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A Grand Materialism in the New Art from China

A Grand Materialism in the New Art from China PDF Author: Mary Bittner Wiseman
Publisher: Rowman & Littlefield
ISBN: 1498596916
Category : Philosophy
Languages : en
Pages : 199

Book Description
In A Grand Materialism in the New Art from China, Mary Bittner Wiseman shows that material matters in the work of Chinese artists, where the goal is to call attention to its subjects through the directness and immediacy of its material (like dust from 9/11, 1001 Chinese citizens, paintings made with gunpowder, written words) or the specificity of its sites (such as the Three Gorges Dam). Artists are working below the level of language where matter and gesture, texture and touch, instinct and intuition live. Not reduced to the words applied to them, art's subjects appear in their concrete particularity, embedded in the stories of their materials or their sites. Wiseman argues that it is global in being able to be understood by all thanks to its materials and the stories that accompany it, and the art is contemporary in having to make the case for itself that it is art. Finally, it satisfies Arthur Danto’s characterization of art as any representation that puts its subject in a new light by way of a rhetorical figure that the viewer interprets. The material art from China is the paradigm for an art that is global and contemporary.

A Grand Materialism in the New Art from China

A Grand Materialism in the New Art from China PDF Author: Mary Bittner Wiseman
Publisher: Rowman & Littlefield
ISBN: 1498596916
Category : Philosophy
Languages : en
Pages : 199

Book Description
In A Grand Materialism in the New Art from China, Mary Bittner Wiseman shows that material matters in the work of Chinese artists, where the goal is to call attention to its subjects through the directness and immediacy of its material (like dust from 9/11, 1001 Chinese citizens, paintings made with gunpowder, written words) or the specificity of its sites (such as the Three Gorges Dam). Artists are working below the level of language where matter and gesture, texture and touch, instinct and intuition live. Not reduced to the words applied to them, art's subjects appear in their concrete particularity, embedded in the stories of their materials or their sites. Wiseman argues that it is global in being able to be understood by all thanks to its materials and the stories that accompany it, and the art is contemporary in having to make the case for itself that it is art. Finally, it satisfies Arthur Danto’s characterization of art as any representation that puts its subject in a new light by way of a rhetorical figure that the viewer interprets. The material art from China is the paradigm for an art that is global and contemporary.

A Grand Materialism in the New Art from China

A Grand Materialism in the New Art from China PDF Author:
Publisher:
ISBN: 9781498596923
Category :
Languages : en
Pages :

Book Description
"Material matters in new Chinese art, which presents its subjects through the directness and immediacy of its material. This book applies theories by Osborne and Danto to new Chinese art to show how artists are working below the level of language to make each work of art prove that it is art"--

Dialogue and the New Cosmopolitanism

Dialogue and the New Cosmopolitanism PDF Author: Fred Dallmayr
Publisher: Rowman & Littlefield
ISBN: 1666919462
Category : Philosophy
Languages : en
Pages : 455

Book Description
Dialogue and the New Cosmopolitanism: Conversations with Edward Demenchonok stands in opposition to the doctrine that might makes right and that the purpose of politics is to establish domination over others rather than justice and the good life for all. In the pursuit of the latter goal, the book stresses the importance of dialogue with participants who take seriously the views and interests of others and who seek to reach a fair solution. In this sense, the book supports the idea of cosmopolitanism, which—by contrast to empire—involves multi-lateral cooperation and thus the quest for a just cosmopolis. The international contributors to this volume, with their varied perspectives, are all committed to this same quest. Edited by Fred Dallmayr, the chapters take the form of conversations with Edward Demenchonok, a well-known practitioner of international and cross-cultural philosophy. The conversations are structured in parts that stress the philosophical, anthropological, cultural, and ethical dimensions of global dialogue. In our conflicted world, it is inspiring to find so many authors from different places agreeing on a shared vision.

Subversive Strategies in Contemporary Chinese Art

Subversive Strategies in Contemporary Chinese Art PDF Author: Mary Wiseman
Publisher: BRILL
ISBN: 9004201475
Category : Philosophy
Languages : en
Pages : 476

Book Description
What is art and what is its role in a China that is changing at a dizzying speed? These questions lie at the heart of Chinese contemporary art. Subversive Strategies paves the way for the rebirth of a Chinese aesthetics adequate to the art whose sheer energy and imaginative power is subverting the ideas through which western and Chinese critics think about art. The first collection of essays by American and Chinese philosophers and art historians, Subversive Strategies begins by showing how the art reflects current crises and is working them out through bodies gendered and political. The essays raise the question of Chinese identity in a global world and note a blurring of the boundary between art and everyday life.

