Author: Paul Griffiths
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 224
Book Description
There has long been a need for an introduction to modern music for the general reader. This book fills that need. Beginning at the threshold between Romanticism and the modern era, with the music of Debussy and Mahler, the author traces the new directions of music. The various paths are made clear by a concentration on the major works and the major turning-points in the music of our time; the new rhythmic force that came in with The Rite of Spring, the unbounded universe of Schoenberg's atonality, the undreamt-of possibilites opened up by electronics, the role of chance in the music of John Cage. Naturally the emphasis is on those composers who have contributed most to forming the widened musical outlook of today. Apart from those already mentioned, the book considers the music of Alban Berg and Anton Webern, Charles Ives and the American experimentalists who followed him, Edgard Varese and Olivier Messiaen, Karlheinz Stockhausen and Pierre Boulez. All are surveyed in a presentation which, without being technical, helps to explain how and why music has developed in the ways that it has. The illustrations include portraits, posters, costume designs, instruments and orchestras, as well as extracts from a wide variety of sources, many of which are beautiful as art objects in their own right.
A Concise History of Avant-garde Music
Author: Paul Griffiths
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 224
Book Description
There has long been a need for an introduction to modern music for the general reader. This book fills that need. Beginning at the threshold between Romanticism and the modern era, with the music of Debussy and Mahler, the author traces the new directions of music. The various paths are made clear by a concentration on the major works and the major turning-points in the music of our time; the new rhythmic force that came in with The Rite of Spring, the unbounded universe of Schoenberg's atonality, the undreamt-of possibilites opened up by electronics, the role of chance in the music of John Cage. Naturally the emphasis is on those composers who have contributed most to forming the widened musical outlook of today. Apart from those already mentioned, the book considers the music of Alban Berg and Anton Webern, Charles Ives and the American experimentalists who followed him, Edgard Varese and Olivier Messiaen, Karlheinz Stockhausen and Pierre Boulez. All are surveyed in a presentation which, without being technical, helps to explain how and why music has developed in the ways that it has. The illustrations include portraits, posters, costume designs, instruments and orchestras, as well as extracts from a wide variety of sources, many of which are beautiful as art objects in their own right.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 224
Book Description
There has long been a need for an introduction to modern music for the general reader. This book fills that need. Beginning at the threshold between Romanticism and the modern era, with the music of Debussy and Mahler, the author traces the new directions of music. The various paths are made clear by a concentration on the major works and the major turning-points in the music of our time; the new rhythmic force that came in with The Rite of Spring, the unbounded universe of Schoenberg's atonality, the undreamt-of possibilites opened up by electronics, the role of chance in the music of John Cage. Naturally the emphasis is on those composers who have contributed most to forming the widened musical outlook of today. Apart from those already mentioned, the book considers the music of Alban Berg and Anton Webern, Charles Ives and the American experimentalists who followed him, Edgard Varese and Olivier Messiaen, Karlheinz Stockhausen and Pierre Boulez. All are surveyed in a presentation which, without being technical, helps to explain how and why music has developed in the ways that it has. The illustrations include portraits, posters, costume designs, instruments and orchestras, as well as extracts from a wide variety of sources, many of which are beautiful as art objects in their own right.
