A Filmography of Cartomancy and Tarot 1940-2010 PDF Download

Author: Emily E. Auger
Publisher:
ISBN: 9781987919028
Category :
Languages : en
Pages : 398

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Author: Emily Elisabeth Auger
Publisher:
ISBN: 9781783203321
Category : Fortune-telling by cards
Languages : en
Pages : 384

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Author: Emily Elisabeth Auger
Publisher: Intellect (UK)
ISBN: 9781783203314
Category : Fortune-telling by cards
Languages : en
Pages : 0

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Book Description
In the first book-length study of Tarot cards on the silver screen, Emily E. Auger contextualizes cartomancy--the practice of fortune telling via playing cards--and dives deep into its invention and promulgation in film. After providing an introduction to divination and cartomancy, Auger offers detailed descriptions and analyses of the roles that cartomancy and Tarot cards play in films. The book features an abbreviated filmography--including nearly 200 films--detailing their relationships to cartomancy. As Tarot communities continue to grow worldwide, Cartomancy and Tarot in Film will be of interest to scholars of esoteric studies, film, folklore, playing cards, popular culture, and religion, as well as diviners the world over.

Author: Emily E. Auger
Publisher: McFarland
ISBN: 1476647208
Category : Social Science
Languages : en
Pages : 277

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Arthur E. Waite and artist Pamela Colman Smith's Rider-Waite Tarot (1909) is the most popular Tarot in the world. Today, it is affectionately referred to as the Rider-Waite-Smith Tarot in recognition of the high quality of Smith's contributions. Waite and Smith's deck has become the gold standard for identifying and analyzing contemporary Tarot and other meditation decks based on archetypes. Developments in both visual and literary history and theory have influenced Tarot since its fifteenth-century invention as a game and subsequent adaptations for esotericism, cartomancy, and meditation. This analysis consider Tarot in relation to established modern and postmodern art movements, such as Symbolism, Surrealism, and Pattern and Decoration Art, as well as the concepts and theories informing both the dominance and the dissolution of the modernist "grid" and hierarchical priorities. This work also explores the close connection between Tarot and the invention of the literary novel and includes new material on the representation of Tarot in film and fiction. A new chapter addresses the growing influence of the archetypal "shadow" and "shadow work" on Tarot as an artistic form, narrative genre, and practice in the new millennium.

Author: Patrick Maille
Publisher: Univ. Press of Mississippi
ISBN: 1496833015
Category : Body, Mind & Spirit
Languages : en
Pages : 247

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Tarot cards have been around since the Renaissance and have become increasingly popular in recent years, often due to their prevalence in popular culture. While Tarot means many different things to many different people, the cards somehow strike universal chords that can resonate through popular culture in the contexts of art, television, movies, even comic books. The symbolism within the cards, and the cards as symbols themselves, make Tarot an excellent device for the media of popular culture in numerous ways. They make horror movies scarier. They make paintings more provocative. They provide illustrative structure to comics and can establish the traits of television characters. The Cards: The Evolution and Power of Tarot begins with an extensive review of the history of Tarot from its roots as a game to its supposed connection to ancient Egyptian magic, through its place in secret societies, and to its current use in meditation and psychology. This section ends with an examination of the people who make up today’s tarot community. Then, specific areas of popular culture—art, television, movies, and comics—are each given a chapter in which to survey the use of Tarot. In this section, author Patrick Maille analyzes such works as Deadpool, Books of Magic by Neil Gaiman, Disney's Haunted Mansion, Sherlock Holmes: Game of Shadows, The Andy Griffith Show, Buffy the Vampire Slayer, and King of the Hill. The cards are evocative images in their own right, but the mystical fascination they inspire makes them a fantastic tool to be used in our favorite shows and stories.

Author: Elizabeth Rae Coody
Publisher: Taylor & Francis
ISBN: 1000852377
Category : Religion
Languages : en
Pages : 275

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Book Description
Understanding Religion and Popular Culture 2nd edition provides an accessible introduction to this exciting and rapidly evolving field. Divided into two parts, Issues in Religion and Genres in Popular Culture, it encourages readers to think critically about the ways in which popular cultural practices and products, especially those considered as forms of entertainment, are laden with religious ideas, themes, and values. This edition has been thoroughly revised and includes five new chapters, updated case studies, and contemporary references. Among the areas covered are religion and film, food, violence, music, television, cosplay, and fandom. Each chapter also includes a helpful summary, glossary, bibliography, discussion questions, and suggestions for further reading/viewing. Providing a set of practical and theoretical tools for learning and research, this book is an essential read for all students of Religion and Popular Culture, or Religion and Media more broadly.