Modern Chinese Counter-Enlightenment

Modern Chinese Counter-Enlightenment PDF Author: Peng Hsiao-yen
Publisher: Hong Kong University Press
ISBN: 988880569X
Category : Philosophy
Languages : en
Pages : 239

Book Description
In Modern Chinese Counter-Enlightenment: Affect, Reason, and the Transcultural Lexicon, Peng Hsiao-yen argues that a trend of Counter-Enlightenment had grown from the late Qing to the May Fourth era in the 1910s to the 1920s and continued to the 1940s. She demonstrates how Counter-Enlightenment was manifested with case studies such as Lu Xun’s writings in the late 1900s, the Aesthetic Education movement from the 1910s to 1920s, and the Science and Lifeview debate in the 1920s. During the period, the life philosophy movement, highlighting the epistemic debate on affect and reason, is connected with its counterparts in Germany, France, and Japan. The movement had widespread and long-term impact on Chinese philosophy and literature. Using the transcultural lexicon as methodology, this book traces how the German term Lebensanschauung (lifeview), a key concept in Rudolf Eucken’s life philosophy, constituted a global tide of Counter-Enlightenment that influenced the thought of leading Chinese intellectuals in the Republican era. Peng contends that Chinese intellectuals’ transcultural connections with others in the philosophical pursuit of knowledge triggered China’s self-transformation. She has successfully reconstructed the missing link in the Chinese theater of the worldwide dialectic of Enlightenment and Counter-Enlightenment. “This book can be considered a milestone in modern Chinese and cultural studies. It is also the most ambitious attempt in developing a new kind of interdisciplinary studies—an attempt that bears a philosophic weight and cuts across the disciplines of Sinology, comparative literature, intellectual history, and translation studies. At the same time, it seeks to demonstrate a new theory of ‘Transcultural Lexicon’ which should appeal to all scholars interested in cultural theories.” —Leo Ou-fan Lee, Chinese University of Hong Kong “In the age ruled by the myth of technoscientific triumphalism, this timely and refreshing book unearths a critical strand of thought and sensibility against enlightenment rationality in modern China. Drawing on historical archives and debates, Peng Hsiao-yen stages a compelling critique of industrial modernity and the pursuit of wealth and power at the cost of emotional ties, community, and organic lifeways.” —Ban Wang, Stanford University

Art, Global Maoism and the Chinese Cultural Revolution

Art, Global Maoism and the Chinese Cultural Revolution PDF Author: Jacopo Galimberti
Publisher: Manchester University Press
ISBN: 1526117495
Category : Art
Languages : en
Pages : 312

Book Description
This is the first book to explore the global influence of Maoism on modern and contemporary art. Featuring eighteen original essays written by established and emerging scholars from around the world, and illustrated with fascinating images not widely known in the west, the volume demonstrates the significance of visuality in understanding the protean nature of this powerful worldwide revolutionary movement. Contributions address regions as diverse as Singapore, Madrid, Lima and Maputo, moving beyond stereotypes and misconceptions of Mao Zedong Thought's influence on art to deliver a survey of the social and political contexts of this international phenomenon. At the same time, the book attends to the the similarities and differences between each case study. It demonstrates that the chameleonic appearances of global Maoism deserve a more prominent place in the art history of both the twentieth and twenty-first centuries.

China Journal of Science and Arts

China Journal of Science and Arts PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 526

Book Description


The China Journal of Science & Arts

The China Journal of Science & Arts PDF Author:
Publisher:
ISBN:
Category : China
Languages : en
Pages : 1168

Book Description


Time & Signs

Time & Signs PDF Author: Agus Dermawan T.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 170

Book Description


China's New Nationalism

China's New Nationalism PDF Author: Peter Hays Gries
Publisher: Univ of California Press
ISBN: 0520931947
Category : History
Languages : en
Pages : 226

Book Description
Three American missiles hit the Chinese embassy in Belgrade, and what Americans view as an appalling and tragic mistake, many Chinese see as a "barbaric" and intentional "criminal act," the latest in a long series of Western aggressions against China. In this book, Peter Hays Gries explores the roles of perception and sentiment in the growth of popular nationalism in China. At a time when the direction of China's foreign and domestic policies have profound ramifications worldwide, Gries offers a rare, in-depth look at the nature of China's new nationalism, particularly as it involves Sino-American and Sino-Japanese relations—two bilateral relations that carry extraordinary implications for peace and stability in the twenty-first century. Through recent Chinese books and magazines, movies, television shows, posters, and cartoons, Gries traces the emergence of this new nationalism. Anti-Western sentiment, once created and encouraged by China's ruling PRC, has been taken up independently by a new generation of Chinese. Deeply rooted in narratives about past "humiliations" at the hands of the West and impassioned notions of Chinese identity, popular nationalism is now undermining the Communist Party's monopoly on political discourse, threatening the regime's stability. As readable as it is closely researched and reasoned, this timely book analyzes the impact that popular nationalism will have on twenty-first century China and the world.