Author: Henrietta C.. Bartlett
Publisher:
ISBN:
Category :
Languages : en
Pages : 208
Book Description
A Census of Shakespeare's Plays in Quarto
Author: Henrietta C.. Bartlett
Publisher:
ISBN:
Category :
Languages : en
Pages : 208
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 208
Book Description
The First Quarto Edition of Shakespeare's Hamlet
Mr. William Shakespeare, Orginal and Early Editions of Quartos and Folios
Author: Henrietta Collins Bartlett
Publisher:
ISBN:
Category :
Languages : en
Pages : 256
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 256
Book Description
A census of Shakespeare's plays in quarto, 1594-1709
Author: Heinrietta Collins Bartlett
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Mr. William Shakespeare, Original and Early Editions of Quartos and Folios
Author: Henrietta Collins Bartlett
Publisher:
ISBN:
Category :
Languages : en
Pages : 256
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 256
Book Description
Mr. William Shakespeare, Original and Early Editions of His Quartos and Folios -
Author: Henrietta Collins Bartlett
Publisher: New Haven : Yale University Press ; [etc.,etc.], 1923 [c1922]
ISBN:
Category :
Languages : en
Pages : 256
Book Description
Publisher: New Haven : Yale University Press ; [etc.,etc.], 1923 [c1922]
ISBN:
Category :
Languages : en
Pages : 256
Book Description
A Census of Shakespeare's Plays in Quarto 1594-1709 (Classic Reprint)
Author: Henrietta C. Bartlett
Publisher: Forgotten Books
ISBN: 9780331633870
Category : Crafts & Hobbies
Languages : en
Pages : 198
Book Description
Excerpt from A Census of Shakespeare's Plays in Quarto 1594-1709 In opposition to the theory that Shakespeare (that excellent man of busi ness, as we have been taught to consider him) and his fellows submitted to being defrauded of their property fourteen successive times within thirteen years, it has elsewhere been contended, and will be contended as often as a hearing can be obtained, that while the pirates were able not only to get out editions of Henry V and the Merry Wives, but to convey copyright in them to their confederates, and had the profits of single editions of Romeo and Juliet and Hamlet, and possibly also of Love's Labors Lost, the players after each of these attacks, as also after that on Pericles in 1609, can be seen protecting other plays by staying notices, sometimes openly of that character, more often in the form of entries on the Stationers' Register, which while seeming to pave the way for publication were really meant to delay it. Here and now as much has been said as to this fight with the Pirates as there is space for. We must pass on from this negative and defensive support of the Quartos to claim for them positive qualities not easily compatible with piracy, and which give to them a much higher character than they have hitherto been allowed. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9780331633870
Category : Crafts & Hobbies
Languages : en
Pages : 198
Book Description
Excerpt from A Census of Shakespeare's Plays in Quarto 1594-1709 In opposition to the theory that Shakespeare (that excellent man of busi ness, as we have been taught to consider him) and his fellows submitted to being defrauded of their property fourteen successive times within thirteen years, it has elsewhere been contended, and will be contended as often as a hearing can be obtained, that while the pirates were able not only to get out editions of Henry V and the Merry Wives, but to convey copyright in them to their confederates, and had the profits of single editions of Romeo and Juliet and Hamlet, and possibly also of Love's Labors Lost, the players after each of these attacks, as also after that on Pericles in 1609, can be seen protecting other plays by staying notices, sometimes openly of that character, more often in the form of entries on the Stationers' Register, which while seeming to pave the way for publication were really meant to delay it. Here and now as much has been said as to this fight with the Pirates as there is space for. We must pass on from this negative and defensive support of the Quartos to claim for them positive qualities not easily compatible with piracy, and which give to them a much higher character than they have hitherto been allowed. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Arden Research Handbook of Shakespeare and Textual Studies
Author: Lukas Erne
Publisher: Bloomsbury Publishing
ISBN: 1350080640
Category : Literary Criticism
Languages : en
Pages : 410
Book Description
The Arden Research Handbook of Shakespeare and Textual Studies is a wide-ranging, authoritative guide to research on Shakespeare and textual studies by an international team of leading scholars. It contains chapters on all the major areas of current research, notably the Shakespeare manuscripts; the printed text and paratext in Shakespeare's early playbooks and poetry books; Shakespeare's place in the early modern book trade; Shakespeare's early readers, users, and collectors; the constitution and evolution of the Shakespeare canon from the sixteenth to the twenty-first century; Shakespeare's editors from the eighteenth to the twenty-first century; and the modern editorial reproduction of Shakespeare. The Handbook also devotes separate chapters to new directions and developments in research in the field, specifically in the areas of digital editing and of authorship attribution methodologies. In addition, the Companion contains various sections that provide non-specialists with practical help: an A-Z of key terms and concepts, a guide to research methods and problems, a chronology of major publications and events, an introduction to resources for study of the field, and a substantial annotated bibliography. The Arden Research Handbook of Shakespeare and Textual Studies is a reference work aimed at advanced undergraduate and graduate students as well as scholars and libraries, a guide to beginning or developing research in the field, an essential companion for all those interested in Shakespeare and textual studies.
