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David Garrick and His French Friends

David Garrick and His French Friends PDF Author: Frank A. Hedgcock
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

Book Description


David Garrick and His French Friends

David Garrick and His French Friends PDF Author: Frank A. Hedgcock
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

Book Description


A Cosmopolitan Actor: David Garrick and His French Friends

A Cosmopolitan Actor: David Garrick and His French Friends PDF Author: Frank Arthur Hedgcock
Publisher: New York : B. Blom
ISBN:
Category : Actors
Languages : en
Pages : 456

Book Description


A Cosmopolitan Actor, David Garrick and His French Friends

A Cosmopolitan Actor, David Garrick and His French Friends PDF Author: Frank A. Hedgcock
Publisher: Alpha Edition
ISBN: 9789353928315
Category : History
Languages : en
Pages : 498

Book Description
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

A Cosmopolitan Actor, David Garrick and His French Friends

A Cosmopolitan Actor, David Garrick and His French Friends PDF Author: Frank Arthur Hedgcock
Publisher: Palala Press
ISBN: 9781354442203
Category :
Languages : en
Pages : 490

Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A Cosmopolitan Actor

A Cosmopolitan Actor PDF Author: Frank a Hedgcock
Publisher: Scholar's Choice
ISBN: 9781298434029
Category :
Languages : en
Pages : 510

Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Plays of David Garrick

The Plays of David Garrick PDF Author: David Garrick
Publisher: SIU Press
ISBN: 9780809309689
Category : Drama
Languages : en
Pages : 500

Book Description
David Garrick's accomplishments as an actor, manager, and theatrical innovator brought him great fame and fortune, and his ideas influenced not only his own age but succeeding ages as well. Yet as a playwright, a part of the elegant combination of talents that was David Garrick, he has never achieved the critical reputation he richly deserves, in main because of the unavailability of texts and the lack of proper assessment of the historic importance of his plays in the English theatre. This first complete edition makes available to scholars and students all the plays of Gar­rick in well edited texts, with commentary and notes. Contents: Macbeth. A Tragedy, 1744; Romeo and Juliet, 1748; The Fairies. An Opera, 1755; Catherine and Petruchio. A Comedy, 1756; Florizel and Perdita. A Dramatic Pastoral, 1756; The Tem­pest. An Opera, 1756; and King Lear. A Tragedy, 1756.

The Plays of David Garrick: Garrick's own plays, 1740-1766

The Plays of David Garrick: Garrick's own plays, 1740-1766 PDF Author: David Garrick
Publisher: SIU Press
ISBN: 9780809308620
Category : Drama
Languages : en
Pages : 480

Book Description
David Garrick's accomplishments as an actor, manager, and theatrical innovator brought him great fame and fortune, and his ideas influenced not only his own age but succeeding ages as well. Yet as a playwright, a part of the elegant combination of talents that was David Garrick, he has never achieved the critical reputation he richly deserves, in main because of the unavailability of texts and the lack of proper assessment of the historic importance of his plays in the English theatre. This first complete edition makes available to scholars and students all the plays of Gar­rick in well edited texts, with commentary and notes. The two volumes of Garrick's own plays published together here include the twenty-two plays of the Garrick canon attributable to him. Garrick's claim to serious consideration as a playwright rests upon these plays, written between 1740 and 1775.They are not all mas­terpieces, but their inclusion here, arranged in chronological order, will enable the stage his­torian to assess Garrick's progress as a dramatist. Contents: Lethe; or, Esop in the Shades. A Dra­matic Satire, 1740; The Lying Valet, 1741; Miss in Her Teens; or, The Medley of Lovers. A Farce, 1747; Lilliputt. A Dramatic Entertainment, 1756; The Male-Coquette; or, Seventeen Hundred Fifty Seven, 1757; The Guardian. A Comedy, 1759; Harlequin's Invasion; or, A Christmas Gambol, 1759; The Enchanter; or, Love and Magic. A Musi­cal Drama, 1760; The Farmer's Return from Lon­don. An Interlude, 1762; The Clandestine Mar­riage. A Comedy, 1766; and Neck or Nothing. A Farce, 1766.

Books of 1912-

Books of 1912- PDF Author: Chicago Public Library
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 446

Book Description


Book Bulletin

Book Bulletin PDF Author: Chicago Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 638

Book Description


Representing China on the Historical London Stage

Representing China on the Historical London Stage PDF Author: Dongshin Chang
Publisher: Routledge
ISBN: 1135007519
Category : Performing Arts
Languages : en
Pages : 216

Book Description
This book provides a critical study of how China was represented on the historical London stage in selected examples from the late seventeenth century to the early twentieth century—which corresponds with the Qing Dynasty (1644-1911), China’s last monarchy. The examples show that during this historical period, the stage representations of the country were influenced in turn by Jesuit writings on China, Britain’s expanding material interest in China, the presence of British imperial power in Asia, and the establishment of diasporic Chinese communities abroad. While finding that many of these works may be read as gendered and feminized, Chang emphasizes that the Jesuits’ depiction of China as a country of high culture and in perennial conflict with the Tartars gradually lost prominence in dramatic imaginations to depictions of China’s material and visual attractions. Central to the book’s argument is that the stage representations of China were inherently intercultural and open to new influences, manifested by the evolving combinations of Chinese and English (British) traits. Through the dramatization of the Chinese Other, the representations questioned, satirized, and put in sharp relief the ontological and epistemological bases of the English (British) Self.