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A Gentle Pony for Peter

A Gentle Pony for Peter PDF Author: Michèle Dufresne
Publisher:
ISBN: 9781584537663
Category : Children's stories
Languages : en
Pages : 20

Book Description


A Gentle Pony for Peter

A Gentle Pony for Peter PDF Author: Michèle Dufresne
Publisher:
ISBN: 9781584537663
Category : Children's stories
Languages : en
Pages : 20

Book Description


Peter's Pony. Preparing for a Ride, Etc

Peter's Pony. Preparing for a Ride, Etc PDF Author: Christine BLACK
Publisher:
ISBN:
Category :
Languages : en
Pages :

Book Description


The Homestead

The Homestead PDF Author:
Publisher:
ISBN:
Category : Home economics
Languages : en
Pages : 1334

Book Description


Sheltie and the Snow Pony

Sheltie and the Snow Pony PDF Author: Peter Clover
Publisher: Puffin
ISBN: 9780141304489
Category : Children's stories
Languages : en
Pages : 100

Book Description
When Emma and Sheltie discover a very thin pony left to fend for himself on the snowy downs, Emma decides to rescue him. Eventually, the mystery of the pony is solved when it leads them to its owner - an old lady who lives on her own. She can't look after the pony, but can they find him a new home.

Romantic Parodies, 1797-1831

Romantic Parodies, 1797-1831 PDF Author: David A. Kent
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838634585
Category : English literature
Languages : en
Pages : 428

Book Description
This is the first collection of literary parodies, both poetry and prose, written during the English Romantic period. Many anthologies of literary parody have been published during the past century, but no previous selection has concentrated so intensively on a single period in English literary history, and no period in that history was more remarkable for the quantity and diversity of its parody. There was no Romantic writer untouched by parody, either as subject or as author, or even occasionally as both. Most parodies were intended to discredit the Romantics not only as poets but as individuals, and to disarm the threat they were seen as posing to establish literary and social norms. Because it focuses on the "swarm of imitative writers" about whom Robert Southey complained in an 1819 letter to Walter Savage Landor, this collection throws light on a large and often overlooked body of work whose authors had much more serious purposes than mere ridicule or amusement. Romantic parody situates itself between the eighteenth-century craft of burlesque and the nonsense verse that Victorian parody often became. This anthology demonstrates that parody is concerned with power: that it expresses ideological conflict, dramatizing clashes of ideas, styles, and values between different generations of writers, different classes and social groups, and even between writers of the same generation and class. Parody is not an inherently conservative mode; politically, it serves the whole range of opinion from extreme left to extreme right. While several of the parodies are playful - a few even affectionate - most angrily testify to the political, social, and aesthetic divisions embittering the times. Some parodies have aged more gracefully than others. But all contribute to a more vivid understanding of the era and to the reception accorded the most important Romantic writers. The venom and alarm of the response those writers provoked may surprise anyone who takes it for granted that the Romantics easily made their way into the mainstream of English literature. This volume reprints parodies by the major Romantics (including Coleridge, Keats, Byron, and Shelley) as well as by minor, obscure, and anonymous contemporaries. Several longer, better-known texts are given in their entirety, e.g., Peter Bell, Peter Bell III, and The Vision of Judgment, and there are also examples from distinguished collections such as Rejected Addresses, The Poetic Mirror, and Warreniana. Numerous shorter works are taken from periodicals of the time (such as Blackwood's or The Satirist), and many of these are reprinted for the first time since their initial publication. The foreword by Linda Hutcheon, "Parody and Romantic Ideology," examines the theoretical implications of Romantic parodies. The introduction, headnotes, and annotations by the editors place the parodies in their historical, social, and literary contexts.

Snow Ponies

Snow Ponies PDF Author: Cynthia Cotten
Publisher: Macmillan
ISBN: 1250034299
Category : Juvenile Nonfiction
Languages : en
Pages : 34

Book Description
When Old Man Winter lets his snow ponies out of the barn, they run into the world, and everything that they touch turns white.

The Adventure of My Pony Pete

The Adventure of My Pony Pete PDF Author: Fred Hoff
Publisher: Tate Publishing
ISBN: 1602471053
Category : Juvenile Fiction
Languages : en
Pages : 30

Book Description
The stories about Pete are based on factual accounts of the events surrounding the childhood of Freddy and the time he spent first chasing Pete after he got free and then the fun they shared once he was caught.

The Oxford Book of Regency Verse, 1798-1837

The Oxford Book of Regency Verse, 1798-1837 PDF Author: Sir Humphrey Sumner Milford
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 992

Book Description


The Boy's Country Book

The Boy's Country Book PDF Author: William Howitt
Publisher:
ISBN:
Category : Amusements
Languages : en
Pages : 414

Book Description


The Red Pony

The Red Pony PDF Author: John Steinbeck
Publisher: Penguin
ISBN: 9780140187397
Category : Fiction
Languages : en
Pages : 132

Book Description
A Penguin Classic Written at a time of profound anxiety caused by the illness of his mother, Nobel Prize winner John Steinbeck draws on his memories of childhood in these stories about a boy who embodies both the rebellious spirit and the contradictory desire for acceptance of early adolescence. Unlike most coming-of-age stories, the cycle does not end with a hero “matured” by circumstances. As John Seelye writes in his introduction, reversing common interpretations, The Red Pony is imbued with a sense of loss. Jody’s encounters with birth and death express a common theme in Steinbeck’s fiction: They are parts of the ongoing process of life, “resolving” nothing. The Red Pony was central not only to Steinbeck’s emergence as a major American novelist but to the shaping of a distinctly mid twentieth-century genre, opening up a new range of possibilities about the fictional presence of a child’s world. This edition contains an introduction by John Seelye. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.