A Descriptive Catalogue of Twenty Illuminated Manuscripts PDF Download

Author: Henry Yates Thompson
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 174

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Book Description

Author: Paul Binski
Publisher: Cambridge University Press
ISBN: 1139500600
Category : Art
Languages : en
Pages : 725

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Book Description
Cambridge University Library's collection of illuminated manuscripts is of international significance. It originates in the medieval university and stands alongside the holdings of the colleges and the Fitzwilliam Museum. The University Library contains major European examples of medieval illumination from the ninth to the sixteenth centuries, with acknowledged masterpieces of Romanesque, Gothic and Renaissance book art, as well as illuminated literary texts, including the first complete Chaucer manuscript. This catalogue provides scholars and researchers easy access to the University Library's illuminated manuscripts, evaluating the importance of many of them for the very first time. It contains descriptions of famous manuscripts, for example the Life of Edward the Confessor attributed to Matthew Paris, as well as hundreds of lesser-known items. Beautifully illustrated throughout, the catalogue contains descriptions of individual manuscripts with up-to-date assessments of their style, origins and importance, together with bibliographical references.

Author: Rodney M. Thomson
Publisher: D. S. Brewer
ISBN:
Category : History
Languages : en
Pages : 452

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Book Description
Descriptive catalogue provides a crucial guide to one of the most important repositories of medieval manuscrips. Merton College, Oxford, one of the oldest colleges in the University, was founded in 1264. Its library contains some 328 complete medieval manuscript books (plus several hundred fragments in, or extracted from, the bindings of early printed books), dating from the ninth to the late fifteenth century. Most of them came to the College before the Reformation, and are the remains of its medieval collection, part of which was chained in the library, part in circulation amongst the Fellowship. Together with the College's surviving medieval archive, which includes no fewer than twenty-three book-lists, this material provides an important window on intellectual life at the University of Oxford between the thirteenth and sixteenth centuries, and on the manufacture, acquisition and use of the books that supported it. This first catalogue of the medieval manuscripts since 1852 offers full and detailed descriptions of each item, supported by a colour frontispiece, 50 colour plates, and 107 black and white plates. Its introduction provides the first detailed history of Merton's medieval library, including an account of the building anddesign of the College's 'Old Library', built in the 1370s, western Europe's oldest library room still in use today; and the volume is completed with four appendices (including a comprehensive set of extracts from the College's medieval account rolls referring to its books and library) and two indexes. RODNEY M. THOMSON is Professor of History and Honorary Research Associate in the School of History and Classics, University of Tasmania.

Author: Fitzwilliam Museum. Library
Publisher:
ISBN:
Category : Manuscripts
Languages : en
Pages : 610

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Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1028

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Book Description

Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1062

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Book Description

Author: Maggs Bros
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 230

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Book Description

Author: Kari Anne Rand
Publisher: Boydell & Brewer Ltd
ISBN: 1843840537
Category : Reference
Languages : en
Pages : 166

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Book Description
`The Index of Middle English Prose when completed will be a monumental achievement' REVIEW OF ENGLISH STUDIES Two very different collections are surveyed in this volume. The manuscripts of Pembroke College, Cambridge are typical of a medieval foundation. Its core of books is a working library of that period, representing the interests andneeds of its Fellows, very often given or bequeathed by them to the College. The collection was substantially enlarged in 1599 through the gift by William Smart of Ipswich of a large number of manuscripts which until the Reformation had belonged to the Abbey of Bury St Edmunds. By contrast the emphasis of the Fitzwilliam Museum collection is to a great extent art historical. At its heart are the manuscripts bequeathed by Lord Fitzwilliam in 1816. These were supplemented throughout the 19th century by a series of gifts and bequests, culminating in 1904 in the largest bequest to date, from Frank McClean, of some 203 manuscripts. In spite of the different character of the two collections, both contain a range of Middle English prose items, among them Chaucer's Boece, a complete Wycliffite sermon cycle and several Paston letters [all from Pembroke], the Anlaby Cartulary, the "Canutus" pestilence tract, the Brut, Lydgate's Serpent of Division and Nicholas Love's Mirror of the Blessed Life of Jesus Christ (from the Fitzwilliam). KARI ANNE RAND is Professor of Older English Literature at the University of Oslo.

Author:
Publisher:
ISBN:
Category : Catalogs, Booksellers'
Languages : en
Pages : 1710

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Author: Elizabeth Burin
Publisher: Brepols Publishers
ISBN:
Category : Art
Languages : en
Pages : 488

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Book Description
In the late fifteenth and early sixteenth centuries, Lyons grew into one of Europe's great commercial centres and even served as an unofficial second capital of the French kingdom. While scholars have long recognized the city's prominent role in the history of printing, this is the first book to survey the art of manuscript illumination after the introduction of printing to Lyons in 1473. Using the manuscripts themselves as its main source, this study identifies and assesses the art of Lyons's busiest illuminators' workshops. It then reviews the nature of patronage and the activity of the illuminators during the close of the Middle Ages and the dawn of the Renaissance. The picture that emerges is one of a tightly knit community of artists adapting their production of fine religious and secular manuscripts to the changing demand of the clergy, the merchant class, the nobility, writers, and members of the court. A descriptive catalogue provides complementary information on 136 illuminated manuscripts, books, and leaves, many of them never published at length. The work is illustrated by a broad selection of colour and black-and-white reproductions.