Author: Publisher:
ISBN:
Category : Monhegan Island (Me.)
Languages : en
Pages : 31
Book Description
A Century of Women Artists on Monhegan Island
Author: Publisher:
ISBN:
Category : Monhegan Island (Me.)
Languages : en
Pages : 31
Book Description
Counterpoint
Author: Emily GreyPublisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
The mid to late 20th century was a pivotal moment on Monhegan, when, following the end of the Second World War, modernist painters came to form the core of the island's art community. Four artist couples came to Monhegan Island at this time: Reuben & Gerry Tam, Moe Oberman & Arline Simon, Jan & Bill McCartin, and Lynne Drexler & John Hultberg. These artists met and married in New York City, their paths converging either through their association with art schools or at gathering places for the avant-garde.Feeling inspired by the place and welcomed by the people, they structured their lives to allow for extended stays on Monhegan year after year so that they would have time for their art. Some pushed the limits of the summer season, arriving as early as April or staying into October, while others made temporary or permanent commitments to year-round residency. Living as they did, in shared spaces and in close proximity while working on the island, their art related in counterpoint, like simultaneous melodies interwoven in a musical composition.The artists showed their work in solo exhibitions and during open studio hours on Monhegan, but many also exhibited together as couples and with other Monhegan artists in Maine and in New York City. Through their commitment to their art, to each other and to the island they became a community. This exhibition explores how these eight artists became interconnected as partners, collaborators, neighbors and friends during the second half of the twentieth century.
On Island
Author: Kate Cheney ChappellPublisher:
ISBN:
Category : Art, American
Languages : en
Pages : 60
Book Description
Our Hidden Heritage
Author: Eleanor TuftsPublisher:
ISBN: 9780846700623
Category : Women artists
Languages : en
Pages : 256
Book Description
Call of the Coast
Author: Thomas Andrew DenenbergPublisher:
ISBN:
Category : Art
Languages : en
Pages : 134
Book Description
The early twentieth century brought renewed focus upon the image of the coast and witnessed the formation of art colonies in Old Lyme, Connecticut, and Ogunquit and Monhegan, Maine. These creative communities became an inspiration for artists and art students, among them Edward Hopper, Childe Hassam, Robert Henri, Rockwell Kent, and George Bellows. Visually stunning, Call of the Coast: Art Colonies of New England explores the importance of place for artists in these colonies, and the development of impressionist Connecticut and modernist Maine within the visual traditions of the coast of New England. Featuring approximately 80 works, Call of the Coast illustrates each major painting with extensive interpretative text and includes documentary photography to provide historical context for the artworks. Distributed for the Portland Museum of Art Exhibition Schedule: Portland Museum of Art, Maine (June 25 - October 12, 2009) Florence Griswold Museum, Old Lyme, CT (10/24/2009 - 1/31/2010)
A Century of Women Artists in Cragsmoor
Author: Art, Ecology, and the Resilience of a Maine Island
Author: Barry A. LoganPublisher: Rizzoli International Publications
ISBN: 084783672X
Category : Art
Languages : en
Pages : 210
Book Description
A richly illustrated catalogue of visual art recording the changing ecology of Monhegan Island, a renowned artist destination off the coast of Maine. With its rugged shoreline, magnificent Cathedral Woods, and rustic cedar-shingled homes, Monhegan Island is quintessential Maine. This historic fishing village situated 10 miles off the coast has long been a haven for artists drawn to the splendor of its ocean vistas and picturesque wildlands and for ecologists fascinated by its complex natural history. Merging art, science, and history, this book explores the broad arc of ecological events on the island—the formation and abandonment of pastureland, forest recovery, and the critical importance of land conservation—through their representation in visual art. Indeed, for well over a century, painters, photographers, printmakers, and cartographers alike have observed and depicted this dynamic landscape. Inspired by a Rockwell Kent painting of white spruce saplings set against blue sea and golden sky, biologist Barry Logan recognized that the island’s ecology could be traced through its artistic depictions across the ages. This collaboration between Logan and Monhegan historian Jennifer Pye and art historian Frank Goodyear yields a new and unprecedented survey of the art of the island through the lens of ecology. This story of Monhegan parallels that of other land conservation efforts throughout the country, yet it is one uniquely well told by island artists, ecologists, historians, and community members.
It Took a Century: Women Artists and the RHA.
Author: Cape Ann and Monhegan Island Vistas
Author: James F. O'GormanPublisher:
ISBN: 9780578886077
Category :
Languages : en
Pages : 68
Book Description
In the late 19th-early 20th century American artists began to gather in summer colonies that stretched from California to New England. In focused recognition of that development, this exhibition groups selected pairs of paintings or prints by artists who worked at very different north-east art colonies at Cape Ann (Gloucester and Rockport), Massachusetts on the one hand, and Monhegan Island, Maine on the other. These locations separated by a hundred miles of ocean became, as did many other contemporary art colonies, important crossroads in the history of American art as they hosted major artists through the years. In the case of these two colonies, figures such as Theresa Bernstein, Eric Hudson, Leon Kroll, Hayley Lever, James Fitzgerald, Lester Stevens, Stow Wengenroth and others visited, and sometimes lived, in both locations. This exhibition includes works by these and other artists from the collections of the Monhegan Museum of Art and History, the Cape Ann Museum, the Rockport Art Association, and private collections. Works by each of these and other artists depicting aspects of either location reflect the differences between the city-size Cape Ann, with its large industrial Gloucester harbor, sizable fishing fleet, and extended Rockport seashore, and by contrast the tiny off-shore island with its amazing cliff formations and smaller harbor and lobster fleet. Published by the Monhegan Museum of Art & History, Monhegan, Maine, to accompany the exhibition of the same name organized by the Monhegan Museum of Art & History and the Cape Ann Museum on view at the MMA&H from July 1 to September 30, 2021, and at the Cape Ann Museum in Gloucester, Massachusetts, from October 23, 2021, to January 16, 2022.
Central to Their Lives
Author: Lynne BlackmanPublisher: Univ of South Carolina Press
ISBN: 1611179556
Category : Art
Languages : en
Pages : 432
Book Description
Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn