Author: Edward Maria Wingfield
Publisher:
ISBN: 9780649240470
Category :
Languages : en
Pages : 56
Book Description
"A Discourse of Virginia", Pp. 3-43 (not Complete)
Author: Edward Maria Wingfield
Publisher:
ISBN: 9780649240470
Category :
Languages : en
Pages : 56
Book Description
Publisher:
ISBN: 9780649240470
Category :
Languages : en
Pages : 56
Book Description
The English Empire in America, 1602-1658
Author: L H Roper
Publisher: Routledge
ISBN: 1317313879
Category : History
Languages : en
Pages : 224
Book Description
This study situates the colonization of Virginia, the centrepiece of early English overseas settlement activity, in the social and political landscape of the early seventeenth century.
Publisher: Routledge
ISBN: 1317313879
Category : History
Languages : en
Pages : 224
Book Description
This study situates the colonization of Virginia, the centrepiece of early English overseas settlement activity, in the social and political landscape of the early seventeenth century.
Hieroglyphic Modernisms
Author: Jesse Schotter
Publisher: Edinburgh University Press
ISBN: 1474424783
Category : Performing Arts
Languages : en
Pages : 273
Book Description
Explores hieroglyphs as a metaphor for the relationship between new media and writing in British modernismIn the British Museum, one object attracts more tourists than any other: the Rosetta Stone. The decipherment of the Stone by Jean-François Champollion and the discovery of King Tutankhamun's tomb in 1922 contributed to creating a worldwide vogue for all things Egyptian. This fascination was shared by early-twentieth-century authors who invoked Egyptian writing to paint a more complicated picture of European interest in non-Western languages. Hieroglyphs can be found everywhere in modernist novels and in discussions of silent film, appearing at moments when writers and theorists seek to understand the similarities or differences between writing and new recording technologies. Hieroglyphic Modernisms explores this conjunction of hieroglyphs and modernist fiction and film, revealing how the challenge of new media spurred a fertile interplay among practitioners of old and new media forms. Showing how novelists and film theorists in the modernist period defined their respective media in relation to each other, the book shifts the focus in modernism from China, poetry, and the avant-garde to Egypt, narrative, and film. Key Features:Argues for the connections among discourses about film, phonography, digital media, and literature in the twentieth century through the recurrent invocations of hieroglyphsShows how novelists and film theorists in the modernist period defined their respective media in relation to each otherShifts the focus in accounts of visual languages in modernism from China, poetry, and the avant-garde to Egypt, narrative, and filmEstablishes a dialogue between Egyptian writers of the 1920s and 30s and canonical British modernists.
Publisher: Edinburgh University Press
ISBN: 1474424783
Category : Performing Arts
Languages : en
Pages : 273
Book Description
Explores hieroglyphs as a metaphor for the relationship between new media and writing in British modernismIn the British Museum, one object attracts more tourists than any other: the Rosetta Stone. The decipherment of the Stone by Jean-François Champollion and the discovery of King Tutankhamun's tomb in 1922 contributed to creating a worldwide vogue for all things Egyptian. This fascination was shared by early-twentieth-century authors who invoked Egyptian writing to paint a more complicated picture of European interest in non-Western languages. Hieroglyphs can be found everywhere in modernist novels and in discussions of silent film, appearing at moments when writers and theorists seek to understand the similarities or differences between writing and new recording technologies. Hieroglyphic Modernisms explores this conjunction of hieroglyphs and modernist fiction and film, revealing how the challenge of new media spurred a fertile interplay among practitioners of old and new media forms. Showing how novelists and film theorists in the modernist period defined their respective media in relation to each other, the book shifts the focus in modernism from China, poetry, and the avant-garde to Egypt, narrative, and film. Key Features:Argues for the connections among discourses about film, phonography, digital media, and literature in the twentieth century through the recurrent invocations of hieroglyphsShows how novelists and film theorists in the modernist period defined their respective media in relation to each otherShifts the focus in accounts of visual languages in modernism from China, poetry, and the avant-garde to Egypt, narrative, and filmEstablishes a dialogue between Egyptian writers of the 1920s and 30s and canonical British modernists.
Stevens's Historical Collections ...
Author: Henry Stevens
Publisher:
ISBN:
Category : America
Languages : en
Pages : 270
Book Description
Publisher:
ISBN:
Category : America
Languages : en
Pages : 270
Book Description
The Holy Bible
Proceedings, American Philosophical Society (vol. 90, no. 2)
Author:
Publisher: American Philosophical Society
ISBN: 9781422380987
Category :
Languages : en
Pages : 166
Book Description
Publisher: American Philosophical Society
ISBN: 9781422380987
Category :
Languages : en
Pages : 166
Book Description
Tah-gah-jute or Logan and Captain Michael Cresap; a discourse by Brantz Mayer; delivered ... before the Maryland Historical Society, etc
Author: Maryland Historical Society (BALTIMORE)
Publisher:
ISBN:
Category :
Languages : en
Pages : 102
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 102
Book Description
Stevens's Historical Collections ...
Author: Henry Stevens (Jr.)
Publisher:
ISBN:
Category : America
Languages : en
Pages : 392
Book Description
Publisher:
ISBN:
Category : America
Languages : en
Pages : 392
Book Description
Index-Catalogue of Medical and Veterinary Zoology. Authors
The Invention of the White Race
Author: Theodore W. Allen
Publisher: Verso
ISBN: 9781859840764
Category : History
Languages : en
Pages : 388
Book Description
Argues that before the 18th century, there was neither a white nor any other colour-determined race in North America. Allen traces the history of plantations and slavery to show that it was the degradation of African-bonded labourers into slaves that produced racism based on colour.
Publisher: Verso
ISBN: 9781859840764
Category : History
Languages : en
Pages : 388
Book Description
Argues that before the 18th century, there was neither a white nor any other colour-determined race in North America. Allen traces the history of plantations and slavery to show that it was the degradation of African-bonded labourers into slaves that produced racism based on colour.