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Author: Stuart Burrows Publisher: University of Georgia Press ISBN: 0820337412 Category : Literary Criticism Languages : en Pages : 302
Book Description
Literary critics have traditionally suggested that the invention of photography led to the rise of the realist novel, which is believed to imitate the detail and accuracy of the photographic image. Instead, says Stuart Burrows, photography's influence on American fiction had less to do with any formal similarity between the two media than with the capacity of photography to render American identity and history homogeneous and reproducible. The camera, according to Burrows, provoked a representational crisis, one broadly modernist in character. Since the photograph is not only a copy of its subject but a physical product of it, the camera can be seen as actually challenging mimetic or realistic theories of representation, which depend on a recognizable gap between original and reproduction. Burrows argues for the centrality of photography to a set of writers commonly thought of as hostile to the camera-including Nathaniel Hawthorne, Henry James, William Faulkner, and Zora Neale Hurston. The photographic metaphors and allusions to the medium that appear throughout these writers' work demonstrate the ways in which one representational form actually influences another--by changing how artists conceive of identity, history, and art itself. A Familiar Strangeness thus challenges the notion of an absolute break between nineteenth-century realism and twentieth-century modernism, a break that typically centers precisely on the two movements' supposedly differing relation to the camera. Just as modernist fiction interrupts and questions the link between visuality and knowledge, so American realist fiction can be understood as making the world less knowable precisely by making it more visible.
Author: Stuart Burrows Publisher: University of Georgia Press ISBN: 0820337412 Category : Literary Criticism Languages : en Pages : 302
Book Description
Literary critics have traditionally suggested that the invention of photography led to the rise of the realist novel, which is believed to imitate the detail and accuracy of the photographic image. Instead, says Stuart Burrows, photography's influence on American fiction had less to do with any formal similarity between the two media than with the capacity of photography to render American identity and history homogeneous and reproducible. The camera, according to Burrows, provoked a representational crisis, one broadly modernist in character. Since the photograph is not only a copy of its subject but a physical product of it, the camera can be seen as actually challenging mimetic or realistic theories of representation, which depend on a recognizable gap between original and reproduction. Burrows argues for the centrality of photography to a set of writers commonly thought of as hostile to the camera-including Nathaniel Hawthorne, Henry James, William Faulkner, and Zora Neale Hurston. The photographic metaphors and allusions to the medium that appear throughout these writers' work demonstrate the ways in which one representational form actually influences another--by changing how artists conceive of identity, history, and art itself. A Familiar Strangeness thus challenges the notion of an absolute break between nineteenth-century realism and twentieth-century modernism, a break that typically centers precisely on the two movements' supposedly differing relation to the camera. Just as modernist fiction interrupts and questions the link between visuality and knowledge, so American realist fiction can be understood as making the world less knowable precisely by making it more visible.
Author: Harold Bloom Publisher: Infobase Publishing ISBN: 1438125658 Category : African Americans Languages : en Pages : 273
Book Description
Presents a collection of critical essays on the works of the African American poets Robert Hayden, Gwendolyn Brooks, Jean Toomer, Claude McKay, Langston Hughes, Paul Laurence Dunbar, James Weldon Johnson and Alice Dunbar-Nelson.
Author: Denis Sampson Publisher: Oxford University Press ISBN: 0191067288 Category : Literary Collections Languages : en Pages : 196
Book Description
The Found Voice: Writers' Beginnings uses the means of literary biography and criticism to do something rarely attempted--to understand how a key creative period establishes the authoritative voice of a unique artist. The essays which explore this hidden process of the writer writing focus on some of the major writers of recent times, V.S. Naipaul, J.M. Coetzee, Alice Munro, William Trevor, and Mavis Gallant. The focus of investigation is a single work by each author, and many of them identify the book in which this turning point was reached. The writers have a somewhat different sense of what the voice is, 'a true voice', 'the voice in the mind', 'the writing voice', etc., yet all of them accept the phrase 'finding a voice' as a decisive and necessary process towards a unique style and vision, their raison d'être as artists. These essays allow each one to define his or her sense of the process of writing, and their style is exploratory. Nevertheless, certain patterns emerge, of migration and cultural displacement, of linguistic self-consciousness, of memory and a reimagining of the first home, of absorbing and rejecting mentors and models. Crucially, the essays rely not just on what led up to the moment of creation but on a sense of the career that emerged from it. Most of the writers have written retrospectively in memoirs, interviews or essays about the pivotal work and its foundational significance. They are the best witnesses to the process, although their silence or their commentary is understood in terms of the many strands of the narrative that each essay presents.
Author: Susanne Duesterberg Publisher: transcript Verlag ISBN: 3839428106 Category : History Languages : en Pages : 573
Book Description
Popular archaeology is a heterogeneous phenomenon: Focusing on the German archaeologist Heinrich Schliemann, Egyptian mummies, and the ruin complex Great Zimbabwe in fictional and factual texts, Susanne Duesterberg analyses the popular reception of archaeology in Victorian and Edwardian Britain. She offers an interdisciplinary and comparative view on the reception of the different archaeologies, reflecting contemporary sociocultural concerns in connection with identity formation. With its focus on popular culture as well as identity and memory studies, the book appeals to both a general public and experts from various disciplines.
