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Author: Mary Beth Hinton Publisher: Syracuse University Press ISBN: 9780815607144 Category : Biography & Autobiography Languages : en Pages : 312
Book Description
At age thirty-six, acclaimed poet Marya Zaturenska's work reached its full potential even as she battled emotional and physical illness. Recently rediscovered diaries, published here for the first time, reflect that crucial period in the poet's life. Born in Kiev, Russia, Marya Zaturenska moved to New York City at the age of eight. To help support her family, she dropped out of public high school and held various jobs in a factory, a publishing house, and bookstore. By taking night courses she managed to complete high school. Meanwhile, she wrote poetry, some of which appeared in national magazines. In time, Zaturenska would publish eight books of poetry and a biography of Christina Rossetti for which she won critical acclaim. With her husband, Horace Gregory, she wrote A History of American Poetry, 1900-1940—and counted among her literary contemporaries Willa Cather, Theodore Raethke, May Sarton, Muriel Rukeyser, Robert Frost, W. H. Auden, Padraic and Mary Colum, and Malcolm Cowley. Significantly, these papers reveal a woman whose life brimmed with creativity, love of family, and good humor in the face of despair. Her keen poet's eye offers biting commentary on New York's literary scene. Furthermore, she not only chronicles the onset of World War II but also observes how the war reshaped American literary tastes and attitudes.
Author: Mary Beth Hinton Publisher: Syracuse University Press ISBN: 9780815607144 Category : Biography & Autobiography Languages : en Pages : 312
Book Description
At age thirty-six, acclaimed poet Marya Zaturenska's work reached its full potential even as she battled emotional and physical illness. Recently rediscovered diaries, published here for the first time, reflect that crucial period in the poet's life. Born in Kiev, Russia, Marya Zaturenska moved to New York City at the age of eight. To help support her family, she dropped out of public high school and held various jobs in a factory, a publishing house, and bookstore. By taking night courses she managed to complete high school. Meanwhile, she wrote poetry, some of which appeared in national magazines. In time, Zaturenska would publish eight books of poetry and a biography of Christina Rossetti for which she won critical acclaim. With her husband, Horace Gregory, she wrote A History of American Poetry, 1900-1940—and counted among her literary contemporaries Willa Cather, Theodore Raethke, May Sarton, Muriel Rukeyser, Robert Frost, W. H. Auden, Padraic and Mary Colum, and Malcolm Cowley. Significantly, these papers reveal a woman whose life brimmed with creativity, love of family, and good humor in the face of despair. Her keen poet's eye offers biting commentary on New York's literary scene. Furthermore, she not only chronicles the onset of World War II but also observes how the war reshaped American literary tastes and attitudes.
Author: Robert Phillips Publisher: Syracuse University Press ISBN: 9780815607175 Category : Poetry Languages : en Pages : 216
Book Description
Praised for her lyricism and mastery of meter and rhyme, Marya Zaturenska's poetry lit up American literature in the 1900s. But with the giddy 1920s, Zaturenska's traditional lyric grace and penchant for artifice rendered her passé. By her mid-thirties, Zaturenska had succumbed to emotional and physical illness. At the same time her work blossomed and critics acclaimed her for elevating lyric conventions to new plateaus. In 1937, she won a Pulitzer Prize for her magical collection, Cold Morning Sky. She was only thirty-six years old at the time. Critics pointed out that Zaturenska had assimilated lyric conventions and made them original and new. "What is so fine about these poems is that the control implicit in them does not lead to sterility or to false emotion," wrote the New York Times Book Review. "She is a mystic, but how neatly she refines the word." This new edition consists of over one hundred poems and twenty translations drawn from eight previous books. Early poetry from her teenage years reveals Zaturenska's budding talent, and an introduction by fellow poet and close friend Robert Phillips places this gifted writer firmly in both the historic and lyric tradition.
