A History of Musical Style PDF Download

Author: Homer Ulrich
Publisher: Harcourt Brace College Publishers
ISBN:
Category : Music
Languages : en
Pages : 716

View

Book Description
"The authors' purpose in writing this history of music has been to offer a clear, straightforward presentation of historical developments in musical style. The men who contributed ideas, principles, and compositions are of course brought into the account, but the emphasis is on the contributions and not on the men. Thus the book is 'music-centered' rather than 'composer-centered.' Another aim of this book has been to restore an equitable balance among the various eras." --Preface.

Author: Richard L. Crocker
Publisher: Courier Corporation
ISBN: 0486173240
Category : Music
Languages : en
Pages : 609

View

Book Description
Exceptionally clear, systematic presentation of the evolution of musical style from Gregorian Chant (AD 700) to mid-20th-century atonal music. Over 140 musical examples. Bibliography.

Author: Robert P. Morgan
Publisher: W W Norton & Company Incorporated
ISBN: 9780393952728
Category : Music
Languages : en
Pages : 554

View

Book Description
Traces the currents that have shaped the development of music in the twentieth century and discusses the contributions of such composers as Mahler, Debussy, Stockhausen, Vaughan Williams, Bartok, and Stravinsky

Author: Leon Plantinga
Publisher: W W Norton & Company Incorporated
ISBN: 9780393951967
Category : Music
Languages : en
Pages : 523

View

Book Description
A survey of the development of romantic music includes analyses of the careers of composers such as Beethoven, Schubert, Schumann, Wagner, and Liszt

Author: David Cope
Publisher: MIT Press
ISBN: 9780262532617
Category : Computers
Languages : en
Pages : 600

View

Book Description
Virtual Music is about artificial creativity. Focusing on the author's Experiments in Musical Intelligence computer music composing program, the author and a distinguished group of experts discuss many of the issues surrounding the program, including artificial intelligence, music cognition, and aesthetics. The book is divided into four parts. The first part provides a historical background to Experiments in Musical Intelligence, including examples of historical antecedents, followed by an overview of the program by Douglas Hofstadter. The second part follows the composition of an Experiments in Musical Intelligence work, from the creation of a database to the completion of a new work in the style of Mozart. It includes, in sophisticated lay terms, relatively detailed explanations of how each step in the process contributes to the final composition. The third part consists of perspectives and analyses by Jonathan Berger, Daniel Dennett, Bernard Greenberg, Douglas R. Hofstadter, Steve Larson, and Eleanor Selfridge-Field. The fourth part presents the author's responses to these commentaries, as well as his thoughts on the implications of artificial creativity. The book (and corresponding Web site) includes an appendix providing extended musical examples referred to and discussed in the book, including composers such as Scarlatti, Bach, Mozart, Beethoven, Schubert, Chopin, Puccini, Rachmaninoff, Prokofiev, Debussy, Bartok, and others. It is also accompanied by a CD containing performances of the music in the text.

Author: Leonard B. Meyer
Publisher: University of Chicago Press
ISBN: 9780226521527
Category : Music
Languages : en
Pages : 396

View

Book Description
Leonard Meyer proposes a theory of style and style change that relates the choices made by composers to the constraints of psychology, cultural context, and musical traditions. He explores why, out of the abundance of compositional possibilities, composers choose to replicate some patterns and neglect others. Meyer devotes the latter part of his book to a sketch-history of nineteenth-century music. He shows explicitly how the beliefs and attitudes of Romanticism influenced the choices of composers from Beethoven to Mahler and into our own time. "A monumental work. . . . Most authors concede the relation of music to its cultural milieu, but few have probed so deeply in demonstrating this interaction."—Choice "Probes the foundations of musical research precisely at the joints where theory and history fold into one another."—Kevin Korsyn, Journal of American Musicological Society "A remarkably rich and multifaceted, yet unified argument. . . . No one else could have brought off this immense project with anything like Meyer's command."—Robert P. Morgan, Music Perception "Anyone who attempts to deal with Romanticism in scholarly depth must bring to the task not only musical and historical expertise but unquenchable optimism. Because Leonard B. Meyer has those qualities in abundance, he has been able to offer fresh insight into the Romantic concept."—Donal Henahan, New York Times

Author: Enrico Fubini
Publisher: University of Chicago Press
ISBN: 9780226267326
Category : Music
Languages : en
Pages : 436

View

Book Description
This book collects key writings about eighteenth century music . It brings together for the first time in one place, a wide selection of essential documents not only about music theory and practice, but about the historical, philosophical, aesthetic, ideological, and literary debates which held sway during a century when musical thought and criticism gained a privileged position in the culture of Europe. Enrico Fubini offers a sampling of English, French, German, and Italian writings on topics ranging from Enlightenment rationalism and the theories of harmony to German musical culture and the polemics on J. S. Bach. Organized by topic and historical period these selections go beyond writings dealing exclusively with specific musical works to larger issues of theory and the reception of musical ideas in the culture at large. The selections are from books, journals, newspapers, pamphlets, and letters; the contributors include Diderot, Rousseau, Voltaire, Grimm, Alfieri, Rameau, Quantz, Gluck, Tartini, Leopold and W. A. Mozart, and C. P .E. Bach. Many are translated here for the first time. With general and chapter introductions, restored footnotes, and other valuable annotations, and a biographical appendix, this anthology will interest music scholars, students, and teachers.

Author: N. Alan Clark
Publisher:
ISBN: 9781940771335
Category : Education
Languages : en
Pages : 316

View

Book Description
Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!

Author: Douglas Moore
Publisher: W. W. Norton & Company
ISBN: 9780393002003
Category : Music
Languages : en
Pages : 356

View

Book Description
Examines five great periods -- the Renaissance, Baroque, Classic, Romantic, and Modern -- and discusses every important type of composition from each era.

Author: Edith Borroff
Publisher: Scarecrow Press
ISBN: 1461716802
Category : Music
Languages : en
Pages : 418

View

Book Description
Now in Paperback! Music Melting Round: A History of Music in the United States provides a colorful introduction for students and nonspecialists alike to the scope of musical styles and venues in America from colonial to contemporary times. Covering all aspects of music, including classical, ragtime, blues, jazz, popular, minstrel shows, and music on radio and television and in film, the text also contains a variety of photographs and illustrations, three time lines presenting highlights in American history, the arts, and music, an appendix of basic musical concepts, a glossary, and two indexes. Cloth edition 1-880157-17-9 previously published in 1995 by Ardsley House. Instructor's Manual 1-880157-18-7 available upon request.