Author: James E. O'Leary
Publisher:
ISBN:
Category : Clarinet and piano music
Languages : en
Pages : 52
Book Description
A Comparison of Two Clarinet Sonatas
Author: James E. O'Leary
Publisher:
ISBN:
Category : Clarinet and piano music
Languages : en
Pages : 52
Book Description
Publisher:
ISBN:
Category : Clarinet and piano music
Languages : en
Pages : 52
Book Description
A Comparison of Two Recordings of Brahms' First Clarinet Sonata
“An” Analysis and Comparison of the Clarinet and Viola Version of the Two Sonatas for Clarinet (or Viola) and Piano Op. 120 by Johannes Brahms
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 41
Book Description
Johannes Brahms was one of the first composers to appreciate fully the viola2s potential, allowing the instrument a chance to shine in his chamber music. Although Brahms2 Two Sonatas in f-minor and E-flat major, Op. 120, were originally written for clarinet and piano, they are also greatly loved in the viola repertoire. Upon examination of the clarinet and viola versions of the sonatas, Brahms seems to have been keenly aware of the potential of each instrument. He intentionally sought different effects for these two instruments by composing two different versions. Each version is different not only with regard to its tone color or timbre, but also regarding practical techniques, such as vibrato, lip pressure, leap shifting, volume, and range. In my document, I will observe the differences between the clarinet and the viola versions, especially focusing on the unique characteristics of the each instrument. Then I will investigate why Brahms made such alterations for the viola, and I will also discuss how and why identical passages can sound and be expressed differently according to the instrument. In the first part of my document, I will provide a short historical background of the Op. 120 sonatas. I will also identify some of the composer2s musical idiosyncrasies, concentrating especially on his chamber music and his high regard for the role of the clarinet and the viola in these works. Secondly, I will compare the clarinet and viola versions of these sonatas and point out the possible reasons for the differences between these versions. Finally, the third part will focus on how identical passages can be heard and expressed differently according to each instrument.
Publisher:
ISBN:
Category :
Languages : en
Pages : 41
Book Description
Johannes Brahms was one of the first composers to appreciate fully the viola2s potential, allowing the instrument a chance to shine in his chamber music. Although Brahms2 Two Sonatas in f-minor and E-flat major, Op. 120, were originally written for clarinet and piano, they are also greatly loved in the viola repertoire. Upon examination of the clarinet and viola versions of the sonatas, Brahms seems to have been keenly aware of the potential of each instrument. He intentionally sought different effects for these two instruments by composing two different versions. Each version is different not only with regard to its tone color or timbre, but also regarding practical techniques, such as vibrato, lip pressure, leap shifting, volume, and range. In my document, I will observe the differences between the clarinet and the viola versions, especially focusing on the unique characteristics of the each instrument. Then I will investigate why Brahms made such alterations for the viola, and I will also discuss how and why identical passages can sound and be expressed differently according to the instrument. In the first part of my document, I will provide a short historical background of the Op. 120 sonatas. I will also identify some of the composer2s musical idiosyncrasies, concentrating especially on his chamber music and his high regard for the role of the clarinet and the viola in these works. Secondly, I will compare the clarinet and viola versions of these sonatas and point out the possible reasons for the differences between these versions. Finally, the third part will focus on how identical passages can be heard and expressed differently according to each instrument.
A Comparison of Twentieth-century Clarinet Sonatas
Author: Chung Yoo
Publisher:
ISBN:
Category : Sonatas (Clarinet and piano)
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Sonatas (Clarinet and piano)
Languages : en
Pages : 0
Book Description
An Analysis and Comparison of the Allegro Amabile of Brahm's Clarinet Sonata, Op. 120, No. 2 with the Mässig Bewegt of Hindemith's Clarinet Sonata, (1939)
Gustav Jenner's Clarinet Sonata in G Major, Opus 5
Author: Elizabeth R. Aleksander
Publisher:
ISBN: 9780549486961
Category : Sonatas (Clarinet and piano)
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9780549486961
Category : Sonatas (Clarinet and piano)
Languages : en
Pages :
Book Description
Johannes Brahms - Clarinet Sonata No.2 - Op.120 No.2 - A Score for Clarinet and Piano
Author: Johannes Brahms
Publisher: READ BOOKS
ISBN: 9781447441106
Category : Music
Languages : en
Pages : 28
Book Description
Publisher: READ BOOKS
ISBN: 9781447441106
Category : Music
Languages : en
Pages : 28
Book Description
Duo Sonatas and Sonatinas for Two Clarinets, Or Clarinet and Another Woodwind Instrument
Author: Yu-Ju Ti
Publisher:
ISBN:
Category : Bassoon and clarinet music
Languages : en
Pages : 152
Book Description
Abstract: There are few scholarly writings that exist concerning unaccompanied duet literature for the clarinet. In the late 1900s David Randall and Lowell Weiner explored the unaccompanied clarinet duets in their dissertations "A Comprehensive Performance Project in Clarinet Literature with an Essay on the Clarinet Duet From ca.1715 to ca.1825" and "The Unaccompanied Clarinet Duet Repertoire from 1825 to the Present: An Annotated Catalogue". However, unaccompanied duets for clarinet and another woodwind instrument are seldom mentioned in the academic literature and are rarely performed. In an attempt to fill the void, this research will provide a partial survey of this category. Because of the sheer volume of the duet literature, the scope of the study will be limited to original compositions entitled Sonata or Sonatina written for a pair of woodwind instruments which include at least one clarinet. Arrangements will be cited but not discussed. All of the works will be annotated, evaluated, graded by difficulty, and comparisons will be made between those with similar style.
Publisher:
ISBN:
Category : Bassoon and clarinet music
Languages : en
Pages : 152
Book Description
Abstract: There are few scholarly writings that exist concerning unaccompanied duet literature for the clarinet. In the late 1900s David Randall and Lowell Weiner explored the unaccompanied clarinet duets in their dissertations "A Comprehensive Performance Project in Clarinet Literature with an Essay on the Clarinet Duet From ca.1715 to ca.1825" and "The Unaccompanied Clarinet Duet Repertoire from 1825 to the Present: An Annotated Catalogue". However, unaccompanied duets for clarinet and another woodwind instrument are seldom mentioned in the academic literature and are rarely performed. In an attempt to fill the void, this research will provide a partial survey of this category. Because of the sheer volume of the duet literature, the scope of the study will be limited to original compositions entitled Sonata or Sonatina written for a pair of woodwind instruments which include at least one clarinet. Arrangements will be cited but not discussed. All of the works will be annotated, evaluated, graded by difficulty, and comparisons will be made between those with similar style.
Comparison of The Clarinet and Viola Versions of The Brahms Sonatas Op.120
Author: Kyungju Lee
Publisher:
ISBN: 9783659843150
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9783659843150
Category :
Languages : en
Pages :
Book Description
Sonata for clarinet, or violin, and piano
Author: Daniel Gregory Mason
Publisher:
ISBN:
Category : Clarinet and piano music
Languages : en
Pages : 78
Book Description
Publisher:
ISBN:
Category : Clarinet and piano music
Languages : en
Pages : 78
Book Description