Author: Catherine Bates Publisher: Oxford University Press ISBN: 0198830696 Category : English poetry Languages : en Pages : 681
Book Description
The Oxford History of Poetry in English is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. The series both synthesises existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the volumes. Sixteenth-Century British Poetry features a history of the birth moment of modern 'English' poetry in greater detail than previous studies. It examines the literary transitions, institutional contexts, artistic practices, and literary genres within which poets compose their works. Each chapter combines an orientation to its topic and a contribution to the field. Specifically, the volume introduces a narrative about the advent of modern English poetry from Skelton to Spenser, attending to the events that underwrite the poets' achievements: Humanism; Reformation; monarchism and republicanism; colonization; print and manuscript; theatre; science; and companionate marriage. Featured are metre and form, figuration and allusiveness, and literary career, as well as a wide range of poets, from Wyatt, Surrey, and Isabella Whitney to Ralegh, Drayton, and Mary Herbert. Major works discussed include Sidney's Astrophil and Stella, Spenser's Faerie Queene, Marlowe's Hero and Leander, and Shakespeare's Sonnets.
Author: Helen Cooper Publisher: Oxford University Press ISBN: 0192886738 Category : Literary Criticism Languages : en Pages : 668
Book Description
The Oxford History of Poetry in English is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. The series both synthesizes existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the fourteen volumes. This volume occupies both a foundational and a revolutionary place. Its opening date--1100--marks the re-emergence of a vernacular poetic record in English after the political and cultural disruption of the Norman Conquest. By its end date--1400--English poetry had become an established, if still evolving, literary tradition. The period between these dates sees major innovations and developments in language, topics, poetic forms, and means of expression. Middle English poetry reflects the influence of multiple contexts--history, social institutions, manuscript production, old and new models of versification, medieval poetic theory, and the other literary languages of England. It thus emphasizes the aesthetic, imaginative treatment of new and received materials by medieval writers and the formal craft required for their verse. Individual chapters treat the representation of national history and mythology, contemporary issues, and the shared doctrine and learning provided by sacred and secular sources, including the Bible. Throughout the period, lyric and romance figure prominently as genres and poetic modes, while some works hover enticingly on the boundary of genre and discursive forms. The volume ends with chapters on the major writers of the late fourteenth-century (Langland, the Gawain-poet, Chaucer, and Gower) and with a look forward to the reception of something like a national literary tradition in fifteenth-century literary culture.
Author: Harris Feinsod Publisher: Oxford University Press ISBN: 0190682019 Category : Literary Criticism Languages : en Pages : 441
Book Description
The Poetry of the Americas offers a lively and detailed history of relations among poets in the US and Latin America, spanning three decades from the Good Neighbor diplomacy of World War II through the Cold War cultural policies of the late 1960s. Connecting works by Martín Adán, Elizabeth Bishop, Paul Blackburn, Jorge Luis Borges, Julia de Burgos, Ernesto Cardenal, Jorge Carrera Andrade, Allen Ginsberg, Langston Hughes, José Lezama Lima, Pablo Neruda, Charles Olson, Octavio Paz, Heberto Padilla, Wallace Stevens, Derek Walcott, William Carlos Williams, and many others, Feinsod reveals how poets of many nations imagined a "poetry of the Americas" that linked multiple cultures, even as it reflected the inequities of the inter-American political system. This account offers a rich contextual study of the state-sponsored institutions and the countercultural networks that sustained this poetry, from Nelson Rockefeller's Office of the Coordinator for Inter-American Affairs to the mid-1960s avant-garde scene in Mexico City. This innovative literary-historical project enables new readings of such canonical poems as Stevens's "Notes Toward a Supreme Fiction" and Neruda's "The Heights of Macchu Picchu," but it positions these alongside lesser known poetry, translations, anthologies, literary journals and private correspondences culled from library archives across the Americas. The Poetry of the Americas thus broadens the horizons of reception and mutual influence--and of formal, historical, and political possibility--through which we encounter midcentury American poetry, recasting traditional categories of "U.S." or "Latin American" literature within a truly hemispheric vision.
