Author: Vicky Marie BatesPublisher:
ISBN:
Category : Musical analysis
Languages : en
Pages : 132
Book Description
A Comparative Analysis Based on the Theories of Schenker and Schoenberg Using Brahms' F Minor Sonata, Op. 120
Author: Vicky Marie BatesPublisher:
ISBN:
Category : Musical analysis
Languages : en
Pages : 132
Book Description
Heinrich Schenker
Author: Benjamin AyottePublisher: Routledge
ISBN: 1000143562
Category : Music
Languages : en
Pages : 348
Book Description
This book consists of over 1,500 citations to both primary sources and the burgeoning secondary literature of Heinrich Schenker, annotated and subdivided by category. The citations are supplemented with indices cross-referencing entries according to individual works and analytical topic.
A Topical Guide to Schenkerian Literature
Author: David Carson BerryPublisher: Pendragon Press
ISBN: 9781576470954
Category : Juvenile Nonfiction
Languages : en
Pages : 610
Book Description
To the growing list of Pendragon Press publications devoted to the work of Heinrich Schenker, we wish to announce the addition of this much-needed bibliography. The author, a student of Allen Forte, has created a work useful to a wide range of researchers music theorists, musicologists, music librarians and teachers. The Guide is the largest Schenkerian reference work ever published. At nearly 600 pages, it contains 3600 entries (2200 principal, 1400 secondary) representing the work of 1475 authors. Fifteen broad groupings encompass seventy topical headings, many of which are divided and subdivided again, resulting in a total of 271 headings under which entries are collected.
Brahms Sonata Op. 120, No. 2, and Hindemith Sonata 1939
Author: James S. Horton“An” Analysis and Comparison of the Clarinet and Viola Version of the Two Sonatas for Clarinet (or Viola) and Piano Op. 120 by Johannes Brahms
Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 41
Book Description
Johannes Brahms was one of the first composers to appreciate fully the viola2s potential, allowing the instrument a chance to shine in his chamber music. Although Brahms2 Two Sonatas in f-minor and E-flat major, Op. 120, were originally written for clarinet and piano, they are also greatly loved in the viola repertoire. Upon examination of the clarinet and viola versions of the sonatas, Brahms seems to have been keenly aware of the potential of each instrument. He intentionally sought different effects for these two instruments by composing two different versions. Each version is different not only with regard to its tone color or timbre, but also regarding practical techniques, such as vibrato, lip pressure, leap shifting, volume, and range. In my document, I will observe the differences between the clarinet and the viola versions, especially focusing on the unique characteristics of the each instrument. Then I will investigate why Brahms made such alterations for the viola, and I will also discuss how and why identical passages can sound and be expressed differently according to the instrument. In the first part of my document, I will provide a short historical background of the Op. 120 sonatas. I will also identify some of the composer2s musical idiosyncrasies, concentrating especially on his chamber music and his high regard for the role of the clarinet and the viola in these works. Secondly, I will compare the clarinet and viola versions of these sonatas and point out the possible reasons for the differences between these versions. Finally, the third part will focus on how identical passages can be heard and expressed differently according to each instrument.
A Comparative Study of Interpretations by Violists and Clarinetists on the Brahms Sonata in E Flat for Clarinet and Piano, Op. 120, No.2
Author: Becky ChappellMusical Analysis in Relation to Performance and Sonata in F Minor, Op. 120, No. 1 by Johannas Brahms
Author: Dawn Lynn O'HairPublisher:
ISBN:
Category : Musical analysis
Languages : en
Pages : 106
Book Description
Sonata #1, Opus 120, in F Minor, for Viola and Piano by Johannes Brahms
Author: Nancy W. SelbySchenkerGUIDE
Author: Thomas PankhurstPublisher: Routledge
ISBN: 1135871027
Category : Music
Languages : en
Pages : 298
Book Description
SchenkerGUIDE is an accessible overview of Heinrich Schenker's complex but fascinating approach to the analysis of tonal music. The book has emerged out of the widely used website, www.SchenkerGUIDE.com, which has been offering straightforward explanations of Schenkerian analysis to undergraduate students since 2001. Divided into four parts, SchenkerGUIDE offers a step-by-step method to tackling this often difficult system of analysis. Part I is an introduction to Schenkerian analysis, outlining the concepts that are involved in analysis Part II outlines a unique and detailed working method to help students to get started on the process of analysis Part III puts some of these ideas into practice by exploring the basics of a Schenkerian approach to form, register, motives and dramatic structure Part IV provides a series of exercises from the simple to the more sophisticated, along with hints and tips for their completion.
An Interpretive Analysis of Brahms' Sonata in E-flat Op. 120, #2
Author: Raymond J. Tischer (II.)Publisher:
ISBN:
Category :
Languages : en
Pages : 35
Book Description