The Ball Room Instructor, and Complete Guide to Dancing. Containing All the New & Popular Dances, Etc PDF Download

Author: BALLROOM INSTRUCTOR.
Publisher:
ISBN:
Category :
Languages : en
Pages : 36

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Author: Thomas Wilson (dancing master.)
Publisher:
ISBN:
Category : Country dancing
Languages : en
Pages : 192

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Book Description
Designed for "those who possess no knowledge whatsoever of country-dancing," the manual uses text, tables, and color-coded diagrams to explain the figures for English country dances. Performed as a series of figures by a column of men facing a column of women, the English country dance was one of the most popular early nineteenth-century ballroom dances. Originally published in 1808, the manual was reissued in 1822, and another version appeared in 1815 under the title The complete system of English country dancing. This edition is dedicated to Madame Angiolini, principal dancer at the King's Theatre, where Wilson held the post of dancing master.

Author: Ella Gardner
Publisher: Legare Street Press
ISBN: 9781019256176
Category : History
Languages : en
Pages : 0

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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: Charles J. Coll
Publisher:
ISBN:
Category : Ballroom dancing
Languages : en
Pages : 138

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Book Description

Author: Jeffrey Allen
Publisher: Penguin
ISBN: 1440614504
Category : Performing Arts
Languages : en
Pages : 303

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Book Description
Ballroom dancing is back! And now anyone can move like a pro. Includes step-by-step photos, footwork illustrations, and instruction covering all the common ballroom dances. The #1 selling ballroom dancing book. Includes hundreds of illustrations and instructions Allen is a renowned, award-winning ballroom-dance teacher

Author: Christine Zona
Publisher: Human Kinetics
ISBN: 9780736059077
Category : Performing Arts
Languages : en
Pages : 230

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Book Description
An instruction and technique quide for learning to dance the American style waltz, tango, foxtrot and Viennese waltz.

Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 2162

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Author: Henry Cockton
Publisher:
ISBN:
Category :
Languages : en
Pages : 482

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Book Description

Author: Emile de Walden
Publisher:
ISBN:
Category : Ballroom dancing
Languages : en
Pages : 128

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Book Description

Author: Jennifer Atkins
Publisher: LSU Press
ISBN: 0807167584
Category : History
Languages : en
Pages : 272

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Book Description
Mardi Gras festivities don’t end after the parades roll through the streets; rather, a large part of the celebration continues unseen by the general public. Retreating to theaters, convention centers, and banquet halls, krewes spend the post-parade evening at lavish balls, where members cultivate a sense of fraternity and reinforce the organization’s shared values through pageantry and dance. In New Orleans Carnival Balls, Jennifer Atkins draws back the curtain on the origin of these exclusive soirees, bringing to light unique traditions unseen by outsiders. The oldest Carnival organizations—the Mistick Krewe of Comus, Twelfth Night Revelers, Krewe of Proteus, Knights of Momus, and Rex—emerged in the mid-nineteenth century. These old-line krewes ruled Mardi Gras from the Civil War until World War I, and the traditions of their private balls reflected a need for group solidarity amidst a world in flux. For these organizations, Carnival balls became magical realms where krewesmen reinforced their elite identity through sculpted tableaux vivants performances, mock coronations, and romantic ballroom dancing. This world was full of possibilities: krewesmen became gods, kings, and knights, while their daughters became queens and maids. As the old-line krewes cultivated a sense of brotherhood, they used costume and movement to reaffirm their group identity, and the crux of these performances relied on a specific mode of expression—dancing. Using the concept of dance as a lens for examining Carnival balls, Atkins delves deeper into the historical context and distinctive rituals of Mardi Gras in New Orleans. Beyond presenting readers with a new means of thinking about Carnival traditions, Atkins’s work situates dance as a vital piece of historical inquiry and a mode of study that sheds new light on the hidden practices of some of the best-known krewes in the Big Easy.