Author: William KELLY (M.Ap.L.D.)Publisher:
ISBN:
Category : Gregorian chants
Languages : en
Pages : 52
Book Description
A Grammar of Gregorian, or plain chant music
Author: William KELLY (M.Ap.L.D.)Publisher:
ISBN:
Category : Gregorian chants
Languages : en
Pages : 52
Book Description
A Grammar of Gregorian Music
Author: William Joseph WalshPublisher:
ISBN:
Category : Gregorian chants
Languages : en
Pages : 198
Book Description
The Complete Gregorian Plain Chant Manual ...
Author: William Kelly (M.Ap.I.D.)Publisher:
ISBN:
Category :
Languages : en
Pages : 818
Book Description
Grammar of Gregorian and Modern Music
Author: Richard HackettWestern Plainchant
Author: David HileyPublisher: Oxford University Press
ISBN: 9780198165729
Category : Music
Languages : en
Pages : 764
Book Description
Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come.
Musical Notation in the West
Author: James GrierPublisher: Cambridge University Press
ISBN: 0521898161
Category : Music
Languages : en
Pages : 287
Book Description
A detailed critical and historical investigation of the development of musical notation as a powerful system of symbolic communication.
An Applied Course in Gregorian Chant.
Author: Institut Grégorien de ParisPublisher: Hassell Street Press
ISBN: 9781014756787
Category :
Languages : en
Pages : 168
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Writing Sounds in Carolingian Europe
Author: Susan RankinPublisher: Cambridge University Press
ISBN: 1108381782
Category : Music
Languages : en
Pages : 429
Book Description
Musical notation has not always existed: in the West, musical traditions have often depended on transmission from mouth to ear, and ear to mouth. Although the Ancient Greeks had a form of musical notation, it was not passed on to the medieval Latin West. This comprehensive study investigates the breadth of use of musical notation in Carolingian Europe, including many examples previously unknown in studies of notation, to deliver a crucial foundational model for the understanding of later Western notations. An overview of the study of neumatic notations from the French monastic scholar Dom Jean Mabillon (1632–1707) up to the present day precedes an examination of the function and potential of writing in support of a musical practice which continued to depend on trained memory. Later chapters examine passages of notation to reveal those ways in which scripts were shaped by contemporary rationalizations of musical sound. Finally, the new scripts are situated in the cultural and social contexts in which they emerged.
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