Author: Bruce G. Hallenbeck
Publisher: McFarland
ISBN: 0786453788
Category : Performing Arts
Languages : en
Pages : 256
Book Description
Fun and fright have long been partners in the cinema, dating back to the silent film era and progressing to the Scary Movie franchise and other recent releases. This guide takes a comprehensive look at the comedy-horror movie genre, from the earliest stabs at melding horror and hilarity during the nascent days of silent film, to its full-fledged development with The Bat in 1926, to the Abbott and Costello films pitting the comedy duo against Frankenstein's Monster, the Mummy and other Universal Studio monsters, continuing to such recent cult hits as Shaun of the Dead and Black Sheep. Selected short films such as Tim Burton's Frankenweenie are also covered. Photos and promotional posters, interviews with actors and a filmography are included.
Comedy-Horror Films
Author: Bruce G. Hallenbeck
Publisher: McFarland
ISBN: 0786453788
Category : Performing Arts
Languages : en
Pages : 256
Book Description
Fun and fright have long been partners in the cinema, dating back to the silent film era and progressing to the Scary Movie franchise and other recent releases. This guide takes a comprehensive look at the comedy-horror movie genre, from the earliest stabs at melding horror and hilarity during the nascent days of silent film, to its full-fledged development with The Bat in 1926, to the Abbott and Costello films pitting the comedy duo against Frankenstein's Monster, the Mummy and other Universal Studio monsters, continuing to such recent cult hits as Shaun of the Dead and Black Sheep. Selected short films such as Tim Burton's Frankenweenie are also covered. Photos and promotional posters, interviews with actors and a filmography are included.
Publisher: McFarland
ISBN: 0786453788
Category : Performing Arts
Languages : en
Pages : 256
Book Description
Fun and fright have long been partners in the cinema, dating back to the silent film era and progressing to the Scary Movie franchise and other recent releases. This guide takes a comprehensive look at the comedy-horror movie genre, from the earliest stabs at melding horror and hilarity during the nascent days of silent film, to its full-fledged development with The Bat in 1926, to the Abbott and Costello films pitting the comedy duo against Frankenstein's Monster, the Mummy and other Universal Studio monsters, continuing to such recent cult hits as Shaun of the Dead and Black Sheep. Selected short films such as Tim Burton's Frankenweenie are also covered. Photos and promotional posters, interviews with actors and a filmography are included.
The Laughing Dead
Author: Cynthia J. Miller
Publisher: Rowman & Littlefield
ISBN: 1442268336
Category : Performing Arts
Languages : en
Pages : 297
Book Description
Hybrid films that straddle more than one genre are not unusual. But when seemingly incongruous genres are mashed together, such as horror and comedy, filmmakers often have to tread carefully to produce a cohesive, satisfying work. Though they date as far back as James Whale’s Bride of Frankenstein (1935), horror-comedies have only recently become popular attractions for movie goers. In The Laughing Dead: The Horror-Comedy Film from Bride of Frankenstein to Zombieland, editors Cynthia J. Miller and A. Bowdoin Van Riper have compiled essays on the comic undead that look at the subgenre from a variety of perspectives. Spanning virtually the entire sound era, this collection considers everything from classics like The Canterville Ghost to modern cult favorites like Shaun of the Dead. Other films discussed include Abbott and Costello Meet Frankenstein, Beetlejuice, Ghostbusters, House on Haunted Hill, ParaNorman, Scream, Vampire’s Kiss, and Zombieland. Contributors in this volume consider a wide array of comedic monster films—from heartwarming (The Book of Life) to pitch dark (The Fearless Vampire Killers) and even grotesque (Frankenhooker). The Laughing Dead will be of interest to scholars and fans of both horror and comedy films, as well as those interested in film history and, of course, the proliferation of the undead in popular culture.
