Author: A. O'NeilPublisher:
ISBN:
Category : Painters
Languages : en
Pages : 312
Book Description
A Dictionary of Spanish Painters
Author: A. O'NeilA Dictionary of Spanish Painters, Comprehending Simply that Part of Their Biography Immediately Connected with the Arts; from the Fourteenth Century to the Eighteenth. [With Plates.]
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Author: A. O'Neil (Writer on Art.)Publisher:
ISBN:
Category :
Languages : en
Pages : 632
Book Description
A Dictionary of Spanish Painters
Author: A. O'NeilA Dictionary of Spanish Painters
Author: A. O'NeilOn Art and Painting
Author: Publisher: University of Wales Press
ISBN: 1783168609
Category : Art
Languages : en
Pages : 414
Book Description
The only volume on the work of Vicente Carducho in English Analysis of the Dialogues on Painting by international experts Contributors are art historians or hispanists, offering a multi-disciplinary approach
A Dictionary of Spanish Painters
Author: A. O'NeilPublisher: Legare Street Press
ISBN: 9781017538588
Category : Art
Languages : en
Pages : 0
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Images and Ideas in Seventeenth-Century Spanish Painting
Author: Jonathan BrownPublisher: Princeton University Press
ISBN: 0691241929
Category : Art
Languages : en
Pages : 214
Book Description
Art historians have often minimized the variety and complexity of seventeenth-century Spanish painting by concentrating on individual artists and their works and by stressing discovery of new information rather than interpretation. As a consequence, the painter emerges in isolation from the forces that shaped his work. Jonathan Brown offers another approach to the subject by relating important Spanish Baroque paintings and painters to their cultural milieu. A critical survey of the historiography of seventeenth-century Spanish painting introduces this two-part collection of essays. Part One provides the most detailed study to date of the artistic-literary academy of Francisco Pacheco, and Part Two contains original studies of four major painters and their works: Las Meninas of Velázquez, Zurbarán's decoration of the sacristy at Guadalupe, and the work by Murillo and Valdés Leal for the Brotherhood of Charity, Seville. The essays are unified by the author's intention to show how the artists interacted with and responded to the prevailing social, theological, and historical currents of the time. While this contextual approach is not uncommon in the study of European art, it is newly applied here to restore some of the diversity and substance that Spanish Baroque painting originally possessed.
Spanish Art in Britain and Ireland, 1750-1920
Author: Enriqueta HarrisPublisher: Tamesis Books
ISBN: 185566223X
Category : Architecture
Languages : en
Pages : 330
Book Description
From the Golden Age to Goya. This is the first study wholly devoted to reception of Spanish art in Britain and Ireland. Examining the extent and sources of knowledge of Spanish art in the British Isles during an age of increasing contact, particularly in theaftermath of the Peninsular War, it contains contributions by leading scholars, including reprints of three essays by Enriqueta Harris Frankfort, to whose memory this book is dedicated. Focusing on Spanish art from the Golden Age to Goya, these studies chart the growth in understanding and appreciation of the Spanish School, and its punctuation by controversies and continuing distrust of religious images in Protestant Britain, as well as by the successive `discoveries' of individual artists - Murillo, Velázquez, Ribera, Zurbarán, El Greco and Goya. The book publishes important new research on art importation, collecting and dealing, and discusses the increase in access to andscholarship on works of art, including their reproduction through both traditional prints and copies and the newly invented photographic methods. It also considers for the first time the role of women in reflecting taste for thearts of Spain. It is richly illustrated with 17 colour and 54 black and white illustrations. NIGEL GLENDINNING is Emeritus Professor of Spanish and Fellow of Queen Mary University of London. HILARY MACARTNEY isHonorary Research Fellow of the Institute for Art History, University of Glasgow. Contributors: NIGEL GLENDINNING, HILARY MACARTNEY, JEREMY ROE, SARAH SYMMONS, MARJORIE TRUSTED, ENRIQUETA HARRIS FRANKFORT
A biographical and critical dictionary of painters and engravers, from the revival of the art under Cimabue, and the alleged discovery of engraving by Finiguerra, to the present times with the ciphers, monograms, and marks, used by each engraveur: by Michael Bryan
Author: Michael BryanA Dictionary of Spanish Painters
Author: A O'NeilPublisher: Palala Press
ISBN: 9781358702549
Category :
Languages : en
Pages :
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.