Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 56
Book Description
The Professional Collection of Glees for Three, Four, and Five Voices; Composed by ... Callcott, Cooke, Danby, Hindle, Stevens and Webbe
Catalogue
Author: Maggs Bros
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 304
Book Description
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 304
Book Description
Catalogue of the Musical Library of the Late Wm. Euing, Esq., Bequeathed to Anderson's University, Glasgow (now Called Anderson's College)
Author: Euing Musical Library
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 282
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 282
Book Description
Maggs Bros. Catalogues
Author: Maggs Bros
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 980
Book Description
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 980
Book Description
Catalogue of the Allen A. Brown Collection of Music in the Public Library of the City of Boston
Author: Boston Public Library. Allen A. Brown Collection of Music
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 354
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 354
Book Description
Catalogue
Author:
Publisher:
ISBN:
Category : Catalogs, Booksellers'
Languages : en
Pages : 1044
Book Description
Publisher:
ISBN:
Category : Catalogs, Booksellers'
Languages : en
Pages : 1044
Book Description
The First Fleet Piano: Volume One
Author: Geoffrey Lancaster
Publisher: ANU Press
ISBN: 1922144657
Category : Music
Languages : en
Pages : 919
Book Description
During the late eighteenth century, a musical–cultural phenomenon swept the globe. The English square piano—invented in the early 1760s by an entrepreneurial German guitar maker in London—not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life’s counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike. On Sunday, 13 May 1787, a square piano departed from Portsmouth on board the Sirius, the flagship of the First Fleet, bound for Botany Bay. Who made the First Fleet piano, and when was it made? Who owned it? Who played it, and who listened? What music did the instrument sound out, and within what contexts was its voice heard? What became of the First Fleet piano after its arrival on antipodean soil, and who played a part in the instrument’s subsequent history? Two extant instruments contend for the title ‘First Fleet piano’; which of these made the epic journey to Botany Bay in 1787–88? The First Fleet Piano: A Musician’s View answers these questions, and provides tantalising glimpses of social and cultural life both in Georgian England and in the early colony at Sydney Cove. The First Fleet piano is placed within the musical and social contexts for which it was created, and narratives of the individuals whose lives have been touched by the instrument are woven together into an account of the First Fleet piano’s conjunction with the forces of history. View ‘The First Fleet Piano: Volume Two Appendices’. Note: Volume 1 and 2 are sold as a set ($180 for both) and cannot be purchased separately.
Publisher: ANU Press
ISBN: 1922144657
Category : Music
Languages : en
Pages : 919
Book Description
During the late eighteenth century, a musical–cultural phenomenon swept the globe. The English square piano—invented in the early 1760s by an entrepreneurial German guitar maker in London—not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life’s counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike. On Sunday, 13 May 1787, a square piano departed from Portsmouth on board the Sirius, the flagship of the First Fleet, bound for Botany Bay. Who made the First Fleet piano, and when was it made? Who owned it? Who played it, and who listened? What music did the instrument sound out, and within what contexts was its voice heard? What became of the First Fleet piano after its arrival on antipodean soil, and who played a part in the instrument’s subsequent history? Two extant instruments contend for the title ‘First Fleet piano’; which of these made the epic journey to Botany Bay in 1787–88? The First Fleet Piano: A Musician’s View answers these questions, and provides tantalising glimpses of social and cultural life both in Georgian England and in the early colony at Sydney Cove. The First Fleet piano is placed within the musical and social contexts for which it was created, and narratives of the individuals whose lives have been touched by the instrument are woven together into an account of the First Fleet piano’s conjunction with the forces of history. View ‘The First Fleet Piano: Volume Two Appendices’. Note: Volume 1 and 2 are sold as a set ($180 for both) and cannot be purchased separately.
Catalogue of the Library of the Sacred Harmonic Society
Author: Sacred Harmonic Society (London, England). Library
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 348
Book Description
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 348
Book Description
Catalogue of the library
Author: Sacred harmonic society
Publisher:
ISBN:
Category :
Languages : en
Pages : 344
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 344
Book Description
Catalogue of the Library of the Sacred Harmonic Society
Author: Sacred Harmonic Society (London)
Publisher:
ISBN:
Category :
Languages : en
Pages : 344
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 344
Book Description