A Handbook of Chinese Ceramics PDF Download

Author: Suzanne G. Valenstein
Publisher: Metropolitan Museum of Art
ISBN: 0810911701
Category : Porcelain
Languages : en
Pages : 383

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Book Description

Author: Gerald Davison
Publisher: Han-Shan Tang
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 208

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Book Description
Information on "origins and development of the Chinese written language" precedes the extensive catalog of marks, including marks in regular kaishu script, marks in zhuanshu seal scripts, symbols used as marks, directory of marks, and list of potters.

Author: Suzanne G. Valenstein
Publisher:
ISBN: 9780870991325
Category : Handbook
Languages : en
Pages : 251

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Book Description

Author: Qingzheng Wang
Publisher: Sun Tree Publishing
ISBN:
Category : Art
Languages : en
Pages : 372

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Book Description
Containing more than 2,500 entries and over 1,000 color plates and line drawings, this book addresses artistic, stylistic, technical, and historical aspects of Chinese ceramics. Entries are grouped into themes such as shapes and forms; ceramic materials and manufacture; decoration methods, glazes, and colors; and marks and inscriptions. Each entry is accompanied by references in Pinyin (phonetic Romanized Chinese) as well as Chinese characters for further verification. Information is rendered instantly accessible through four indices--English, Pinyin, Chinese Classical literature, and museum illustrations.

Author: William Burton
Publisher: Createspace Independent Publishing Platform
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 236

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Book Description
This is a black-and-white facsimile reprint of the 1909 edition of "Handbook Of Marks On Pottery & Porcelain". Although it has been checked manually, it may contain imperfections such as marks, notations, marginalia and flawed pages.

Author: Stacey Pierson
Publisher:
ISBN: 9780728602656
Category : Ceramics
Languages : en
Pages : 64

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Book Description
Written to accompany an exhibition of the same name at the Percival David Foundation of Chinese Art in 1996, this text is designed to explain the basic science involved in ceramic manufacture, with reference to Chinese ceramics, as they are the most technologically advanced. Both the exhibition and the book were inspired by many requests for basic information about ceramic technology that did not require experience of making pots or a degree in chemistry to understand. The book thus assumes no previous knowledge of ceramic technology or science in general and uses terms which can be defined and explained in a manner accessible to the non-specialist.

Author: Denise Patry Leidy
Publisher: Metropolitan Museum of Art
ISBN: 1588395715
Category : Art
Languages : en
Pages : 146

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Book Description
Among the most revered and beloved artworks in China are ceramics—sculptures and vessels that have been utilized to embellish tombs, homes, and studies, to drink tea and wine, and to convey social and cultural meanings such as good wishes and religious beliefs. Since the eighth century, Chinese ceramics, particularly porcelain, have played an influential role around the world as trade introduced their beauty and surpassing craft to countless artists in Europe, America, and elsewhere. Spanning five millennia, the Metropolitan Museum’s collection of Chinese ceramics represents a great diversity of materials, shapes, and subjects. The remarkable selections presented in this volume, which include both familiar examples and unusual ones, will acquaint readers with the prodigious accomplishments of Chinese ceramicists from Neolithic times to the modern era. As with previous books in the How to Read series, How to Read Chinese Ceramics elucidates the works to encourage deeper understanding and appreciation of the meaning of individual pieces and the culture in which they were created. From exquisite jars, bowls, bottles, and dishes to the elegantly sculpted Chan Patriarch Bodhidharma and the gorgeous Vase with Flowers of the Four Seasons, How to Read Chinese Ceramics is a captivating introduction to one of the greatest artistic traditions in Asian culture.

Author: Nigel Wood
Publisher: University of Pennsylvania Press
ISBN: 9780812234763
Category : Art
Languages : en
Pages : 296

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Book Description
Chinese pottery has long been esteemed not only for its beauty and delicacy but also for the utility and efficiency evident in the potter's skill.

Author: Lili Fang
Publisher: Springer Nature
ISBN: 9811990948
Category : Social Science
Languages : en
Pages : 1184

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Book Description
Adopting the perspective of anthropology of art and combining it with global academic insights, this book helps the readers to recognize that “history is, in great measure, the record of human activity which spreads from the local to the regional, from the regional to the global, and from the global to the universal.” Readers will learn that China was not only the first country to create porcelain, but also the first to export it to the world, both the products and its techniques. Therefore, the history of Chinese ceramics reflects the history of Chinese foreign trade on the one hand and depicts the expansion of Chinese ceramic techniques and cultures on the other. In addition to ceramics types, molds, decoration, and techniques, the book analyzes the spiritual impacts and aesthetic conceptions embodied in the utensils of daily use by the Chinese literati. Therefore, it reaches the conclusion that ideological systems and not technological systems are what bring about social revolutions. In addition, the book is richly illustrated with pictures of earthenware and finely glazed pieces from later periods.

Author: Ms Audrey Wang
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409455459
Category : Art
Languages : en
Pages : 285

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Book Description
Chinese Antiquities: An Introduction to the Art Market provides an essential guide to the growing market for Chinese antiquities, encompassing all sectors of the market, from Classical Chinese paintings and calligraphy to ceramics, jade, bronze and ritual sculpture. Aimed at current and aspiring collectors, investors and galleries interested in Chinese antiquities, the book sets out to demystify the process of buying and selling in the Asian context, highlighting Asia-specific issues that market-players might encounter and making this category of art more accessible to newcomers to the market.