther, the Protestant Reformation, and more. This incredible handbook presents key church history events and great Christian leaders everyone should know, along with full-color church history timelines, photos, pictures, and maps. The study guide and worksheets in the back makes this book an excellent Bible Study, adults Sunday school topics, or homeschool curriculum. Author Timothy Paul Jones makes Christian history refreshingly fun while at the same time informing Christians about the history of the Christian faith. Key Features ENGAGING—Find out the fascinating and inspiring stories of key people, such as Martin Luther, Augustine, Francis of Assisi, John Calvin, Charles Finney, John Bunyan, and more! EASY-TO-UNDERSTAND—Enjoy getting a simple overview of all key events throughout Christian history, including how we got the Bible; creeds; the Crusades; revivals; and more! PACKED WITH VISUALS—including charts, time lines, pictures, maps, photos, and illustrations. FASCINATING FACTS—Enjoy discovering fascinating facts, such as: St. Patrick was kidnapped by pirates and sold to a sheepherder in Ireland! Each Chapter of Christian History Made Easy Includes Key events & conceptsNames, key terms, and definitions you should knowFull-color Bible maps and timelinesAt the end of each chapter is a student guide, student worksheet, learning activity and quiz
Author: Thomas F. X. Noble Publisher: University of Pennsylvania Press ISBN: 0812202961 Category : History Languages : en Pages : 497
Book Description
In the year 726 C.E., the Byzantine emperor Leo III issued an edict declaring images to be idols, forbidden by Exodus, and ordering all such images in churches to be destroyed. Thus commenced the first wave of Byzantine iconoclasm, which ran its violent course until 787, when the underlying issues were temporarily resolved at the Second Council of Nicaea. In 815, a second great wave of iconoclasm was set off, only to end in 842 when the icons were restored to the churches of the East and the iconoclasts excommunicated. The iconoclast controversies have long been understood as marking major fissures between the Western and Eastern churches. Thomas F. X. Noble reveals that the lines of division were not so clear. It is traditionally maintained that the Carolingians in the 790s did not understand the basic issues involved in the Byzantine dispute. Noble contends that there was, in fact, a significant Carolingian controversy about visual art and, if its ties to Byzantine iconoclasm were tenuous, they were also complex and deeply rooted in central concerns of the Carolingian court. Furthermore, he asserts that the Carolingians made distinctive and original contributions to the whole debate over religious art. Images, Iconoclasm, and the Carolingians is the first book to provide a comprehensive study of the Western response to Byzantine iconoclasm. By comparing art-texts with laws, letters, poems, and other sources, Noble reveals the power and magnitude of the key discourses of the Carolingian world during its most dynamic and creative decades.
Author: Willem van Asselt Publisher: BRILL ISBN: 904742249X Category : Philosophy Languages : en Pages : 546
Book Description
This book focuses on iconoclastic controversies and, in particular, their impact on the creation of religious identities. In the history of Jewish, Christian and Muslim culture, religious identity was not only formed through historical claims, but also through the use of certain images: ‘images of God’, ‘images of the others’, and ‘images of the self.’ Moreover, in the struggle for religious identity these ‘images’ were time and again employed for the purpose of establishing distinct groups, both ortho- dox and deviant. At the same time, they supplied weapons in the theological debate and found explicit expression in certain rituals or liturgical traditions. These conference proceedings include a discussion of the role of images in society, politics, theology and liturgy, in particular addressing the ‘iconoclash’ of physical, mental and verbal images on the construction of religious identity.
Author: Robin M. Jensen Publisher: Harvard University Press ISBN: 0674088808 Category : Religion Languages : en Pages : 281
Book Description
The cross stirs intense feelings among Christians as well as non-Christians. Robin Jensen takes readers on an intellectual and spiritual journey through the two-thousand-year evolution of the cross as an idea and an artifact, illuminating the controversies—along with the forms of devotion—this central symbol of Christianity inspires. Jesus’s death on the cross posed a dilemma for Saint Paul and the early Church fathers. Crucifixion was a humiliating form of execution reserved for slaves and criminals. How could their messiah and savior have been subjected to such an ignominious death? Wrestling with this paradox, they reimagined the cross as a triumphant expression of Christ’s sacrificial love and miraculous resurrection. Over time, the symbol’s transformation raised myriad doctrinal questions, particularly about the crucifix—the cross with the figure of Christ—and whether it should emphasize Jesus’s suffering or his glorification. How should Jesus’s body be depicted: alive or dead, naked or dressed? Should it be shown at all? Jensen’s wide-ranging study focuses on the cross in painting and literature, the quest for the “true cross” in Jerusalem, and the symbol’s role in conflicts from the Crusades to wars of colonial conquest. The Cross also reveals how Jews and Muslims viewed the most sacred of all Christian emblems and explains its role in public life in the West today.
Author: Kristine Kolrud Publisher: Routledge ISBN: 1351929208 Category : Art Languages : en Pages : 265
Book Description
The phenomenon of iconoclasm, expressed through hostile actions towards images, has occurred in many different cultures throughout history. The destruction and mutilation of images is often motivated by a blend of political and religious ideas and beliefs, and the distinction between various kinds of ’iconoclasms’ is not absolute. In order to explore further the long and varied history of iconoclasm the contributors to this volume consider iconoclastic reactions to various types of objects, both in the very recent and distant past. The majority focus on historical periods but also on history as a backdrop for image troubles of our own day. Development over time is a central question in the volume, and cross-cultural influences are also taken into consideration. This broad approach provides a useful comparative perspective both on earlier controversies over images and relevant issues today. In the multimedia era increased awareness of the possible consequences of the use of images is of utmost importance. ’Iconoclasm from Antiquity to Modernity’ approaches some of the problems related to the display of particular kinds of images in conflicted societies and the power to decide on the use of visual means of expression. It provides a deeper understanding of the mechanisms of the phenomenon of iconoclasm. Of interest to a wide group of scholars the contributors draw upon various sources and disciplines, including art history, cultural history, religion and archaeology, as well as making use of recent research from within social and political sciences and contemporary events. Whilst the texts are addressed primarily to those researching the Western world, the volume contains material which will also be of interest to students of the Middle East.
Author: Leslie Brubaker Publisher: Bristol Classical Press ISBN: 9781853997501 Category : Art Languages : en Pages : 0
Book Description
Byzantine ‘iconoclasm' is famous and has influenced iconoclast movements from the English Reformation and French Revolution to Taliban, but it has also been woefully misunderstood: this book shows how and why the debate about images was more complicated, and more interesting, than it has been presented in the past. It explores how icons came to be so important, who opposed them, and how the debate about images played itself out over the years between c. 680 and 850. Many widely accepted assumptions about ‘iconoclasm' – that it was an imperial initiative that resulted in widespread destruction of images, that the major promoters of icon veneration were monks, and that the era was one of cultural stagnation – are shown to be incorrect. Instead, the years of the image debates saw technological advances and intellectual shifts that, coupled with a growing economy, concluded with the emergence of medieval Byzantium as a strong and stable empire.
Author: Edward James Martin
Author: Edward James Martin
Author: Elena N. Boeck
Author: Timothy Paul Jones
Author: Thomas F. X. Noble
Author: Willem van Asselt
Author: Robin M. Jensen
Author: Óscar Prieto Domínguez
Author: 
Author: Kristine Kolrud
Author: Leslie Brubaker