Author: Haldane Macfall
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 402
Book Description
A History of Painting: The renaissance in Central Italy
Author: Haldane Macfall
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 402
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 402
Book Description
A History of Painting: The renaissance in Venice
Author: Haldane Macfall
Publisher:
ISBN:
Category : Painters
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages :
Book Description
A history of painting. 1. The renaissance in central Italy
A History of Painting
Author: Haldane Macfall
Publisher:
ISBN: 9781332794737
Category : Art
Languages : en
Pages : 394
Book Description
Excerpt from A History of Painting: The Renaissance in Central Italy Although I have little practice with the pen, I feel impelled to say a few words upon this History of Painting, and upon the man who has written it. Here is a book on painting in which the writer comes into the art and tries to appreciate it, instead of dishing up hackneyed laws and recipes for the making of it. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher:
ISBN: 9781332794737
Category : Art
Languages : en
Pages : 394
Book Description
Excerpt from A History of Painting: The Renaissance in Central Italy Although I have little practice with the pen, I feel impelled to say a few words upon this History of Painting, and upon the man who has written it. Here is a book on painting in which the writer comes into the art and tries to appreciate it, instead of dishing up hackneyed laws and recipes for the making of it. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
History of Italian Renaissance Art
Author: Frederick Hartt
Publisher: Prentice Hall
ISBN: 9780131882478
Category : Art
Languages : en
Pages : 0
Book Description
This book focuses on works of art, their creators, and the circumstances affecting their creation. This revision is designed to provide readers with a more streamlined approach to understanding Italian Renaissance art without losing the enthusiasm and appreciation that Hartt demonstrated for this area and which earlier editions of this book conveyed so successfully.Italy and Italian Art; Duecento Art in Tuscany and Rome; Florentine Art of the Early Trecento; Sienese Art of the Early Trecento; Later Gothic Art in Tuscany and Northern Italy; The Beginnings of Renaissance Architecture; Gothic and Renaissance in Tuscan Sculpture; Gothic and Renaissance in Florentine Painting; The Heritage of Masaccio and the Second Renaissance Style; The Second Renaissance Style in Architecture and Sculpture; Absolute and Perfect Painting: The Second Renaissance Style; Crisis and Crosscurrents; Science, Poetry, and Prose; The Renaissance in Central Italy; Gothic and Renaissance in Venice and Northern Italy; The High Renaissance in Florence; The High Renaissance in Rome; High Renaissance and Mannerism; High and Late Renaissance in Venice and on the Mainland; Michelangelo and the Maniera.
Publisher: Prentice Hall
ISBN: 9780131882478
Category : Art
Languages : en
Pages : 0
Book Description
This book focuses on works of art, their creators, and the circumstances affecting their creation. This revision is designed to provide readers with a more streamlined approach to understanding Italian Renaissance art without losing the enthusiasm and appreciation that Hartt demonstrated for this area and which earlier editions of this book conveyed so successfully.Italy and Italian Art; Duecento Art in Tuscany and Rome; Florentine Art of the Early Trecento; Sienese Art of the Early Trecento; Later Gothic Art in Tuscany and Northern Italy; The Beginnings of Renaissance Architecture; Gothic and Renaissance in Tuscan Sculpture; Gothic and Renaissance in Florentine Painting; The Heritage of Masaccio and the Second Renaissance Style; The Second Renaissance Style in Architecture and Sculpture; Absolute and Perfect Painting: The Second Renaissance Style; Crisis and Crosscurrents; Science, Poetry, and Prose; The Renaissance in Central Italy; Gothic and Renaissance in Venice and Northern Italy; The High Renaissance in Florence; The High Renaissance in Rome; High Renaissance and Mannerism; High and Late Renaissance in Venice and on the Mainland; Michelangelo and the Maniera.
