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Author: Mark Bussler Publisher: Independently Published ISBN: 9781098589745 Category : Languages : en Pages : 242
Book Description
A Century of Progress, a millennium of Chicago. Chicago was no stranger to World's Fairs. The Windy City hosted the great 1893 World's Fair at the end of the 19th century, the fair which introduced the Ferris Wheel and electric lights on a grand scale to the world. Forty years later Chicago would try to one-up itself and celebrate the city's 100 year anniversary with The Sky RIde, art deco styling, the Sinclair Dinosaurs, Hall of Science, and creative applications of lighting that stunned millions of visitors. A Century of Progress heralded not just Chicago's history but also the past several decades of American advancement in electricity, transportation, agriculture, science, medicine, art, movies, and architecture. It was said that "if Washington could return to our land of railroads and steamboats and airplanes and electricity and telephones and radios and the myriad products of physics and chemistry and biology and geology, he would think that by some magic he had been transported to some marvelous fairyland." Written and designed by filmmaker and photographer, Mark Bussler (Expo: Magic of the White City, The 1893 World's Fair Ultra Massive Photographic Adventure Series and San Francisco 1915 World's Fair: The Panama-Pacific International Exposition) Chicago 1933 World's Fair: A Century of Progress in Photographs collects a wealth of stunning amateur, professional, and press photographs that chronicle this incredible event. Learn about the construction of the fair, the styling, the buildings, funding, and the fairgoers' experience of a lifetime! Chapter List: 010 - Introduction 014 - Chicago 1933 029 - The Fairgrounds 040 - Hall Of Science 059 - Administration Building 064 - Avenue of Flags 071 - U.S. Government Building and Hall of States 094 - The Sky Ride 108 - The Adler Planetarium 114 - Travel and Transport Building 124 - Electrical Building 142 - Company Buildings 166 - The Sinclair Dinosaurs 172 - Other Sights and Sounds
Author: Robert W. Rydell Publisher: University of Chicago Press ISBN: 0226732371 Category : History Languages : en Pages : 281
Book Description
In the depths of the Great Depression, when America's future seemed bleak, nearly one hundred million people visited expositions celebrating the "century of progress." These fairs fired the national imagination and served as cultural icons on which Americans fixed their hopes for prosperity and power. World of Fairs continues Robert W. Rydell's unique cultural history—begun in his acclaimed All the World's a Fair—this time focusing on the interwar exhibitions. He shows how the ideas of a few—particularly artists, architects, and scientists—were broadcast to millions, proclaiming the arrival of modern America—a new empire of abundance build on old foundations of inequality. Rydell revisits several fairs, highlighting the 1926 Philadelphia Sesquicentennial, the 1931 Paris Colonial Exposition, the 1933-34 Chicago Century of Progress Exposition, the 1935-36 San Diego California Pacific Exposition, the 1936 Dallas Texas Centennial Exposition, the 1937 Cleveland Great Lakes and International Exposition, the 1939-40 San Francisco Golden Gate International Exposition, the 1939-40 New York World's Fair, and the 1958 Brussels Universal Exposition.
