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Author: David Adams Cleveland Publisher: ISBN: 9780988902220 Category : Art, American Languages : en Pages : 0
Book Description
A History of American Tonalism: 1880-1920 will change standard theory on American art history with a new paradigm that places the origins of American modernism in the late 1870s. Crucially, it also demonstrates how the Tonalist movement became the driving force in the development of a distinctly American art form: mystic, visionary, and nostalgic, yet essentially modern in its progressive dynamic of non-narrative abstraction--a fundamentally expressive and symbolic art that set its seal on American art then and now. --Book Jacket.
Author: David Adams Cleveland Publisher: ISBN: 9780988902220 Category : Art, American Languages : en Pages : 0
Book Description
A History of American Tonalism: 1880-1920 will change standard theory on American art history with a new paradigm that places the origins of American modernism in the late 1870s. Crucially, it also demonstrates how the Tonalist movement became the driving force in the development of a distinctly American art form: mystic, visionary, and nostalgic, yet essentially modern in its progressive dynamic of non-narrative abstraction--a fundamentally expressive and symbolic art that set its seal on American art then and now. --Book Jacket.
Author: David A Cleveland Publisher: National Geographic Books ISBN: 0789214113 Category : Art Languages : en Pages : 0
Book Description
A groundbreaking survey of the school of expressive, symbolic landscape painting that gave rise to American modernism—newly revised and updated This magnificent volume, featuring more than 750 illustrations, is the first definitive account of the Tonalist movement. Based on original research, it tells how the progressive Tonalist landscape dethroned the Hudson River School in the late 1870s and remained the dominant school in American art until World War I. More provocatively, it also argues that Tonalism gave rise to American modernism, laying the groundwork for the artists of the Stieglitz Circle, and subsequently Milton Avery, Mark Rothko, Adolph Gottlieb, Barnett Newman, Helen Frankenthaler, Wolf Kahn, and Richard Mayhew. A History of American Tonalism places the key figures of the movement—such as George Inness, James McNeill Whistler, and John Henry Twachtman—in their cultural context, which was influenced by such thinkers as Ralph Waldo Emerson, Henry David Thoreau, John Burroughs, and William James. It also examines the careers of more than sixty other Tonalist painters, lesser known but highly talented. This new edition of A History of American Tonalism includes more than one hundred new illustrations, as well as a new overview of the stylistic principles of Tonalism. It will continue to be essential for art lovers, artists, scholars, and anyone seeking a better understanding not only of the Tonalist movement but American art as a whole.
Author: Marc Simpson Publisher: Yale University Press ISBN: Category : Art Languages : en Pages : 288
Book Description
Through an innovative manner of handling paint, a group of American artists around 1900 created deceptively simple canvases that convey images of shimmering transcience, visions suggested rather than delineated. Focusing on this singular aesthetic characteristic - softness - this book explores this painterly phenomenon.
Author: Ruth Jennison Publisher: JHU Press ISBN: 142140611X Category : Literary Criticism Languages : en Pages : 246
Book Description
Zukofsky, Oppen, and Niedecker wrote with a diversity of formal strategies but a singularity of purpose: the crafting of an anticapitalist poetics. Inaugurated in 1931 by Louis Zukofsky, Objectivist poetry gave expression to the complex contours of culture and politics in America during the Great Depression. This study of Zukofsky and two others in the Objectivist constellation, George Oppen and Lorine Niedecker, elaborates the dialectic between the formal experimental features of their poetry and their progressive commitments to the radical potentials of modernity. Mixing textual analysis, archival research, and historiography, Ruth Jennison shows how Zukofsky, Oppen, and Niedecker braided their experiences as working-class Jews, political activists, and feminists into radical, canon-challenging poetic forms. Using the tools of critical geography, Jennison offers an account of the relationship between the uneven spatial landscapes of capitalism in crisis and the Objectivists’ paratactical textscapes. In a rethinking of the overall terms in which poetic modernism is described, she identifies and assesses the key characteristics of the Objectivist avant-garde, including its formal recognition of proliferating commodity cultures, its solidarity with global anticapitalist movements, and its imperative to develop poetics that nurtured revolutionary literacy. The resulting narrative is a historically sensitive, thorough, and innovative account of Objectivism’s Depression-era modernism. A rich analysis of American avant-garde poetic forms and politics, The Zukofsky Era convincingly situates Objectivist poetry as a politically radical movement comprising a crucial chapter in American literary history. Scholars and students of modernism will find much to discuss in Jennison’s theoretical study.
