Author: Nydia Joan Reynolds
Publisher:
ISBN:
Category : Chautauquas
Languages : en
Pages : 432
Book Description
A Historical Study of the Oral Interpretation Activities of the Circuit Chautauqua, 1904-1932
Author: Nydia Joan Reynolds
Publisher:
ISBN:
Category : Chautauquas
Languages : en
Pages : 432
Book Description
Publisher:
ISBN:
Category : Chautauquas
Languages : en
Pages : 432
Book Description
The Elocutionists
Author: Marian Wilson Kimber
Publisher: University of Illinois Press
ISBN: 025209915X
Category : Performing Arts
Languages : en
Pages : 348
Book Description
Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre--dominated by women--achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the twentieth century. Marian Wilson Kimber restores elocution with music to its rightful place in performance history. Gazing through the lenses of gender and genre, Wilson Kimber argues that these female artists transgressed the previous boundaries between private and public domains. Their performances advocated for female agency while also contributing to a new social construction of gender. Elocutionists, proud purveyors of wholesome entertainment, pointedly contrasted their "acceptable" feminine attributes against those of morally suspect actresses. As Wilson Kimber shows, their influence far outlived their heyday. Women, the primary composers of melodramatic compositions, did nothing less than create a tradition that helped shape the history of American music.
Publisher: University of Illinois Press
ISBN: 025209915X
Category : Performing Arts
Languages : en
Pages : 348
Book Description
Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre--dominated by women--achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the twentieth century. Marian Wilson Kimber restores elocution with music to its rightful place in performance history. Gazing through the lenses of gender and genre, Wilson Kimber argues that these female artists transgressed the previous boundaries between private and public domains. Their performances advocated for female agency while also contributing to a new social construction of gender. Elocutionists, proud purveyors of wholesome entertainment, pointedly contrasted their "acceptable" feminine attributes against those of morally suspect actresses. As Wilson Kimber shows, their influence far outlived their heyday. Women, the primary composers of melodramatic compositions, did nothing less than create a tradition that helped shape the history of American music.
The Communicative Act of Oral Interpretation
Author: Keith Brooks
Publisher: Allyn & Bacon
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 518
Book Description
Publisher: Allyn & Bacon
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 518
Book Description
The Most American Thing in America
Author: Charlotte Canning
Publisher: University of Iowa Press
ISBN: 158729592X
Category : History
Languages : en
Pages : 287
Book Description
Winner of the 2006 Barnard Hewitt Award for Excellence in Theatre History Between 1904 and the Great Depression, Circuit Chautauquas toured the rural United States, reflecting and reinforcing its citizens’ ideas, attitudes, and politics every summer through music (the Jubilee Singers, an African American group, were not always welcome in a time when millions of Americans belonged to the KKK), lectures (“Civic Revivalist” Charles Zueblin speaking on “Militancy and Morals”), elocutionary readers (Lucille Adams reading from Little Lord Fauntleroy), dramas (the Ben Greet Players’ cleaned-up version of She Stoops to Conquer), orations (William Jennings Bryan speaking about the dangers of greed), and special programs for children (parades and mock weddings). Theatre historians have largely ignored Circuit Chautauquas since they did not meet the conventional conditions of theatrical performance: they were not urban; they produced no innovative performance techniques, stage material, design effects, or dramatic literature. In this beautifully written and illustrated book, Charlotte Canning establishes an analytical framework to reveal the Circuit Chautauquas as unique performances that both created and unified small-town America. One of the last strongholds of the American traditions of rhetoric and oratory, the Circuits created complex intersections of community, American democracy, and performance. Canning does not celebrate the Circuit Chautauquas wholeheartedly, nor does she describe them with the same cynicism offered by Sinclair Lewis. She acknowledges their goals of community support, informed public thinking, and popular education but also focuses on the reactionary and regressive ideals they sometimes embraced. In the true interdisciplinary spirit of Circuit Chautauquas, she reveals the Circuit platforms as places where Americans performed what it meant to be American.
Publisher: University of Iowa Press
ISBN: 158729592X
Category : History
Languages : en
Pages : 287
Book Description
Winner of the 2006 Barnard Hewitt Award for Excellence in Theatre History Between 1904 and the Great Depression, Circuit Chautauquas toured the rural United States, reflecting and reinforcing its citizens’ ideas, attitudes, and politics every summer through music (the Jubilee Singers, an African American group, were not always welcome in a time when millions of Americans belonged to the KKK), lectures (“Civic Revivalist” Charles Zueblin speaking on “Militancy and Morals”), elocutionary readers (Lucille Adams reading from Little Lord Fauntleroy), dramas (the Ben Greet Players’ cleaned-up version of She Stoops to Conquer), orations (William Jennings Bryan speaking about the dangers of greed), and special programs for children (parades and mock weddings). Theatre historians have largely ignored Circuit Chautauquas since they did not meet the conventional conditions of theatrical performance: they were not urban; they produced no innovative performance techniques, stage material, design effects, or dramatic literature. In this beautifully written and illustrated book, Charlotte Canning establishes an analytical framework to reveal the Circuit Chautauquas as unique performances that both created and unified small-town America. One of the last strongholds of the American traditions of rhetoric and oratory, the Circuits created complex intersections of community, American democracy, and performance. Canning does not celebrate the Circuit Chautauquas wholeheartedly, nor does she describe them with the same cynicism offered by Sinclair Lewis. She acknowledges their goals of community support, informed public thinking, and popular education but also focuses on the reactionary and regressive ideals they sometimes embraced. In the true interdisciplinary spirit of Circuit Chautauquas, she reveals the Circuit platforms as places where Americans performed what it meant to be American.
Dissertation Abstracts
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 774
Book Description
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 774
Book Description
United States Theatre
Author: Robert Silvester
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 426
Book Description
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 426
Book Description
Performance of Literature in Historical Perspectives
Author: David William Thompson
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 752
Book Description
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 752
Book Description
Cast of One
Author: John Samuel Gentile
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 318
Book Description
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 318
Book Description
Doctoral Dissertations in American Music
Author: Rita H. Mead
Publisher: Brooklyn : Institute for Studies in American Music, Brooklyn College of the City University of New York
ISBN:
Category : Music
Languages : en
Pages : 184
Book Description
Publisher: Brooklyn : Institute for Studies in American Music, Brooklyn College of the City University of New York
ISBN:
Category : Music
Languages : en
Pages : 184
Book Description
Dissertation Abstracts International
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 1180
Book Description
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 1180
Book Description