A Guide to the Art of Latin America PDF Download

Author: Library of Congress. Washington, DC.
Publisher:
ISBN:
Category :
Languages : en
Pages : 480

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Author: Robert Chester Smith
Publisher:
ISBN: 9780405034213
Category : Art
Languages : en
Pages : 480

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Book Description

Author: Justino Fernández
Publisher: University of Chicago Press
ISBN: 9780226244211
Category : Art
Languages : en
Pages : 420

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Book Description
A Guide to Mexican Art, a survey of more than twenty centuries of art, has a double purpose. It provides an ample version of one of the great national arts by a leading art historian, and it serves simultaneously as a practical guide to the art's outstanding masterpieces. The Guide will thus be of value to specialists and students of Latin American art and to sightseers as an introduction and guide to the art and architecture of Mexico. To facilitate its use for the latter purpose, Professor Fernández has based his exposition on the sensitive analysis of works to be found almost exclusive in museums and public buildings accessible to the tourist. The book was originally published in Spanish in 1958 and revised in 1961. This English translation, from the second edition has been brought up to date by the author and translator.

Author: Robert Chester Smith
Publisher: Forgotten Books
ISBN: 9781390265613
Category : History
Languages : en
Pages : 492

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Excerpt from A Guide to the Art of Latin America The fact that no such book exists is indeed the principal justification for this bibliography. The reader must search among a multitude of articles and rare publications for the scattered information which will give a picture of the whole. Many items included here may seem out side the subject; but Latin American art is an undeveloped field, and we must look to authors writing on other matters for information and suggestions. For example, there is not one book or article which deals thoroughly with the colonial art of Bolivia, although Bolivia in that period produced some of the most original and interesting work of the whole Spanish American empire. In such a situation, any publication which contains good photographs or exact descriptions, or which can shed light on any aspect of colonial life in Bolivia, is valuable. In this larger sense, there is a good deal of information available in print, and the size of this bibliography - already selective - has surprised the editors. Naturally the principle of selection has varied for each country with the material available in the field of art, and such collateral reading has been admitted more sparingly in the case of countries like Mexico and the Argentine which ofier richer bibliographies of art. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author:
Publisher:
ISBN:
Category : Latin America
Languages : en
Pages : 808

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Contains scholarly evaluations of books and book chapters as well as conference papers and articles published worldwide in the field of Latin American studies. Covers social sciences and the humanities in alternate years.

Author: Mauricio Tenorio-Trillo
Publisher: University of Chicago Press
ISBN: 022644306X
Category : History
Languages : en
Pages : 250

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Book Description
“Latin America” is a concept firmly entrenched in its philosophical, moral, and historical meanings. And yet, Mauricio Tenorio-Trillo argues in this landmark book, it is an obsolescent racial-cultural idea that ought to have vanished long ago with the banishment of racial theory. Latin America: The Allure and Power of an Idea makes this case persuasively. Tenorio-Trillo builds the book on three interlocking steps: first, an intellectual history of the concept of Latin America in its natural historical habitat—mid-nineteenth-century redefinitions of empire and the cultural, political, and economic intellectualism; second, a serious and uncompromising critique of the current “Latin Americanism”—which circulates in United States–based humanities and social sciences; and, third, accepting that we might actually be stuck with “Latin America,” Tenorio-Trillo charts a path forward for the writing and teaching of Latin American history. Accessible and forceful, rich in historical research and specificity, the book offers a distinctive, conceptual history of Latin America and its many connections and intersections of political and intellectual significance. Tenorio-Trillo’s book is a masterpiece of interdisciplinary scholarship.

Author: Susan Theran
Publisher: Susan Theran
ISBN: 9780918819987
Category : Art
Languages : en
Pages : 537

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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 16

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Author: Aaron M. Hyman
Publisher: Getty Publications
ISBN: 1606066862
Category : Art
Languages : en
Pages : 322

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Book Description
This book examines the reception in Latin America of prints designed by the Flemish artist Peter Paul Rubens, showing how colonial artists used such designs to create all manner of artworks and, in the process, forged new frameworks for artistic creativity. Peter Paul Rubens (1577–1640) never crossed the Atlantic himself, but his impact in colonial Latin America was profound. Prints made after the Flemish artist’s designs were routinely sent from Europe to the Spanish Americas, where artists used them to make all manner of objects. Rubens in Repeat is the first comprehensive study of this transatlantic phenomenon, despite broad recognition that it was one of the most important forces to shape the artistic landscapes of the region. Copying, particularly in colonial contexts, has traditionally held negative implications that have discouraged its serious exploration. Yet analyzing the interpretation of printed sources and recontextualizing the resulting works within period discourse and their original spaces of display allow a new critical reassessment of this broad category of art produced in colonial Latin America—art that has all too easily been dismissed as derivative and thus unworthy of sustained interest and investigation. This book takes a new approach to the paradigms of artistic authorship that emerged alongside these complex creative responses, focusing on the viceroyalties of New Spain and Peru in the seventeenth and eighteenth centuries. It argues that the use of European prints was an essential component of the very framework in which colonial artists forged ideas about what it meant to be a creator.

Author: Maya Hoover
Publisher: Indiana University Press
ISBN: 0253003962
Category : Music
Languages : en
Pages : 369

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Book Description
A reference guide to the vast array of art song literature and composers from Latin America, this book introduces the music of Latin America from a singer's perspective and provides a basis for research into the songs of this richly musical area of the world. The book is divided by country into 22 chapters, with each chapter containing an introductory essay on the music of the region, a catalog of art songs for that country, and a list of publishers. Some chapters include information on additional sources. Singers and teachers may use descriptive annotations (language, poet) or pedagogical annotations (range, tessitura) to determine which pieces are appropriate for their voices or programming needs, or those of their students. The guide will be a valuable resource for vocalists and researchers, however familiar they may be with this glorious repertoire.