Author: Horatio Nelson Otis
Publisher:
ISBN:
Category :
Languages : en
Pages : 48
Book Description
A Genealogical Memoir of the Family of Richard Otis, and Collaterally of the Families of Baker, Varney, Waldron, Watson, Bean, Smith, Stackpole, Wentworth, Carr, Purington, Beede, Newton, Heard, Ham, Tuttle Pinkham, Chesley, Cogswell, Wallingford, &c, &c
A Genealogical Memoir of the Family of Richard Otis and Collaterally of the Families of Baker, Varney, Waldron, Watson...
A Genealogical Memoir of the Family of Richard Otis
Genealogical and Historical Memoir of the Otis Family
A Genealogical and Historical Memoir of the Otis Family in America
Author: William Augustus Otis
Publisher: Literary Licensing, LLC
ISBN: 9781258173715
Category :
Languages : en
Pages : 950
Book Description
Publisher: Literary Licensing, LLC
ISBN: 9781258173715
Category :
Languages : en
Pages : 950
Book Description
Genealogical and Historical Memoir of the Otis Family in America
Author: W. A. Otis
Publisher:
ISBN: 9780740408229
Category :
Languages : en
Pages : 729
Book Description
Publisher:
ISBN: 9780740408229
Category :
Languages : en
Pages : 729
Book Description
A Genealogical Memoir of the Family of Richard Otis
Author: Horatio Nelson Otis
Publisher:
ISBN:
Category :
Languages : en
Pages : 48
Book Description
Richard Otis, 1626-1689, lived in Dover, New Hamphsire.
Publisher:
ISBN:
Category :
Languages : en
Pages : 48
Book Description
Richard Otis, 1626-1689, lived in Dover, New Hamphsire.
A Genealogical and Historical Memoir of the Otis Family in America
Author: William Augustus Otis
Publisher:
ISBN:
Category :
Languages : en
Pages : 726
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 726
Book Description
Hollywood Highbrow
Author: Shyon Baumann
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
A Genealogy of Aaron Denio of Deerfield, Massachusetts, 1704-1925
Author: Francis Brigham Denio
Publisher:
ISBN:
Category :
Languages : en
Pages : 345
Book Description
"Aaron Denio born Dec. 26, 1704 at Boucherville, P.Q. d. at Greenfield, Mass. Apr. 29, 1780, made his will Apr. 5., 1774, m. July 8, 1730 Anna Coombs, b. Feb. 11 (or 17) 1711 at Northampton, Mass. dieP at Greenfield, Apr. 5 1774"--Page 52. Their children were born at Deerfield, Massachusetts. He also served in the military. Descendants lived in Massachusetts, New York, Wisconsin, Michigan, Vermont, Pennsylvania, Alabama, Nevada and elsewhere.
Publisher:
ISBN:
Category :
Languages : en
Pages : 345
Book Description
"Aaron Denio born Dec. 26, 1704 at Boucherville, P.Q. d. at Greenfield, Mass. Apr. 29, 1780, made his will Apr. 5., 1774, m. July 8, 1730 Anna Coombs, b. Feb. 11 (or 17) 1711 at Northampton, Mass. dieP at Greenfield, Apr. 5 1774"--Page 52. Their children were born at Deerfield, Massachusetts. He also served in the military. Descendants lived in Massachusetts, New York, Wisconsin, Michigan, Vermont, Pennsylvania, Alabama, Nevada and elsewhere.