A History of Painting: The renaissance in Venice
Author: Haldane Macfall
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 326
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 326
Book Description
History of Italian Renaissance Art
Author: Frederick Hartt
Publisher: Pearson College Division
ISBN: 9780130620118
Category : Art
Languages : en
Pages : 768
Book Description
This volume covers over four centuries of Italian painting, sculpture, and architecture. Revising author David G. Wilkins blends new scholarly discoveries with original author Hartt's emphasis on stylistic developments between the 12th and 16th centuries. offer a dynamic insight into the way Renaissance men and women experienced their art. Since the release of the fourth edition, many more works have been restored, including Michelangelo's Last Judgment in the Sistine Chapel and Raphael's Stanze frescoes in the Vatican. Fresh views of renowned works are included with art commissioned or produced by women. Extended captions identify Renaissance patrons and provide details about historical context, emphasizing how art was created and why, while in-depth visual analysis clarifies the aesthetic developments that emerged in key artistic centers such as Florence, Rome, Venice, and Siena. New iconographic diagrams and computerized reconstructions add dimension to the meanings behind classical, secular, and sacred motifs.
Publisher: Pearson College Division
ISBN: 9780130620118
Category : Art
Languages : en
Pages : 768
Book Description
This volume covers over four centuries of Italian painting, sculpture, and architecture. Revising author David G. Wilkins blends new scholarly discoveries with original author Hartt's emphasis on stylistic developments between the 12th and 16th centuries. offer a dynamic insight into the way Renaissance men and women experienced their art. Since the release of the fourth edition, many more works have been restored, including Michelangelo's Last Judgment in the Sistine Chapel and Raphael's Stanze frescoes in the Vatican. Fresh views of renowned works are included with art commissioned or produced by women. Extended captions identify Renaissance patrons and provide details about historical context, emphasizing how art was created and why, while in-depth visual analysis clarifies the aesthetic developments that emerged in key artistic centers such as Florence, Rome, Venice, and Siena. New iconographic diagrams and computerized reconstructions add dimension to the meanings behind classical, secular, and sacred motifs.
Visualizing the Past in Italian Renaissance Art
Author: Jennifer Cochran Anderson
Publisher: BRILL
ISBN: 9004447776
Category : Art
Languages : en
Pages : 362
Book Description
A team of specialists addresses a foundational concept as central to early modern thinking as to our own: that the past is always an important part of the present.
Publisher: BRILL
ISBN: 9004447776
Category : Art
Languages : en
Pages : 362
Book Description
A team of specialists addresses a foundational concept as central to early modern thinking as to our own: that the past is always an important part of the present.
A History of Painting V1
Author: Haldane MacFall
Publisher: Literary Licensing, LLC
ISBN: 9781498027991
Category :
Languages : en
Pages : 320
Book Description
This Is A New Release Of The Original 1911 Edition.
Publisher: Literary Licensing, LLC
ISBN: 9781498027991
Category :
Languages : en
Pages : 320
Book Description
This Is A New Release Of The Original 1911 Edition.
Italian Renaissance Art
Author: Laurie Schneider Adams
Publisher: Routledge
ISBN: 0429974744
Category : Art
Languages : en
Pages : 988
Book Description
"The chronology of the Italian Renaissance, its character, and context have long been a topic of discussion among scholars. Some date its beginnings to the fourteenthcentury work of Giotto, others to the generation of Masaccio, Brunelleschi, and Donatello that fl ourished from around 1400. The close of the Renaissance has also proved elusive. Mannerism, for example, is variously considered to be an independent (but subsidiary) late aspect of Renaissance style or a distinct style in its own right."
Publisher: Routledge
ISBN: 0429974744
Category : Art
Languages : en
Pages : 988
Book Description
"The chronology of the Italian Renaissance, its character, and context have long been a topic of discussion among scholars. Some date its beginnings to the fourteenthcentury work of Giotto, others to the generation of Masaccio, Brunelleschi, and Donatello that fl ourished from around 1400. The close of the Renaissance has also proved elusive. Mannerism, for example, is variously considered to be an independent (but subsidiary) late aspect of Renaissance style or a distinct style in its own right."