Publisher: Rowman & Littlefield
ISBN: 1442268336
Category : Performing Arts
Languages : en
Pages : 297
Book Description
Hybrid films that straddle more than one genre are not unusual. But when seemingly incongruous genres are mashed together, such as horror and comedy, filmmakers often have to tread carefully to produce a cohesive, satisfying work. Though they date as far back as James Whale’s Bride of Frankenstein (1935), horror-comedies have only recently become popular attractions for movie goers. In The Laughing Dead: The Horror-Comedy Film from Bride of Frankenstein to Zombieland, editors Cynthia J. Miller and A. Bowdoin Van Riper have compiled essays on the comic undead that look at the subgenre from a variety of perspectives. Spanning virtually the entire sound era, this collection considers everything from classics like The Canterville Ghost to modern cult favorites like Shaun of the Dead. Other films discussed include Abbott and Costello Meet Frankenstein, Beetlejuice, Ghostbusters, House on Haunted Hill, ParaNorman, Scream, Vampire’s Kiss, and Zombieland. Contributors in this volume consider a wide array of comedic monster films—from heartwarming (The Book of Life) to pitch dark (The Fearless Vampire Killers) and even grotesque (Frankenhooker). The Laughing Dead will be of interest to scholars and fans of both horror and comedy films, as well as those interested in film history and, of course, the proliferation of the undead in popular culture.
The Horror Spoofs of Abbott and Costello
Author: Jeffrey S. Miller
Publisher: McFarland
ISBN: 9780786419227
Category : Performing Arts
Languages : en
Pages : 256
Book Description
While Bud Abbott and Lou Costello are more famously known for their straight comedy routines, they did make a number of films in which horror played a crucial role. The first part of this critical reference examines the Abbott and Costello "Meet the Monsters" spoof films (Frankenstein, The Invisible Man, Dr. Jekyll and Mr. Hyde and The Mummy). The second sections deals with Abbott and Costello's films with horror elements that do not follow this formula: Hold That Ghost, The Time of Their Lives and Abbott and Costello Meet the Killer, Boris Karloff. The plot of each film is examined in detail with special attention paid to the comedians' styles of comedy, the effect of the horror scenes, and the place of the film in the Abbott and Costello canon. The reactions of critics (then and now) and the influences the films have had on the horror and comedy genres and on pop culture are also discussed. A lengthy introduction provides background on the lives of Bud Abbott and Lou Costello and the development of Universal Studios as the premier horror factory.
Publisher: McFarland
ISBN: 9780786419227
Category : Performing Arts
Languages : en
Pages : 256
Book Description
While Bud Abbott and Lou Costello are more famously known for their straight comedy routines, they did make a number of films in which horror played a crucial role. The first part of this critical reference examines the Abbott and Costello "Meet the Monsters" spoof films (Frankenstein, The Invisible Man, Dr. Jekyll and Mr. Hyde and The Mummy). The second sections deals with Abbott and Costello's films with horror elements that do not follow this formula: Hold That Ghost, The Time of Their Lives and Abbott and Costello Meet the Killer, Boris Karloff. The plot of each film is examined in detail with special attention paid to the comedians' styles of comedy, the effect of the horror scenes, and the place of the film in the Abbott and Costello canon. The reactions of critics (then and now) and the influences the films have had on the horror and comedy genres and on pop culture are also discussed. A lengthy introduction provides background on the lives of Bud Abbott and Lou Costello and the development of Universal Studios as the premier horror factory.