Author: Jacques Derrida Publisher: University of Chicago Press ISBN: 0226144291 Category : Philosophy Languages : en Pages : 369
Book Description
When he died in 2004, Jacques Derrida left behind a vast legacy of unpublished material, much of it in the form of written lectures. With The Beast and the Sovereign, Volume 1, the University of Chicago Press inaugurates an ambitious series, edited by Geoffrey Bennington and Peggy Kamuf, translating these important works into English. The Beast and the Sovereign, Volume 1 launches the series with Derrida’s exploration of the persistent association of bestiality or animality with sovereignty. In this seminar from 2001–2002, Derrida continues his deconstruction of the traditional determinations of the human. The beast and the sovereign are connected, he contends, because neither animals nor kings are subject to the law—the sovereign stands above it, while the beast falls outside the law from below. He then traces this association through an astonishing array of texts, including La Fontaine’s fable “The Wolf and the Lamb,” Hobbes’s biblical sea monster in Leviathan, D. H. Lawrence’s poem “Snake,” Machiavelli’s Prince with its elaborate comparison of princes and foxes, a historical account of Louis XIV attending an elephant autopsy, and Rousseau’s evocation of werewolves in The Social Contract. Deleuze, Lacan, and Agamben also come into critical play as Derrida focuses in on questions of force, right, justice, and philosophical interpretations of the limits between man and animal.
Author: Maurizio Andolfi Publisher: Routledge ISBN: 1135823391 Category : Psychology Languages : en Pages : 316
Book Description
Please Help Me With This Family is based on the premise that it is generally useful to expand the therapeutic system when it is not working. By calling in additional resources when therapy reaches an impasse, the therapist is giving two strong messages to stuck families-(1)the admission of the failure of the present system to grow beyond the impasse, and (2) a model of creativity in recruiting resources to improve chances of success. Often, the resources in the large system hold the keys to uncovering and correcting troublesome relationships and behaviors in the smaller system. Please Help Me With This Family is divided into four major sections, each illustrating unique approaches and methods for unlocking resources in family and therapeutic systems. The first section opens with a comprehensive review of the theoretical roots of family therapy consultation, followed by a discussion of the different faces of consultation around the world; a detailed case study of an anorectic family in which Maurizio Andolfi successfully provokes a therapeutic impasse; and to which Carl Whitaker provides fascinating insights into his role as a consultant. Section II discusses the variety of consultative resources available in the client system and how best to harness them. Chapters cover using the child as consultant; using family of origin and friends as resources; and the use of consultation in treating addictions. Using colleagues as consultants is the focus of the third section. Consultation has the advantage over cotherapy and supervision of requiring only a brief, cost?effective relationship. Chapters discuss how therapists can avoid replicating errors by working closely with the client's previous therapist: an eco?systemic approach with chronic pain sufferers that involves medical, family, and community systems in Israel; using consultation to evaluate therapy; the creative?preventive possibilities inherent in collegial consultation; how a family therapist and school system personnel can be mutually helpful with a conjoint problem; and a consultation that focuses on the position of the therapist rather than on the client system. Finally, Section IV addresses consultation as a valuable form of professional development. It explores the importance of timing when using a consultant; the effects on five therapists of live case demonstrations with Maurizio Andolfi as consultant; and consultation to correct gender prejudice. Contributors to this volume include Vincenzo F. DiNicola, Elizabeth Ridgely, Joseph Simons, David Keith, Jim Guinan, William Jones, Lars Brok, Joel Elizur, Sara B. Jutoran, Noga Rubinstein?Nabarro, Bob Wendt, Audrey Ellenwood, Peter Liggett, Marsha Purvis, Mary Hotvedt, and Marcella de Nichilo. Students and clinicians who wish to practice consulting as well as family therapists who want to learn creative approaches to handling the dilemmas that arise in therapy will find Please Help Me With This Family to be an incomparable resource.
Author: Jeannie B. Thomas Publisher: University of Virginia Press ISBN: 9780813917238 Category : History Languages : en Pages : 246
Book Description
Interested in preserving her family folklore, Jeannie B. Thomas recorded detailed oral histories from her mother and two grandmothers. While analyzing the tapes of these sessions, she notices the inappropriate laughter often accompanied the retelling of painful stories. In this book, Thomas combines these personal narratives with original scholarship drawing on the work of Mikhail Bakhtin and Julia Kristeva to uncover meaning behind the startling presence of unconventional laughter in women's histories.
Author: Stuart Burrows
Author: Stuart Burrows
Author: Harold Bloom
Author: Paul H. Glasser
Author: Denis Sampson
Author: Susanne Duesterberg
Author: Jacques Derrida
Author: Maurizio Andolfi
Author: Jeannie B. Thomas
Author: John Jacob Brooke Morgan
Author: Ghent Urban Studies Team