Author: Mark Bussler Publisher: Independently Published ISBN: 9781098589745 Category : Languages : en Pages : 242
Book Description
A Century of Progress, a millennium of Chicago. Chicago was no stranger to World's Fairs. The Windy City hosted the great 1893 World's Fair at the end of the 19th century, the fair which introduced the Ferris Wheel and electric lights on a grand scale to the world. Forty years later Chicago would try to one-up itself and celebrate the city's 100 year anniversary with The Sky RIde, art deco styling, the Sinclair Dinosaurs, Hall of Science, and creative applications of lighting that stunned millions of visitors. A Century of Progress heralded not just Chicago's history but also the past several decades of American advancement in electricity, transportation, agriculture, science, medicine, art, movies, and architecture. It was said that "if Washington could return to our land of railroads and steamboats and airplanes and electricity and telephones and radios and the myriad products of physics and chemistry and biology and geology, he would think that by some magic he had been transported to some marvelous fairyland." Written and designed by filmmaker and photographer, Mark Bussler (Expo: Magic of the White City, The 1893 World's Fair Ultra Massive Photographic Adventure Series and San Francisco 1915 World's Fair: The Panama-Pacific International Exposition) Chicago 1933 World's Fair: A Century of Progress in Photographs collects a wealth of stunning amateur, professional, and press photographs that chronicle this incredible event. Learn about the construction of the fair, the styling, the buildings, funding, and the fairgoers' experience of a lifetime! Chapter List: 010 - Introduction 014 - Chicago 1933 029 - The Fairgrounds 040 - Hall Of Science 059 - Administration Building 064 - Avenue of Flags 071 - U.S. Government Building and Hall of States 094 - The Sky Ride 108 - The Adler Planetarium 114 - Travel and Transport Building 124 - Electrical Building 142 - Company Buildings 166 - The Sinclair Dinosaurs 172 - Other Sights and Sounds
Author: Lisa Diane Schrenk Publisher: ISBN: 9780816648368 Category : Architecture Languages : en Pages : 357
Book Description
From the summer of 1933 to the fall of 1934, more than 38 million fairgoers visited a 3-mile stretch along Lake Michigan, home to Chicago's second World's Fair. Millions more experienced the Century of Progress International Exposition through newspaper and magazine articles, newsreels, and souvenirs. Together, all marveled at the industrial, scientific, consumer, and cultural displays, many of which were housed in fifty massive and colorful exhibition halls, the largest architectural project realized in the United States during the Great Depression. In the richly illustrated Building a Century of Progress, Lisa D. Schrenk explores the pivotal role of the 1933 Chicago World's Fair in modern American architecture. She recounts how the exposition's architectural commission promoted a broad definition of modern architecture, not relying on purely aesthetic characteristics but instead focusing on new design solutions. The fair's pavilions incorporated recently introduced building materials such as masonite and gypsum board; structural innovations (for example, the first thin-shell concrete roof and the first suspended roof structures built in the United States); and new construction processes, most notably the use of prefabrication. They also featured curiosities like the giant, constantly operating mayonnaise maker and the glass-walled House of Tomorrow, which had no operable windows. Schrenk shows how the halls' designs reflected cultural and political developments of the period, including the expanding relationships between science, industry, and government; the rise of a corporate consumer culture; and the impact of the Great Depression. Many of the designs provoked intense responses from critics and other prominent architects, including Frank Lloyd Wright and Ralph Adams Cram, fueling heated debates over the appropriate direction for architecture in the United States. Demonstrating the rich diversity of progressive American building design seen at the fair, Building a Century of Progress captures a crucial moment in American modernism. Lisa D. Schrenk is assistant professor of architecture and art history at Norwich University and former education director of the Frank Lloyd Wright Home and Studio Foundation.
Author: Cheryl Ganz Publisher: University of Illinois Press ISBN: 0252078527 Category : History Languages : en Pages : 270
Book Description
Chicago's 1933 world's fair set a new direction for international expositions. Earlier fairs had exhibited technological advances, but Chicago's fair organizers used the very idea of progress to buoy national optimism during the Depression's darkest years. Orchestrated by business leaders and engineers, almost all former military men, the fair reflected a business-military-engineering model that envisioned a promising future through science and technology's application to everyday life. But not everyone at Chicago's 1933 exposition had abandoned notions of progress that entailed social justice and equality, recognition of ethnicity and gender, and personal freedom and expression. The fair's motto, "Science Finds, Industry Applies, Man Conforms," was challenged by iconoclasts such as Sally Rand, whose provocative fan dance became a persistent symbol of the fair, as well as a handful of other exceptional individuals, including African Americans, ethnic populations and foreign nationals, groups of working women, and even well-heeled socialites. Cheryl R. Ganz offers the stories of fair planners and participants who showcased education, industry, and entertainment to sell optimism during the depths of the Great Depression. This engaging history also features eighty-six photographs--nearly half of which are full color--of key locations, exhibits, and people, as well as authentic ticket stubs, postcards, pamphlets, posters, and other it
Author: Kathleen Franz Publisher: University of Pennsylvania Press ISBN: 0812201930 Category : Business & Economics Languages : en Pages : 233
Book Description
In the first decades after mass production, between 1913 and 1939, middle-class Americans not only bought cars but also enthusiastically redesigned them. By examining the ways Americans creatively adapted their automobiles, Tinkering takes a fresh look at automotive design from the bottom up, as a process that included manufacturers, engineers, advice experts, and consumers in various guises. Franz argues that automobile ownership opened new possibilities for ingenuity among consumers even as large corporations came to control innovation. Franz weaves together a variety of sources, from serial fiction to corporate documents, to explore tinkering as a form of authority in a culture that valued ingenuity. Women drivers represented one group of consumers who used tinkering to advance their claim to social autonomy. Some canny drivers moved beyond modifying their individual cars to become independent inventors, patenting and selling automotive accessories for the burgeoning national demand for aftermarket products. Earl S. Tupper was one such tinkerer who went on to invent Tupperware. These savvy tinkerers worked in a changing landscape of invention shaped increasingly by automotive giants. By the 1930s, Ford and General Motors worked to change the popular discourse of ingenuity and used the world's fairs of the Depression as a stage to promote a hierarchy of innovation. Franz not only demonstrates the entrepreneurial spirit of American consumers but she engages larger historical questions about gender, consumption and ingenuity while charting the impact corporate expansion on tinkering during the first half of the twentieth century.