A Concise History of Avant-garde Music
Author: Paul Griffiths
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 224
Book Description
There has long been a need for an introduction to modern music for the general reader. This book fills that need. Beginning at the threshold between Romanticism and the modern era, with the music of Debussy and Mahler, the author traces the new directions of music. The various paths are made clear by a concentration on the major works and the major turning-points in the music of our time; the new rhythmic force that came in with The Rite of Spring, the unbounded universe of Schoenberg's atonality, the undreamt-of possibilites opened up by electronics, the role of chance in the music of John Cage. Naturally the emphasis is on those composers who have contributed most to forming the widened musical outlook of today. Apart from those already mentioned, the book considers the music of Alban Berg and Anton Webern, Charles Ives and the American experimentalists who followed him, Edgard Varese and Olivier Messiaen, Karlheinz Stockhausen and Pierre Boulez. All are surveyed in a presentation which, without being technical, helps to explain how and why music has developed in the ways that it has. The illustrations include portraits, posters, costume designs, instruments and orchestras, as well as extracts from a wide variety of sources, many of which are beautiful as art objects in their own right.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 224
Book Description
There has long been a need for an introduction to modern music for the general reader. This book fills that need. Beginning at the threshold between Romanticism and the modern era, with the music of Debussy and Mahler, the author traces the new directions of music. The various paths are made clear by a concentration on the major works and the major turning-points in the music of our time; the new rhythmic force that came in with The Rite of Spring, the unbounded universe of Schoenberg's atonality, the undreamt-of possibilites opened up by electronics, the role of chance in the music of John Cage. Naturally the emphasis is on those composers who have contributed most to forming the widened musical outlook of today. Apart from those already mentioned, the book considers the music of Alban Berg and Anton Webern, Charles Ives and the American experimentalists who followed him, Edgard Varese and Olivier Messiaen, Karlheinz Stockhausen and Pierre Boulez. All are surveyed in a presentation which, without being technical, helps to explain how and why music has developed in the ways that it has. The illustrations include portraits, posters, costume designs, instruments and orchestras, as well as extracts from a wide variety of sources, many of which are beautiful as art objects in their own right.
Modern Music
Author: Paul Griffiths
Publisher: Thames & Hudson
ISBN: 9780500202784
Category : Music
Languages : en
Pages : 216
Book Description
Beginning at the threshold of the modern era, with the late Romanticism of Debussy and Mahler, the author traces the new directions of music through composers such as Alban Berg and Anton Webern, Charles Ives, Edgard Varese and Olivier Messiaen, Karlheinz Stockhausen, Pierre Boulez, Philip Glass and Elliott Carter. The various paths are made clear by a concentration on the major works and turningpoints in the music of our time: the new rhythmic force that came in with The Rite of Spring, the unbounded universe of Schoenberg's atonality, the undreamed-of possibilities opened up by electronics, the role of chance in the music of John Cage and the astonishing diversity of minimalism.
Publisher: Thames & Hudson
ISBN: 9780500202784
Category : Music
Languages : en
Pages : 216
Book Description
Beginning at the threshold of the modern era, with the late Romanticism of Debussy and Mahler, the author traces the new directions of music through composers such as Alban Berg and Anton Webern, Charles Ives, Edgard Varese and Olivier Messiaen, Karlheinz Stockhausen, Pierre Boulez, Philip Glass and Elliott Carter. The various paths are made clear by a concentration on the major works and turningpoints in the music of our time: the new rhythmic force that came in with The Rite of Spring, the unbounded universe of Schoenberg's atonality, the undreamed-of possibilities opened up by electronics, the role of chance in the music of John Cage and the astonishing diversity of minimalism.
A Concise History of Western Music
Author: Paul Griffiths
Publisher: Cambridge University Press
ISBN: 0521842948
Category : Music
Languages : en
Pages : 335
Book Description
Publisher Description
Publisher: Cambridge University Press
ISBN: 0521842948
Category : Music
Languages : en
Pages : 335
Book Description
Publisher Description
A Concise History of Modern Music
Modern Music
Author: Paul Griffiths
Publisher: Thames & Hudson
ISBN: 9780500201640
Category : Composers
Languages : en
Pages : 216
Book Description
Publisher: Thames & Hudson
ISBN: 9780500201640
Category : Composers
Languages : en
Pages : 216
Book Description
Music of the Twentieth-Century Avant-Garde
Author: Larry Sitsky
Publisher: Greenwood
ISBN: 9780313296895
Category : Music
Languages : en
Pages : 0
Book Description
Presenting a view of the 20th-century music avant-garde without resorting to highly specialized jargon, this work offers an exhaustive history and analysis of contemporary music in a social, political, and artistic context. Distinguished contributors from around the world consider specific composers who represent the most progressive musical thinking of their time and place. Editor Larry Sitsky, an eminent Australian composer and teacher, has assembled an accessible, unique, and clearly written collection. Also exploring the links among this diverse group of composers, the guide offers a cross-index of names that will help the researcher formulate a cohesive view of the 20th-century avant-garde. A bibliography and list of selected works round out the volume, which succeeds in demystifying an area that, until now, has been the exclusive province only of the specialist.