Publisher: Bloomsbury Publishing
ISBN: 1350080640
Category : Literary Criticism
Languages : en
Pages : 410
Book Description
The Arden Research Handbook of Shakespeare and Textual Studies is a wide-ranging, authoritative guide to research on Shakespeare and textual studies by an international team of leading scholars. It contains chapters on all the major areas of current research, notably the Shakespeare manuscripts; the printed text and paratext in Shakespeare's early playbooks and poetry books; Shakespeare's place in the early modern book trade; Shakespeare's early readers, users, and collectors; the constitution and evolution of the Shakespeare canon from the sixteenth to the twenty-first century; Shakespeare's editors from the eighteenth to the twenty-first century; and the modern editorial reproduction of Shakespeare. The Handbook also devotes separate chapters to new directions and developments in research in the field, specifically in the areas of digital editing and of authorship attribution methodologies. In addition, the Companion contains various sections that provide non-specialists with practical help: an A-Z of key terms and concepts, a guide to research methods and problems, a chronology of major publications and events, an introduction to resources for study of the field, and a substantial annotated bibliography. The Arden Research Handbook of Shakespeare and Textual Studies is a reference work aimed at advanced undergraduate and graduate students as well as scholars and libraries, a guide to beginning or developing research in the field, an essential companion for all those interested in Shakespeare and textual studies.
Shakespeare Survey 74
Author: Emma Smith
Publisher: Cambridge University Press
ISBN: 1009041991
Category : Literary Criticism
Languages : en
Pages : 459
Book Description
Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 74 is 'Shakespeare and Education. The complete set of Survey volumes is also available online at https://www.cambridge.org/core/what-we-publish/collections/shakespeare-survey This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic and save and bookmark their results.
Publisher: Cambridge University Press
ISBN: 1009041991
Category : Literary Criticism
Languages : en
Pages : 459
Book Description
Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 74 is 'Shakespeare and Education. The complete set of Survey volumes is also available online at https://www.cambridge.org/core/what-we-publish/collections/shakespeare-survey This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic and save and bookmark their results.
Ghosts, Holes, Rips and Scrapes
Author: Zachary Lesser
Publisher: University of Pennsylvania Press
ISBN: 081229792X
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
Four years before the publication of the First Folio, a group of London printers and booksellers attempted to produce a "collected works" of William Shakespeare, not in an imposingly large format but as a series of more humble quarto pamphlets. For mysterious reasons, perhaps involving Shakespeare's playing company, the King's Men, the project ran into trouble. In an attempt to salvage it, information on the title pages of some of the playbooks was falsified, making them resemble leftover copies of earlier editions. The deception worked for nearly three hundred years, until it was unmasked by scholars in the early twentieth century. The discovery of these "Pavier Quartos," as they became known, was a landmark success for the New Bibliography and played an important role in establishing the validity and authority of that method of analysis. While more recent scholars have reassessed the traditional narrative that the New Bibliographers wrote, no one has gone back to look at the primary evidence: the quartos themselves. In Ghosts, Holes, Rips and Scrapes Zachary Lesser undertakes a completely fresh study of these playbooks. Through an intensive bibliographical analysis of over three hundred surviving quartos, Lesser reveals evidence that has gone entirely unseen before: "ghosts" (faint, oily impressions produced when one book is bound next to another); "holes" (the tiny remains of the first simple stitching that held pamphlets together); and "rips and scrapes" (post-production alterations of title pages). This new evidence—much of it visible only with the aid of enhanced photographic methods—suggests that the "Pavier Quartos" are far more mysterious, with far more consequential ramifications for book history and Shakespeare scholarship than we have thought.
Publisher: University of Pennsylvania Press
ISBN: 081229792X
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
Four years before the publication of the First Folio, a group of London printers and booksellers attempted to produce a "collected works" of William Shakespeare, not in an imposingly large format but as a series of more humble quarto pamphlets. For mysterious reasons, perhaps involving Shakespeare's playing company, the King's Men, the project ran into trouble. In an attempt to salvage it, information on the title pages of some of the playbooks was falsified, making them resemble leftover copies of earlier editions. The deception worked for nearly three hundred years, until it was unmasked by scholars in the early twentieth century. The discovery of these "Pavier Quartos," as they became known, was a landmark success for the New Bibliography and played an important role in establishing the validity and authority of that method of analysis. While more recent scholars have reassessed the traditional narrative that the New Bibliographers wrote, no one has gone back to look at the primary evidence: the quartos themselves. In Ghosts, Holes, Rips and Scrapes Zachary Lesser undertakes a completely fresh study of these playbooks. Through an intensive bibliographical analysis of over three hundred surviving quartos, Lesser reveals evidence that has gone entirely unseen before: "ghosts" (faint, oily impressions produced when one book is bound next to another); "holes" (the tiny remains of the first simple stitching that held pamphlets together); and "rips and scrapes" (post-production alterations of title pages). This new evidence—much of it visible only with the aid of enhanced photographic methods—suggests that the "Pavier Quartos" are far more mysterious, with far more consequential ramifications for book history and Shakespeare scholarship than we have thought.