The Catalogue of Printed Music in the British Library to 1980 PDF Download

Author: British Library. Department of Printed Books
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 400

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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 10

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Author: Edward Klorman
Publisher: Cambridge University Press
ISBN: 1107093651
Category : Art
Languages : en
Pages : 359

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This study analyzes chamber music from Mozart's time within its highly social salon-performance context.

Author: W. Dean Sutcliffe
Publisher: Cambridge University Press
ISBN: 110701381X
Category : Music
Languages : en
Pages : 613

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Interprets an eighteenth-century musical repertoire in sociable terms, both technically (specific musical patterns) and affectively (predominant emotional registers of the music).

Author: Ennio Morricone
Publisher: Scarecrow Press
ISBN: 0810892421
Category : Performing Arts
Languages : en
Pages : 311

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Book Description
With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike. In Composing for the Cinema: The Theory and Praxis of Music in Film, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Though aimed at composers, Morricone’s expositions are easy to understand and fascinating even to those without any musical training. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Translated and edited by Gillian B. Anderson, an orchestral conductor and musicologist, these lessons reveal Morricone’s passion about musical expression. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition. Aimed at a wide audience of composers, musicians, film historians, and fans, Composing for the Cinema contains a treasure trove of practical information and observations from a distinguished musicologist and one of the most accomplished composers on the international film scene.

Author: Patrick Piggott
Publisher: Univ of California Press
ISBN: 9780520024120
Category : Biography & Autobiography
Languages : en
Pages : 326

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Apart from the fact that John Field invented the nocturne, very little has been known about the composer and his strange and colorful life. Although is compositions were once widely popular, they are now neglected and misunderstood and even his beautiful nocturnes are seldom played. The author makes the first important reassessment of the composer's life and music, following Field's career from his childhood as an infant prodigy in Dublin and then as Clementi's pupil in London, through his brilliantly successfully years as the favorite of St. Petersburg and Moscow society, the vicissitudes of his love life, his final appearance in London and Paris, his unhappy years of wandering through Europe, to his eventual return to Moscow where he died in 1837. The nature of Field's greatness as a pianist is extensively discussed and the accounts of his teaching and playing methods are based on the numerous and detailed impressions of the composer's pupils and friends. All Field's known compositions are fully considered, including several works recently discovered by the author. Together with the many illustrations and music examples, this is a brilliant study of a composer whose music is at last put into perspective.

Author: Mark Katz
Publisher: Univ of California Press
ISBN: 0520261054
Category : Business & Economics
Languages : en
Pages : 336

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Fully revised and updated, this text adds coverage of mashups and auto-tune, explores recent developments in file sharing, and includes an expanded conclusion and bibliography.

Author: T. J PINCH
Publisher: Harvard University Press
ISBN: 0674042166
Category : Music
Languages : en
Pages : 385

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Book Description
Tracing the development of the Moog synthesizer from its initial conception to its ascension to stardom in 'Switched-on Bach', this text conveys the consequences of a technology that would provide the soundtrack for a chapter in cultural history.

Author: N. Alan Clark
Publisher:
ISBN: 9781940771335
Category : Education
Languages : en
Pages : 316

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Book Description
Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!

Author: Timothy K. Smith
Publisher: Penguin
ISBN: 1440674159
Category : Music
Languages : en
Pages : 273

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For the beginner or the devotee—it's everything the classical music buff needs to know. The major composers from Bach and Bartok to Rachmaninoff and Tchaikovsky Significant performers from Maurice Andre and Leornard Bernstein to Georg Solti and Yo Yo Ma The landmark works from Appalachian Spring to Don Juan A concise history of classical music A deconstruction of the art form The language of classical music Valuable resources for the Curious Listener