A Critical Old-spelling Edition of Richard Brome's A Mad Couple Well Match'd PDF Download

Author: Richard Brome
Publisher: Dissertations-G
ISBN:
Category : Drama
Languages : en
Pages : 296

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Author: Richard Brome
Publisher: Dissertations-G
ISBN:
Category : Drama
Languages : en
Pages : 298

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Author: Matthew Steggle
Publisher: Manchester University Press
ISBN: 9780719063589
Category : Literary Collections
Languages : en
Pages : 236

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Book Description
Richard Brome was the leading comic playwright of 1630s London. Starting his career as a manservant to Ben Jonson, he wrote a string of highly successful comedies which were influential in British theatre long after Brome's own playwriting career was cut short by the closure of the theatres in 1642.This book offers the first full-length chronological account of Brome's life and works, drawing on a wide range of recently rediscovered manuscript sources. Each of the surviving plays is discussed in relation to its social and political context, and its sense of place. A final chapter reviews Brome's enduring stageworthiness into the eighteenth and nineteenth centuries, and the most recent Brome revivals.

Author: Marliss C. Desens
Publisher: University of Delaware Press
ISBN: 9780874134766
Category : Drama
Languages : en
Pages : 188

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None of these assumptions has been tested against the evidence of the surviving plays from the period - an oversight that the present study seeks to remedy.

Author: Trudi Laura Darby
Publisher: Routledge
ISBN: 0429656661
Category : Literary Criticism
Languages : en
Pages : 221

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First published in 1988, this book offers a critical examination of William Rowley's 1632 play, A New Wonder, A Woman Never Vexed, including chapters on structure and technique, themes, critical history and staging.

Author: Belinda Roberts Peters
Publisher: Springer
ISBN: 0230504779
Category : History
Languages : en
Pages : 248

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Book Description
This study traces the decline of marriage as a metaphor for political authority, subjection, and tyranny in Seventeenth-century political thought. An image that bound consent and contract with divine right absolutism, and irrevocably connected royal prerogatives with subjects' liberties, its disappearance in the middle decades of the century coincided with the full emergence of patriarchalist and social contract theories. If both these accepted the importance of 'fathers of families', neither would suggest that political government could be comparable to 'marriage'.

Author: Brian W. Schneider
Publisher: Routledge
ISBN: 1317031350
Category : Literary Criticism
Languages : en
Pages : 361

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Book Description
Though individual prologues and epilogues have been treated in depth, very little scholarship has been published on early modern framing texts as a whole. The Framing Text in Early Modern English Drama fills a gap in the literature by examining the origins of these texts, and investigating their growing importance and influence in the theatre of the period. This topic-led discussion of prologues and epilogues deals with the origins of these texts, the difficulty of definition, and the way in which many prologues and epilogues appear to interact on such subjects as the composition of the theatre audience and the perceived place of women in such an audience. Author Brian Schneider also examines the reasons for, and the evidence leading to, the apparently sudden burgeoning of these texts after the Restoration, when prologues and epilogues grace nearly all the dramas of the time and become a virtual cottage industry of their own. The second section-a comprehensive list of prologues and epilogues-details play titles, playwrights, theatres and theatre companies, first performance and the earliest edition in which the framing text(s) appears. It quotes the first line of the prologue and/or epilogue and uses the printer's signature to denote the page on which the texts can be found. Further information is provided in notes appended to the relevant entry. A final section deals with 'free-floating' and 'free-standing' framing texts that appear in verse collections, manuscripts, and other publications and to which no play can be positively ascribed. Combining original analysis with carefully compiled, comprehensive reference data, The Framing Text in Early Modern English Drama provides a genuinely new angle on the drama of early modern England.

Author: Terry Walker
Publisher: John Benjamins Publishing
ISBN: 9789027254016
Category : Language Arts & Disciplines
Languages : en
Pages : 376

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Book Description
This book is a corpus-based study examining thou and you in three speech-related genres from 1560–1760, a crucial period in the history of second person singular pronouns, spanning the time from when you became dominant to when thou became all but obsolete. The study embraces the fields of corpus linguistics, historical pragmatics, and historical sociolinguistics. Using data drawn from the recently released A Corpus of English Dialogues 1560–1760 and manuscript material, the aim is to ascertain which extra-linguistic and linguistic factors highlighted by previous research appear particularly relevant in the selection and relative distribution of thou and you. Previous research on thou and you has tended to concentrate on Drama and/or been primarily qualitative in nature. Depositions in particular have hitherto received very little attention. This book is intended to help fill a gap in the literature by presenting an in-depth qualitative and quantitative analysis of pronoun usage in Trials, Depositions, and, for comparative purposes, Drama Comedy.

Author: Matthew Boyd Goldie
Publisher: Routledge
ISBN: 1135272182
Category : History
Languages : en
Pages : 243

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Book Description
A study that uses critical theory to investigate the history of how people have thought about the antipodes - the places and people on the other side of the world - from ancient Greece to present-day literature and digital media.

Author: Andy Kesson
Publisher: Manchester University Press
ISBN: 1526101858
Category : Literary Criticism
Languages : en
Pages : 318

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Book Description
During Shakespeare's lifetime, John Lyly was repeatedly described as the central figure in contemporary English literature. This book takes that claim seriously, asking how and why Lyly was considered the most important writer of his time. Kesson traces Lyly's work in prose fiction and the theatre, demonstrating previously unrecognised connections between these two forms of entertainment. The final chapter examines how his importance to early modern authorship came to be forgotten in the late seventeenth century and thereafter. This book serves as an introduction to Lyly and early modern literature for students, but its argument for the central importance of Lyly himself and 1580s literary culture makes it a significant contribution to current scholarly debate. Its investigation of the relationship between performance and print means that it will be of interest to those who care about, watch or work in early modern performance.