Author: Publisher: Oxford University Press ISBN: 0198930240 Category : Literary Criticism Languages : en Pages : 717
Book Description
The Oxford History of Poetry in English (OHOPE) is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. OHOPE both synthesizes existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the fourteen volumes. By taking as its purview the full seventeenth century, 1603-1700, this volume re-draws the existing literary historical map and expands upon recent rethinking of the canon. Placing the revolutionary years at the centre of a century of poetic transformation, and putting the Restoration back into the seventeenth century, the volume registers the transformative effects on poetic forms of a century of social, political, and religious upheaval. It considers the achievements of a number of women poets, not yet fully integrated into traditional literary histories. It assimilates the vibrant literature of the English Revolution to what came before and after, registering its long-term impact. It traces the development of print culture and of the literary marketplace, alongside the continued circulation of poetry in manuscript. It places John Milton, Andrew Marvell, Margaret Cavendish, and Katherine Philips and other mid-century poets into the full century of specifically literary development. It traces continuity and change, imitation and innovation in the full-century trajectory of such poetic genres as sonnet, elegy, satire, georgic, epigram, ode, devotional lyric, and epic. The volume's attention to poetic form builds on the current upswing in historicist formalism, allowing a close focus on poetry as an intensely aesthetic and social literary mode. Designed for maximum classroom utility, the organization is both thematic and (in the authors section) chronological. After a comprehensive Introduction, organizational sections focus on Transitions; Materiality, Production, and Circulation; Poetics and Form; Genres; and Poets.
Author: Terese Svoboda Publisher: IPG ISBN: 193618298X Category : Biography & Autobiography Languages : en Pages : 684
Book Description
The first full-length biography of Lola Ridge, a trailblazer for women, poetry, and human rights far ahead of her time This rich and detailed account of the life and world of Lola Ridge, poet, artist, editor, and activist for the cause of women's rights, workers' rights, racial equality and social reform. From her childhood as a newly arrived Irish immigrant in the grim mining towns of New Zealand to her years as a budding poet and artist in Sydney, Australia, to her migration to America and the cities of San Francisco, Chicago, and New York. At one time considered one of the most popular poets of her day, she later fell out of critical favor due to her realistic and impassioned verse that looked head on at the major social woes of society. Moreover, her work and appearances alongside the likes of Margaret Sanger, Emma Goldman, Will Durant, and other socialists and radicals put her in the line of fire not only of the police and government, but also the literary pundits who criticized her activism as being excessive and melodramatic. This lively portrait gives a veritable who's who of all the key players in the arts, literature, and radical politics of the time, in which Lola Ridge stood front and center.
Author: Rajendra Nath Mishra Publisher: Abhinav Publications ISBN: 9788170172918 Category : Literary Criticism Languages : en Pages : 168
Book Description
This Book Plans To Discuss Robert Frost S Constructive Attitude Towards Life As Portrayed In Most Of His Poems. The Author Has Given A New Perspective To Frost S Criticism. The Sense Of Death, Decay, Degeneration, Devaluation, Disintegration And Alienation Has Been The Prominent Wing Of Modern Poetry. Frost Is Conscious Of All These Aspects Of Modern Life. It Is Not That He Is Unaware Of The Modern Predicament. Rather He Is Useless To Call Our Time Bad. In His Poetry One Finds A Different Approach To The Problems Of Life. In Spite Of The Fact That Life Is Full Of Distressing Aspects, Frost Describes Life Worth Living . In Birches He Declares: Earth S The Right Place For Love: / I Don T Know Where It S Likely To Go Better. This Reveals The Fact That He Is Not One Among The Palayana Panthis, Neither Is He A Nirashavadi: He Is An Ashavadi Who Believes In This Creation.
Author: Mary Beth Hinton
Author: Mary Beth Hinton
Author: Robert Phillips
Author: Horace Gregory
Author: Catherine Bates
Author: Helen Cooper
Author: Harris Feinsod
Author: Arthur Hobson Quinn
Author: 
Author: Terese Svoboda
Author: Rajendra Nath Mishra