Publisher: Greenwood
ISBN: 9780313296895
Category : Music
Languages : en
Pages : 0
Book Description
Presenting a view of the 20th-century music avant-garde without resorting to highly specialized jargon, this work offers an exhaustive history and analysis of contemporary music in a social, political, and artistic context. Distinguished contributors from around the world consider specific composers who represent the most progressive musical thinking of their time and place. Editor Larry Sitsky, an eminent Australian composer and teacher, has assembled an accessible, unique, and clearly written collection. Also exploring the links among this diverse group of composers, the guide offers a cross-index of names that will help the researcher formulate a cohesive view of the 20th-century avant-garde. A bibliography and list of selected works round out the volume, which succeeds in demystifying an area that, until now, has been the exclusive province only of the specialist.
Concise History of 20th Century Music
Author: Graham Hearn
Publisher: Mel Bay Publications
ISBN: 1619112388
Category : Music
Languages : en
Pages : 223
Book Description
A concise yet comprehensive survey of 20th Century music for both students and the general public. Written by Graham Hearn who states, my aim has been to highlight where composers have pushed boundaries, stretched our credibility and shown such leaps of imagination as to make us remember that the 20th Century is possibly the most extraordinary of them all.
Publisher: Mel Bay Publications
ISBN: 1619112388
Category : Music
Languages : en
Pages : 223
Book Description
A concise yet comprehensive survey of 20th Century music for both students and the general public. Written by Graham Hearn who states, my aim has been to highlight where composers have pushed boundaries, stretched our credibility and shown such leaps of imagination as to make us remember that the 20th Century is possibly the most extraordinary of them all.
Experimental Music
Author: Michael Nyman
Publisher: Cambridge University Press
ISBN: 9780521653831
Category : Music
Languages : en
Pages : 218
Book Description
Composer Michael Nyman's classic 1974 account of the postwar experimental tradition in music.
Publisher: Cambridge University Press
ISBN: 9780521653831
Category : Music
Languages : en
Pages : 218
Book Description
Composer Michael Nyman's classic 1974 account of the postwar experimental tradition in music.
Avant-Garde on Record
Author: Jonathan Goldman
Publisher:
ISBN: 1009363409
Category : Music
Languages : en
Pages : 338
Book Description
An innovative contribution to music history, cultural studies, and sound studies, Avant-garde on Record revisits post-war composers and their technologically oriented brand of musical modernism. It describes how a broad range of figures (including Pierre Boulez, Karlheinz Stockhausen, Henri Pousseur, Toshirō Mayuzumi, Claire Schapira, Anthony Braxton and Gunther Schuller) engaged with avant-garde aesthetics while responding to a rapidly changing, technologically fuelled, spatialized audio culture. Jonathan Goldman focuses on how contemporary listeners understood these composers' works in the golden age of LPs and explores how this reception was mediated through consumer-oriented sound technology that formed a prism through which listeners processed the 'music of their time'. His account reveals unexpected aspects of twentieth-century audio culture: from sonic ping-pong to son et lumière shows, from Venetian choral music by Stravinsky to the soundscape of Niagara Falls, from a Buddhist Cantata to an LP box set cast as a parlour game.
Publisher:
ISBN: 1009363409
Category : Music
Languages : en
Pages : 338
Book Description
An innovative contribution to music history, cultural studies, and sound studies, Avant-garde on Record revisits post-war composers and their technologically oriented brand of musical modernism. It describes how a broad range of figures (including Pierre Boulez, Karlheinz Stockhausen, Henri Pousseur, Toshirō Mayuzumi, Claire Schapira, Anthony Braxton and Gunther Schuller) engaged with avant-garde aesthetics while responding to a rapidly changing, technologically fuelled, spatialized audio culture. Jonathan Goldman focuses on how contemporary listeners understood these composers' works in the golden age of LPs and explores how this reception was mediated through consumer-oriented sound technology that formed a prism through which listeners processed the 'music of their time'. His account reveals unexpected aspects of twentieth-century audio culture: from sonic ping-pong to son et lumière shows, from Venetian choral music by Stravinsky to the soundscape of Niagara Falls, from a Buddhist Cantata to an LP box set cast as a parlour game.