Author: Alexander KutscheroffPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
A Critical Evaluation of James Joyce's Philosophy of Art According to the Principles of St. Thomas Aquinas
Author: Alexander KutscheroffA Critical Evaluation of James Joyce's Philosophy of Art According to the Principles of St. Thomas Aquinas
Author: Frank L. KunkelA Theory of Esthetic According to the Principles of St. Thomas Aquinas ... by Leonard Callahan ...
Author: John Leonard CallahanPublisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 144
Book Description
Masters' Essays
Author: Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 316
Book Description
Joyce, Aristotle, and Aquinas
Author: Fran O'RourkePublisher: University Press of Florida
ISBN: 0813072239
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
A rich examination of the influence of Aristotle and Thomas Aquinas on James Joyce In this book, Fran O’Rourke examines the influence of Aristotle and Thomas Aquinas on James Joyce, arguing that both thinkers fundamentally shaped the philosophical outlook which pervades the author’s oeuvre. O’Rourke demonstrates that Joyce was a philosophical writer who engaged creatively with questions of diversity and unity, identity, permanence and change, and the reliability of knowledge. Beginning with an introduction to each thinker, the book traces Joyce’s discovery of their works and his concrete engagement with their thought. Aristotle and Aquinas equipped Joyce with fundamental principles regarding reality, knowledge, and the soul, which allowed him to shape his literary characters. Joyce appropriated Thomistic concepts to elaborate an original and personal aesthetic theory. O’Rourke provides an annotated commentary on quotations from Aristotle that Joyce entered into his famous Early Commonplace Book and outlines their crucial significance for his writings. He also provides an authoritative evaluation of Joyce’s application of Aquinas’s aesthetic principles. The first book to comprehensively illuminate the profound impact of both the ancient and medieval thinker on the modernist writer, Joyce, Aristotle, and Aquinas offers readers a rich understanding of the intellectual background and philosophical underpinnings of Joyce’s work. A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles
Essays for the Master's Degree
Author: Columbia University. LibrariesPublisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 276
Book Description
Essays for the Masters' Degree
Author: Columbia University. LibrariesPublisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 258
Book Description
The Aesthetics of Thomas Aquinas
Author: Umberto EcoPublisher: Harvard University Press
ISBN: 9780674006768
Category : Philosophy
Languages : en
Pages : 306
Book Description
The well-known Italian semiotician and novelist Umberto Eco discloses for the first time to English-speaking readers the unsuspected richness, breadth, complexity, and originality of the aesthetic theories advanced by the influential medieval thinker Thomas Aquinas, heretofore known principally as a scholastic theologian. Inheriting his basic ideas and conceptions of art and beauty from the classical world, Aquinas transformed or modified these ideas in the light of Christian theology and of developments in metaphysics and optics during the thirteenth century. Setting the stage with an account of the vivid aesthetic and artistic sensibility that flourished in medieval times, Eco examines Aquinas's conception of transcendental beauty, his theory of aesthetic perception or visio, and his account of the three conditions of beauty--integrity, proportion, and clarity--that, centuries later, emerged again in the writings of the young James Joyce. He examines the concrete application of these theories in Aquinas's reflections on God, mankind, music, poetry, and scripture. He discusses Aquinas's views on art and compares his poetics with Dante's. In a final chapter added to the second Italian edition, Eco examines how Aquinas's aesthetics came to be absorbed and superseded in late medieval times and draws instructive parallels between Thomistic methodology and contemporary structuralism. As the only book-length treatment of Aquinas's aesthetics available in English, this volume should interest philosophers, medievalists, historians, critics, and anyone involved in poetics, aesthetics, or the history of ideas.
James Joyce and the Arts
Author: Publisher: BRILL
ISBN: 9004426191
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
Joyce’s prismatic art reverberates within and across multiple genres. The essays in this volume reflect on Joycean re-tailorings, Joycean reception, and on the Joycean aesthetic metamorphosis in visual-textual imagery, visual art, music, TV and film.
Christian and Oriental Philosophy of Art
Author: Ananda K. CoomaraswamyPublisher: Courier Corporation
ISBN: 0486203786
Category : Art
Languages : en
Pages : 163
Book Description
The late Ananda K. Coomaraswamy, curator of Indian art at the Boston Museum of Fine Arts, uniquely combined art historian, philosopher, orientalist, linguist, and expositor in his person. His knowledge of the arts and handcrafts of the Orient was unexcelled and his numerous monographs on Oriental art either established or revolutionized entire fields. He was also a great Orientalist, with an almost unmatched understanding of traditional culture. He covered the philosophic and religious experience of the entire premodern world, east and west, and for him primitive, medieval European, and classical Indian experiences of truth and art were only different dialects in a common language. Finally, Coomaraswamy was a provocative writer, whose erudition was expressed in a delightful, aphoristic style. The nine essays in this book are among his most stimulating. They discuss such matters as the true function of aesthetics in art, the importance of symbolism, and the importance of intellectual and philosophical background to the artists; they demonstrate that abstract art and primitive art, despite superficial resemblances, are completely divergent; and they deal with the common philosophy which pervades all great art, the nature of medieval art, folklore, and modern art, the beauty inherent in mathematics, and the union of traditional symbolism and individual portraiture in premodern cultures.