A History of Motion Picture Color Technology PDF Download
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Author: Richard W. Haines Publisher: McFarland ISBN: 9780786480753 Category : Performing Arts Languages : en Pages : 180
Book Description
Using extensive research and interviews with many of the surviving Technicolor technicians, the history of dye printing and the events leading to its demise are fully covered. (The Beijing Film Laboratory is the only facility currently using the process.) Included are diagrams of how the process worked and an extensive listing of U.S. feature films printed with it.
Author: Barbara Flückiger Publisher: ISBN: 9783037786079 Category : Languages : en Pages : 120
Book Description
Since the earliest days of cinema, fi lm has been a colorful medium and art form. More than 230 film color processes have been devised in the course of fi lm history, often in close connection with photography. In this regard, both media institutionalized numerous techniques such as hand and stencil coloring as well as printing and halftone processes. Apart from these fundamental connections in terms of the technology of color processes, fi lm and photography also share and exchange color attributions and aesthetics.0This publication highlights material aspects of color in photography and fi lm, while also investigating the relationship of historical fi lm colors and present-day photography. Works of contemporary photographers and artists who reflect on technological and culture-theoretical aspects of the material of color underline these relations. Thematic clusters focus on aesthetic and technological parallels, including fashion and identity, abstraction and experiment, politics, exoticism, and travel.0Color Mania contains a general introduction to color in film and photography (technique, materiality, aesthetics) as well as a series of short essays that take a closer look at specific aspects. An extensive image section illustrates the texts and color systems and continues the aesthetic experience of the various processes and objects in book form.00Exhibition: Fotomuseum Winterthur, Switzerland (07.09. - 24.11.2019).
Author: Barry Salt Publisher: ISBN: 9780950906652 Category : Performing Arts Languages : en Pages : 453
Book Description
Film Style and Technology is a history of film style and its relationship to film technology. It also includes a theory of film analysis and demonstrates this theory using the films of Max Ophuls.
Author: H. Mario Raimondo-Souto Publisher: McFarland ISBN: 0786484071 Category : Performing Arts Languages : en Pages : 381
Book Description
In 1891, William Dickson, a researcher at Thomas Edison's firm, developed the Kinetograph, a motion picture camera that used Eastman Kodak's new celluloid film. Almost immediately, an industry was born. The new artistic and technical discipline of motion picture photography matured as the film industry grew. From the beginnings of the movie camera, developments in film production and exhibition have been inextricably linked to the evolution of motion picture photography. This work traces the history of motion picture photography from the late 19th century through the year 1960, when color photography became the accepted standard. Generously illustrated, it covers each decade's cameras, lenses, cameramen, film processing methods, formats, studios, lighting techniques and major cinematographic developments. Each chapter concludes with examples of the decade's outstanding cinematography. Instructors considering this book for use in a course may request an examination copy here.
Author: Richard Misek Publisher: John Wiley & Sons ISBN: 1444332392 Category : Performing Arts Languages : en Pages : 250
Book Description
Chromatic Cinema Color permeates film and its history, but study of its contribution to film has so far been fragmentary. Chromatic Cinema provides the first wide-ranging historical overview of screen color, exploring the changing uses and meanings of color in moving images, from hand painting in early skirt dance films to current trends in digital color manipulation. In this richly illustrated study, Richard Misek offers both a history and a theory of screen color. He argues that cinematic color emerged from, defined itself in response to, and has evolved in symbiosis with black and white. Exploring the technological, cultural, economic, and artistic factors that have defined this evolving symbiosis, Misek provides an in-depth yet accessible account of color’s spread through, and ultimate effacement of, black-and-white cinema.
Author: Tom Gunning Publisher: Amsterdam University Press ISBN: 9789089646576 Category : Color cinematography Languages : en Pages : 0
Book Description
Presents and discusses a treasure trove of early color film images from the archives of EYE Film Institute Netherlands, bringing to life their rich hues and forgotten splendor.