Author: Emily Elisabeth Auger
Publisher: McFarland
ISBN: 9780786418886
Category : Art
Languages : en
Pages : 312

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Book Description
Inuit art, both ancient and contemporary, has inspired the interest of scholars, collectors and art lovers around the globe. This book examines Inuit art from prehistory to the present with special attention to methodology and aesthetics, exploring the ways in which it has been influenced by and has influenced non-Inuit artists and scholars. Part One gives the history of the main art-producing prehistoric traditions in the North American arctic, concentrating on the Dorset who once flourished in the Canadian region. It also demonstrates the influence of theories such as evolutionism, diffusionism, ethnographic comparison, and shamanism on the interpretation of prehistoric Inuit art. Part Two demonstrates the influence of such popular theories as nationalism, primitivism, modernism, and postmodernism on the aesthetics and representation of twentieth-century Canadian Inuit art. This discussion is supported by interviews conducted with Inuit artists. A final chapter shows the presence of Inuit art in the mainstream multi-cultural environment, with a discussion of its influence on Canadian artist Nicola Wojewoda. The work also presents various Inuit artists' reactions to Wojewoda's work.

Author: Ronald Decker
Publisher: Quest Books
ISBN: 0835630838
Category : Body, Mind & Spirit
Languages : en
Pages : 344

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Book Description
That the Tarot originated in ancient Egypt as a divinatory tool is a romantic misconception. Ron Decker’s meticulous scholarship will surprise practitioners and academics alike, revealing the Tarot’s true evolution and meanings as its inventor(s) understood it. The Tarot consists of the Minor Arcana, four suits of cards similar to our modern deck, and the Major Arcana, twenty-two allegorical or “trump” cards. Decker says the four-suit deck was invented in Asia Minor before AD 1000; Italian courtiers added the trumps in the 1400s. But Tarot was first used as a game. Tarot divination was only created in the 1700s by a Parisian fortuneteller who based the trump images on Hermeticism, which merges Greco-Egyptian alchemy, astrology, numerology, magic, and mysticism. Today, the suit-cards are often traced to the ancient Jewish Cabala. But, says Decker, they, too, acquired their meanings only in the 1700s, and he cites a lost numerical system based on Cabala at that time Decker’s interpretation integrates three whole systems-astrological, arithmological, mystagogical (concerning initiation rites into the Mysteries). His depth of knowledge makes the book a must-have for serious students of Tarot and esotericism

Author: Emily Elisabeth Auger
Publisher:
ISBN: 9780993694431
Category : Tarot
Languages : en
Pages : 416

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Book Description
Tarot in Culture (ed. Emily E. Auger) is a well-illustrated (260 illus.) two-volume multi-author anthology of papers on Tarot with a foreword by Rachel Pollack. Contributions range from original, in-depth, thoroughly documented studies of Tarot history, art, and literature to artists' statements and other primary source documents. Volume One (416 pp) contributors include Michael Dummett, Helen S. Farley, Mary K. Greer, Richard Kaczynski, Marcus Katz, June Leavitt, Paul Mountfort, and Robert Place. Tarot in Culture is both accessible to the Tarot student and of interest to scholars of other fields, including historians and theorists of art, esotericism, literature, the occult, and popular culture and genres.

Author: Emily E. Auger
Publisher: McFarland
ISBN: 1476686793
Category : Social Science
Languages : en
Pages : 277

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Book Description
Arthur E. Waite and artist Pamela Colman Smith's Rider-Waite Tarot (1909) is the most popular Tarot in the world. Today, it is affectionately referred to as the Rider-Waite-Smith Tarot in recognition of the high quality of Smith's contributions. Waite and Smith's deck has become the gold standard for identifying and analyzing contemporary Tarot and other meditation decks based on archetypes. Developments in both visual and literary history and theory have influenced Tarot since its fifteenth-century invention as a game and subsequent adaptations for esotericism, cartomancy, and meditation. This analysis consider Tarot in relation to established modern and postmodern art movements, such as Symbolism, Surrealism, and Pattern and Decoration Art, as well as the concepts and theories informing both the dominance and the dissolution of the modernist "grid" and hierarchical priorities. This work also explores the close connection between Tarot and the invention of the literary novel and includes new material on the representation of Tarot in film and fiction. A new chapter addresses the growing influence of the archetypal "shadow" and "shadow work" on Tarot as an artistic form, narrative genre, and practice in the new millennium.