The Comedy of Errors
Oxford Bibliographies
The Book of Horror
Author: Matt Glasby
Publisher: Quarto Publishing Group USA
ISBN: 0711251797
Category : Art
Languages : en
Pages : 179
Book Description
“Glasby anatomizes horror’s scare tactics with keen, lucid clarity across 34 carefully selected main films—classic and pleasingly obscure. 4 Stars.” —Total Film? Horror movies have never been more critically or commercially successful, but there’s only one metric that matters: are they scary? The Book of Horror focuses on the most frightening films of the post-war era—from Psycho (1960) to It Chapter Two (2019)—examining exactly how they scare us across a series of key categories. Each chapter explores a seminal horror film in depth, charting its scariest moments with infographics and identifying the related works you need to see. Including references to more than one hundred classic and contemporary horror films from around the globe, and striking illustrations from Barney Bodoano, this is a rich and compelling guide to the scariest films ever made. “This is the definitive guide to what properly messes us up.” —SFX Magazine The films: Psycho (1960), The Innocents (1961), The Haunting (1963), Don’t Look Now (1973), The Exorcist (1973), The Texas Chain Saw Massacre (1974), Who Can Kill a Child? (1976), Suspiria (1977), Halloween (1978), The Shining (1980), The Entity (1982), Angst (1983), Henry: Portrait of a Serial Killer (1990), Ring (1998), The Blair Witch Project (1999), The Others (2001), The Eye (2002), Ju-On: The Grudge (2002), Shutter (2004), The Descent (2005), Wolf Creek (2005), The Orphanage (2007), [Rec] (2007), The Strangers (2008), Lake Mungo (2008), Martyrs (2008), The Innkeepers (2011), Banshee Chapter (2013), Oculus (2013), The Babadook (2014), It Follows (2015), Terrified (2017), Hereditary (2018), It Chapter Two (2019)
Publisher: Quarto Publishing Group USA
ISBN: 0711251797
Category : Art
Languages : en
Pages : 179
Book Description
“Glasby anatomizes horror’s scare tactics with keen, lucid clarity across 34 carefully selected main films—classic and pleasingly obscure. 4 Stars.” —Total Film? Horror movies have never been more critically or commercially successful, but there’s only one metric that matters: are they scary? The Book of Horror focuses on the most frightening films of the post-war era—from Psycho (1960) to It Chapter Two (2019)—examining exactly how they scare us across a series of key categories. Each chapter explores a seminal horror film in depth, charting its scariest moments with infographics and identifying the related works you need to see. Including references to more than one hundred classic and contemporary horror films from around the globe, and striking illustrations from Barney Bodoano, this is a rich and compelling guide to the scariest films ever made. “This is the definitive guide to what properly messes us up.” —SFX Magazine The films: Psycho (1960), The Innocents (1961), The Haunting (1963), Don’t Look Now (1973), The Exorcist (1973), The Texas Chain Saw Massacre (1974), Who Can Kill a Child? (1976), Suspiria (1977), Halloween (1978), The Shining (1980), The Entity (1982), Angst (1983), Henry: Portrait of a Serial Killer (1990), Ring (1998), The Blair Witch Project (1999), The Others (2001), The Eye (2002), Ju-On: The Grudge (2002), Shutter (2004), The Descent (2005), Wolf Creek (2005), The Orphanage (2007), [Rec] (2007), The Strangers (2008), Lake Mungo (2008), Martyrs (2008), The Innkeepers (2011), Banshee Chapter (2013), Oculus (2013), The Babadook (2014), It Follows (2015), Terrified (2017), Hereditary (2018), It Chapter Two (2019)
Playhouse of the Damned
Author: Richard Nathan
Publisher: Xlibris Corporation
ISBN: 1465321683
Category : Drama
Languages : en
Pages : 212
Book Description
Playhouse of the Damned is an anthology of short horror plays, hosted by Gus the Ghoul. As Gus says, Welcome to the Playhouse of the Damned. This is the playhouse. Guess what part you play. Heres a hint. In just a few minutes, youll find yourself agreeing with hundreds of theatergoers who have attended our playhouse and said, I'll be damned if I'm going to sit through any more of this!
Publisher: Xlibris Corporation
ISBN: 1465321683
Category : Drama
Languages : en
Pages : 212
Book Description
Playhouse of the Damned is an anthology of short horror plays, hosted by Gus the Ghoul. As Gus says, Welcome to the Playhouse of the Damned. This is the playhouse. Guess what part you play. Heres a hint. In just a few minutes, youll find yourself agreeing with hundreds of theatergoers who have attended our playhouse and said, I'll be damned if I'm going to sit through any more of this!