Author: Adrienne Baxter Bell Publisher: George Braziller ISBN: Category : Art Languages : en Pages : 184
Book Description
The landscape painter George Inness (1825-1894) was one of the foremost American artists of his generation. Born in Newburgh, New York, Inness studied the works of the old masters and, as a young man, painted in the reigning style of the Hudson River School. Within a few years, however, he found himself more attuned to the gestural, expressive approach of the Barbizon School. He greatly admired the free handling of paint and the expression of soulfulness in the works of Theodore Rousseau. Equally important were Inness's philosophical and spiritual concerns. Along with contemporaries Ralph Waldo Emerson, Elizabeth Barrett Browning, and Walt Whitman, Inness studied the writings of the Swedish scientist-turned-mystic Emanuel Swedenborg (1688-1772). During a trip to Italy in the early 1870s, Inness began to structure his landscapes around geometric forms, a development that may have reflected the Swedenborgian idea that the natural world corresponds to the spiritual world and that geometric forms possess spiritual identities. Through these and other compositional devices, Inness created paintings to inspire an almost "religious experience" in his viewers. George Inness and the Visionary Landscape includes forty color reproductions of Inness's most important paintings and presents both a chronological overview of Inness's life and a more focused treatment of the artist's main philosophical and religious preoccupations. It suggests resonances between Inness's visionary landscapes and the concurrent efforts, on the part of the psychologist/philosopher William James (1842-1910), to validate the existence of mystical states of mind. It shows Inness to have anticipated many of the most importanttenets of modernism, an achievement that continues to inspire contemporary audiences.
Author: Glyn Vincent Publisher: Open Road + Grove/Atlantic ISBN: 1555847706 Category : Art Languages : en Pages : 471
Book Description
“The best book yet written about this neglected and fascinating American painter” who anticipated abstract expressionism by more than fifty years (Gail Levin, The New York Times Book Review). At the dawn of the 20th century, Ralph Blakelock’s brooding, hallucinogenic paintings were a striking departure from the prevailing American tradition—and as sought after as the works of Winslow Homer and John Singer Sargent. In 1916, the record-breaking sale of Blakelock’s Brook by Moonlight made him famous. Yet at the time of his triumph, the troubled painter had spent fifteen years in a psychiatric hospital while his family lived in poverty. Released from the asylum, Blakelock fell into the dubious care of an eccentric adventuress, Beatrice Van Rensselaer Adams, who kept him a virtual prisoner while siphoning off the profits of his success, until his mysterious death. In this acclaimed biography, Glyn Vincent offers the first complete chronicle of Blakelock’s life. Vividly portraying New York in the nineteenth and early twentieth centuries, the narrative begins with his childhood in Greenwich Village and the years he spent peddling his canvases door-to-door and playing piano in vaudeville theaters. Vincent also delves into Blakelock’s journeys among the Sioux and Uinta Native Americans; his mental illness; and the way his exploration of mysticism informed his radical shift away from the Hudson River School of art.
Author: Deborah Paris Publisher: Texas A&M University Press ISBN: 1623499194 Category : Art Languages : en Pages : 195
Book Description
When first-time author and artist Deborah Paris stepped into Lennox Woods, an old-growth southern hardwood forest in northeast Texas, she felt a disruption that was both spatial and temporal. Walking the remnants of an old wagon trail past ancient stands of pine, white oak, elm, hickory, sweetgum, maple, hornbeam, and red oak, she felt drawn into a reverie that took her back to “the beginning, both physically and metaphorically.” Painting the Woods: Nature, Memory and Metaphor explores the experience of landscape through the lens of art and art-making. It is a place-based meditation on nature, art, memory, and time, grounded in Paris’s experiences over the course of a year in Lennox Woods. Her account unfolds through the twin arcs of the changing seasons and her creative process as a landscape painter. In the tradition of Annie Dillard’s Pilgrim at Tinker Creek, narrative passages interweave with observations about the natural history of Lennox Woods, its flora and fauna, art history, the science of memory, Transcendentalist philosophy, the role of metaphor in creative work, and even loop quantum gravity theory. Each chapter explores a different aspect of the forest and a different step in the art-making process, illuminating our connection to the natural world through language, comprehension of time, and visual depictions of the landscape. The complex layers of the forest and Paris’s journey through it emerge as metaphors for the larger themes of the book, just as the natural world underpins the art-making drawn from it. Like the trail that winds through Lennox Woods, memory and time intertwine to provide a path for understanding nature, art, and our relationship to both.
Author: Lisa N. Peters Publisher: Hudson Hills Press ISBN: Category : Art Languages : en Pages : 200
Book Description
John Twachtman (1853-1902) was one of the most modern American painters of his day, combining European and American influences to create his own highly individual style noted for its contemplative mood and bold immediacy of composition.
Author: Susan G. Larkin Publisher: White Lion Publishing ISBN: Category : Impressionism (Art) Languages : en Pages : 192
Book Description
The essays and catalogue entries survey American, European and Japanese precedents and provide a cultural context of the treatment of the theme of work, drawing on such diverse sources as poetry, popular songs, census reports and homeeconomics books.
Author: David Adams Cleveland
Author: David Adams Cleveland
Author: David A Cleveland
Author: Charles Teaze Clark
Author: Marc Simpson
Author: Ruth Jennison
Author: Adrienne Baxter Bell
Author: Glyn Vincent
Author: Deborah Paris
Author: Lisa N. Peters
Author: Susan G. Larkin