A Dictionary of Musical Quotations PDF Download

Author: Ian Crofton
Publisher:
ISBN: 9780415031363
Category : Music
Languages : en
Pages : 191

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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Author: Derek Watson
Publisher: NTC/Contemporary Publishing Company
ISBN:
Category : Music
Languages : en
Pages : 460

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Author: David William Barber
Publisher: Sound & Vision Publishing
ISBN: 9780920151228
Category : Music
Languages : en
Pages : 0

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Better Than It Sounds is sometimes pithy, sometimes provacative, sometimes profound and always amusing, these quotes by famous (and not so famous) musicians will brighten your day.

Author: Herb Galewitz
Publisher: Courier Corporation
ISBN: 0486110761
Category : Reference
Languages : en
Pages : 66

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Book Description
More than 400 memorable quotes about the world of music, from Fred Allen to Oscar Wilde, from Friedrich Nietzsche to Florian Zabach. Wonderful for public speakers or just browsing.

Author: Jonathan L. Friedmann
Publisher: Hamilton Books
ISBN: 0761855386
Category : Religion
Languages : en
Pages : 150

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Book Description
Quotations on Jewish Sacred Music is a collection of over 700 quotations culled from an array of sources, including rabbinic and theological texts, sociological and anthropological studies, and historical and musicological examinations. The book is divided into five chapters: What Is Jewish Music?; Spirituality and Prayer; Hazzan-Cantor; Cantillation-Biblical Chant; and Nusach ha-Tefillah-Liturgical Chant. Taken as a whole, these quotations demonstrate both the centrality of music in Jewish religious life and the diversity of thought on the subject. They can be used with profit in sermons, speeches, and papers, and may be read in order or selectively. This is a valuable and easy-to-use reference book for scholars, musicians, synagogue staff, and anyone else seeking concise thoughts on major aspects of Jewish sacred music.

Author: Th; Baker
Publisher: Forgotten Books
ISBN: 9781330268056
Category : Music
Languages : en
Pages : 267

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Book Description
Excerpt from A Dictionary of Musical Terms: Containing Upwards of 9, 000 English, French, German, Italian, Latin and Greek Words and Phrases Used in the Art and Science of Music, Carefully Defined, and With the Accent of the Foreign Words Marked; Preceded by Rules for the Pronunciation of Italian, It is the aim of this Dictionary of Musical Terms to furnish an accurate and concise explanation of any technical word or phrase which the student is apt to meet with. The English vocabulary will be found practically exhaustive. Want of space forbade making the foreign vocabulary equally so; but the editor has endeavored to preserve a proper balance by giving any terra, appearing in either German, French, or Italian, in each of those languages, thus maintaining a consistent polyglot character so far as necessary limitations permitted. The scope of the work, which is rather a dictionary than a lexicon, rendered the editor's task more that of a compiler than of an original investigator. Most of the material here presented has been gleaned from numerous standard works of reference, such as those of Grove (Dictionary), Riemann (Musik-Lexikon), Gevaert (Instrumentation), Weitxmann (History of Pianoforte-Playing), Stainer and Barrett, Ambros (Geschichtc der Musik), Paul (Handlcxikon), Soullier (Dictionnaire), Helmholtz (Tonempfindungen), Niecks, The Century Dictionary, many English, German. French, and Italian periodicals and musical journals, etc., etc. Literal quotations are duly credited to their sources ; condensations and adaptations, however, are, for obvious reasons, not so credited, and must, therefore, be included under this general acknowledgment. The information so gathered has been carefully sifted, and supplemented by the personal researches of over ten years. Due credit should be given to Dr. William Mason for suggesting the Supplement, containing an " English-Italian Vocabulary for Composers'', to which Dr. Mason also contributed valued additions. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Theodore Baker
Publisher: Independently Published
ISBN: 9781097568093
Category :
Languages : en
Pages : 264

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Book Description
It is the aim of this "Dictionary of Musical Terms" to furnish an accurate and concise explanation of any technical word or phrase which the student is apt to meet with. The English vocabulary will be found practically exhaustive. Want of space forbade making the foreign vocabulary equally so; but the editor has endeavored to preserve a proper balance by giving any term, appearing in either German, French, or Italian, in each of those languages, thus maintaining a consistent polyglot character so far as necessary limitations permitted. The scope of the work, which is rather a dictionary than a lexicon, rendered the editor's task more that of a compiler than of an original investigator. Most of the material here presented has been gleaned from numerous standard works of reference, such as those of Grove (Dictionary), Riemann (Musik-Lexikon), Gevaert (Instrumentation), Weitzmann (History of Pianoforte-Playing), Stainer and Barrett, Ambros (Geschichte der Musik), Paul (Handlexikon), Soullier (Dictionnaire), Helmholtz (Tonempfindungen), Niecks, The Century Dictionary, many English, German, French, and Italian periodicals and musical journals, etc., etc. Literal quotations are duly credited to their sources; condensations and adaptations, however, are, for obvious reasons, not so credited, and must, therefore, be included under this general acknowledgment. The information so gathered has been carefully sifted, and supplemented by the personal researches of over ten years.

Author: Th Baker
Publisher: CreateSpace
ISBN: 9781508500810
Category :
Languages : en
Pages : 264

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Book Description
From the PREFACE. It is the aim of this "Dictionary of Musical Terms" to furnish an accurate and concise explanation of any technical word or phrase which the student is apt to meet with. The English vocabulary will be found practically exhaustive. Want of space forbade making the foreign vocabulary equally so; but the editor has endeavored to preserve a proper balance by giving any term, appearing in either German, French, or Italian, in each of those languages, thus maintaining a consistent polyglot character so far as necessary limitations permitted. The scope of the work, which is rather a dictionary than a lexicon, rendered the editor's task more that of a compiler than of an original investigator. Most of the material here presented has been gleaned from numerous standard works of reference, such as those of Grove (Dictionary), Riemann (Musik-Lexikon), Gevaert (Instrumentation), Weitzmann (History of Pianoforte-Playing), Stainer and Barrett, Ambros (Geschichte der Musik), Paul (Handlexikon), Soullier (Dictionnaire), Helmholtz (Tonempfindungen), Niecks, The Century Dictionary, many English, German, French, and Italian periodicals and musical journals, etc., etc. Literal quotations are duly credited to their sources; condensations and adaptations, however, are, for obvious reasons, not so credited, and must, therefore, be included under this general acknowledgment. The information so gathered has been carefully sifted, and supplemented by the personal researches of over ten years.

Author: Alan Green
Publisher: A-R Editions, Inc.
ISBN: 0895797453
Category : Music
Languages : en
Pages : 141

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Book Description
Basic Music Reference is a quick-start guide designed to introduce library employees to the basic tools and techniques involved in answering questions related to music. As in every specialist subject area, music has its own terminology, but unlike most, it also has a multitude of formats—on paper and other materials—as well as special notation and frequent use of foreign languages in titles and texts. These features make it particularly difficult for library employees to answer users’ questions and thus a guide such as this one is essential. Not all libraries with a music collection can afford to hire a music reference librarian. Even libraries with such a specialist rely on support staff and student employees to answer questions when the music librarian is not available. Whatever the scenario, this volume will serve as a helpful training tool for library employees to learn about the basic music reference tools, and to develop the techniques of greatest use when answering the most common types of music-related questions