Cowboy Graves: Three Novellas
Author: Roberto Bolaño
Publisher: Picador
ISBN: 1760985767
Category : Fiction
Languages : en
Pages : 145
Book Description
One more journey to the literary universe of Roberto Bolaño, an essential voice of contemporary Latin American literature Roberto Bolaño’s boundless imagination and seemingly inexhaustible gift for shaping the chaos of his reality into enduring fiction is unmistakable in these three exhilarating novellas. In ‘Cowboy Graves’, Arturo Belano – Bolaño’s alter ego – returns to Chile after the coup to fight with his comrades for socialism. ‘French Comedy of Horrors’ takes the reader to French Guiana on the night after an eclipse where a seventeen-year-old answers a pay phone and finds himself recruited into the Clandestine Surrealist Group, a secret society of artists based in the sewers of Paris. And in ‘Fatherland’, a young poet reckons with the fascist overthrow of his country, as the woman he is obsessed with disappears in the ensuing violence and a Third Reich fighter plane mysteriously writes her poetry in the sky overhead. Cowboy Graves is an unexpected treasure from the vault of a master of contemporary fiction. These three fiercely original tales bear the signatures of Bolaño’s extraordinary body of work, echoing the strange characters and uncanny scenes of his great triumphs, while deepening our understanding of his profound gifts.
Publisher: Picador
ISBN: 1760985767
Category : Fiction
Languages : en
Pages : 145
Book Description
One more journey to the literary universe of Roberto Bolaño, an essential voice of contemporary Latin American literature Roberto Bolaño’s boundless imagination and seemingly inexhaustible gift for shaping the chaos of his reality into enduring fiction is unmistakable in these three exhilarating novellas. In ‘Cowboy Graves’, Arturo Belano – Bolaño’s alter ego – returns to Chile after the coup to fight with his comrades for socialism. ‘French Comedy of Horrors’ takes the reader to French Guiana on the night after an eclipse where a seventeen-year-old answers a pay phone and finds himself recruited into the Clandestine Surrealist Group, a secret society of artists based in the sewers of Paris. And in ‘Fatherland’, a young poet reckons with the fascist overthrow of his country, as the woman he is obsessed with disappears in the ensuing violence and a Third Reich fighter plane mysteriously writes her poetry in the sky overhead. Cowboy Graves is an unexpected treasure from the vault of a master of contemporary fiction. These three fiercely original tales bear the signatures of Bolaño’s extraordinary body of work, echoing the strange characters and uncanny scenes of his great triumphs, while deepening our understanding of his profound gifts.
Bloodstone and Broomcorn: Curse of the W. I. T. C. H.
Author: Sean Best
Publisher:
ISBN: 9781537237541
Category :
Languages : en
Pages : 392
Book Description
In the early decades of the twenty-first century, an elusive force as subtle, powerful, and all-pervading as gravity is draining conscious awareness from the human population of Earth. The entity is cunning, insidious, bent on its virulent plot to eat the faculty of free will from the mind of every man, woman, and child of our world. The little girl who cries tears of blood in the mirror is not an illusion. The seance invokes an unhallowed visitant. The old woman who lives alone in the swamp knows the apocryphal secret of the ancient emptiness whose insatiable hunger can never be assuaged. A mediocre fellow ( Dalton T. Broome ) from a Midwest town becomes infected with a consuming obsession to expose the malevolent agency that has the alarming skill of methodically devouring its victims bit by dehumanizing bit while they remain ignorant of its sinister existence. A two-hundred year old remote seaside inn with a shadowed history is the core from which the deceitful abomination butchers the naive who are its prey. W.I.T.C.H. - a cabalistic occult acronym, the meaning of which Broome is destined to learn the hard way - lurks in the rapidly spreading psychological pandemic. Dalton Broome is a man who feels hopelessly lost. The Roofies are out to get him! The course of his life haunts him with failure upon failure. He hears voices inside his head. His awkwardly small feet and his deformed nose rob him of such luxuries as confidence and self esteem. How does bloodstone relate to broomcorn? Mayans, deep space, human teeth, a deck of cards - how can these widely disparate, yet intricately linked, clues guide an urban misfit to a profound revelation which holds the key to restoring his alienated dignity and rescuing our species from annihilation in the oblivion of the gluttonous craving of the vast, unfathomable, abyssal Void?