Author: James Weber Linn Publisher: Forgotten Books ISBN: 9781396653957 Category : Architecture Languages : en Pages : 68
Book Description
Excerpt from Official Pictures of a Century of Progress Exposition About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Maggie Taft Publisher: University of Chicago Press ISBN: 022616831X Category : Art Languages : en Pages : 441
Book Description
For decades now, the story of art in America has been dominated by New York. It gets the majority of attention, the stories of its schools and movements and masterpieces the stuff of pop culture legend. Chicago, on the other hand . . . well, people here just get on with the work of making art. Now that art is getting its due. Art in Chicago is a magisterial account of the long history of Chicago art, from the rupture of the Great Fire in 1871 to the present, Manierre Dawson, László Moholy-Nagy, and Ivan Albright to Chris Ware, Anne Wilson, and Theaster Gates. The first single-volume history of art and artists in Chicago, the book—in recognition of the complexity of the story it tells—doesn’t follow a single continuous trajectory. Rather, it presents an overlapping sequence of interrelated narratives that together tell a full and nuanced, yet wholly accessible history of visual art in the city. From the temptingly blank canvas left by the Fire, we loop back to the 1830s and on up through the 1860s, tracing the beginnings of the city’s institutional and professional art world and community. From there, we travel in chronological order through the decades to the present. Familiar developments—such as the founding of the Art Institute, the Armory Show, and the arrival of the Bauhaus—are given a fresh look, while less well-known aspects of the story, like the contributions of African American artists dating back to the 1860s or the long history of activist art, finally get suitable recognition. The six chapters, each written by an expert in the period, brilliantly mix narrative and image, weaving in oral histories from artists and critics reflecting on their work in the city, and setting new movements and key works in historical context. The final chapter, comprised of interviews and conversations with contemporary artists, brings the story up to the present, offering a look at the vibrant art being created in the city now and addressing ongoing debates about what it means to identify as—or resist identifying as—a Chicago artist today. The result is an unprecedentedly inclusive and rich tapestry, one that reveals Chicago art in all its variety and vigor—and one that will surprise and enlighten even the most dedicated fan of the city’s artistic heritage. Part of the Terra Foundation for American Art’s year-long Art Design Chicago initiative, which will bring major arts events to venues throughout Chicago in 2018, Art in Chicago is a landmark publication, a book that will be the standard account of Chicago art for decades to come. No art fan—regardless of their city—will want to miss it.
Author: Merikay Waldvogel Publisher: Thomas Nelson Publishers ISBN: 9781558532571 Category : Century of Progress International Exposition Languages : en Pages : 0
Book Description
The contest was not without its controversy. When it was announced, rules stated that preference would be given to quilts which developed the Century of Progress theme. However, when the prizes were awarded, commemorative quilts were ignored in favor of traditional patterns. Disgruntled contestants complained to Sears that the judges were biased in favor of tradition. The winning quilt, called the Unknown Star, was entered by Margaret Rogers Caden of Lexington, Kentucky. Much of the work on Ms. Caden's quilt was done by seamstresses who sewed for hire, in violation of contest rules.
Author: Mark Bussler
Author: Robert W. Rydell
Author: Mark Bussler
Author: Lisa Diane Schrenk
Author: Library of Congress
Author: Cheryl Ganz
Author: Kathleen Franz
Author: James Weber Linn
Author: Center for Research Libraries (U.S.)
Author: Maggie Taft
Author: Merikay Waldvogel