Publisher:
ISBN: 9781537237541
Category :
Languages : en
Pages : 392
Book Description
In the early decades of the twenty-first century, an elusive force as subtle, powerful, and all-pervading as gravity is draining conscious awareness from the human population of Earth. The entity is cunning, insidious, bent on its virulent plot to eat the faculty of free will from the mind of every man, woman, and child of our world. The little girl who cries tears of blood in the mirror is not an illusion. The seance invokes an unhallowed visitant. The old woman who lives alone in the swamp knows the apocryphal secret of the ancient emptiness whose insatiable hunger can never be assuaged. A mediocre fellow ( Dalton T. Broome ) from a Midwest town becomes infected with a consuming obsession to expose the malevolent agency that has the alarming skill of methodically devouring its victims bit by dehumanizing bit while they remain ignorant of its sinister existence. A two-hundred year old remote seaside inn with a shadowed history is the core from which the deceitful abomination butchers the naive who are its prey. W.I.T.C.H. - a cabalistic occult acronym, the meaning of which Broome is destined to learn the hard way - lurks in the rapidly spreading psychological pandemic. Dalton Broome is a man who feels hopelessly lost. The Roofies are out to get him! The course of his life haunts him with failure upon failure. He hears voices inside his head. His awkwardly small feet and his deformed nose rob him of such luxuries as confidence and self esteem. How does bloodstone relate to broomcorn? Mayans, deep space, human teeth, a deck of cards - how can these widely disparate, yet intricately linked, clues guide an urban misfit to a profound revelation which holds the key to restoring his alienated dignity and rescuing our species from annihilation in the oblivion of the gluttonous craving of the vast, unfathomable, abyssal Void?
Everyday Horrors
Author: Rick Gualtieri
Publisher:
ISBN: 9781940415284
Category : Fiction
Languages : en
Pages : 458
Book Description
ONE GEEK AGAINST THE RISING DARKNESS. Bill Ryder is having a hell of a week. Magic is back, one of his friends has been entombed in solid rock, and he once again has no pulse to speak of. Too bad it's about to get worse. Something is hunting vampires in New York City. A smarmy wizard has been called in to investigate, one with skeletons in his closet and eyes for Bill's girlfriend. All the while, Neolithic horrors not seen since the dawn of time are reappearing, wreaking havoc wherever they step. Bill will need to rally his friends, both new and old, if he's to have any chance of turning the creeping tide of chaos threatening to drown his city. But it won't be easy. The balance of power in the supernatural hierarchy has been upended, and all the attitude in the world might not be enough to fix it.
Publisher:
ISBN: 9781940415284
Category : Fiction
Languages : en
Pages : 458
Book Description
ONE GEEK AGAINST THE RISING DARKNESS. Bill Ryder is having a hell of a week. Magic is back, one of his friends has been entombed in solid rock, and he once again has no pulse to speak of. Too bad it's about to get worse. Something is hunting vampires in New York City. A smarmy wizard has been called in to investigate, one with skeletons in his closet and eyes for Bill's girlfriend. All the while, Neolithic horrors not seen since the dawn of time are reappearing, wreaking havoc wherever they step. Bill will need to rally his friends, both new and old, if he's to have any chance of turning the creeping tide of chaos threatening to drown his city. But it won't be easy. The balance of power in the supernatural hierarchy has been upended, and all the attitude in the world might not be enough to fix it.