A Catalogue of the Libraries of Edward Webbe, Alexander Davie, Francis Carrington, Mary Worsley, and Several Others. Which Will Begin to be Sold at T. Osborne's, in Gray's Inn, and Will Continue Selling Till Lady Day [25 March] 1751 PDF Download

Author: Thomas Osborne
Publisher:
ISBN:
Category :
Languages : en
Pages : 444

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Author: Leah Orr
Publisher: Oxford University Press
ISBN: 0192886290
Category : Literary Criticism
Languages : en
Pages : 346

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In the late seventeenth and eighteenth centuries, the 'woman writer' emerged as a category of authorship in England. Publishing the Woman Writer in England, 1670-1750 seeks to uncover how exactly this happened and the ways publishers tried to market a new kind of author to the public. Based on a survey of nearly seven hundred works with female authors from this period, this book contends that authorship was constructed, not always by the author, for market appeal, that biography often supported an authorial persona rooted in the genre of the work, and that authorship was a role rather than an identity. Through an emphasis on paratexts, including prefaces, title pages, portraits, and biographical notes, Leah Orr analyses the representation of women writers in this period of intense change to make two related arguments. First, women writers were represented in a variety of ways as publishers sought successful models for a new kind of writer in print. Second, a new approach is needed for studying early women writers and others who occupy gaps in the historical record. This book shows that a study of the material contexts of printed books is one way to work with the evidence that survives. It therefore begins with a very familiar kind of author-centric literary history and deconstructs it to conclude with a reception-centered history that takes a more encompassing view of authorship. In addition to analysis of many little-known and anonymous authors, case studies include Aphra Behn, Catharine Trotter/Cockburn, Laetitia Pilkington, Marie-Catherine d'Aulnoy, and Anne Dacier.

Author: Lawrence Warner
Publisher: Cambridge University Press
ISBN: 1107783097
Category : Literary Criticism
Languages : en
Pages : 241

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Addressing the history of the production and reception of the great medieval poem, Piers Plowman, Lawrence Warner reveals the many ways in which scholars, editors and critics over the centuries created their own speculative narratives about the poem, which gradually came to be regarded as factually true. Warner begins by considering the possibility that Langland wrote a romance about a werewolf and bear-suited lovers, and he goes on to explore the methods of the poem's localization, and medieval readers' particular interest in its Latinity. Warner shows that the 'Protestant Piers' was a reaction against the poem's oral mode of transmission, reveals the extensive eighteenth-century textual scholarship on the poem and contextualizes its first modernization. This lively account of Piers Plowman challenges the way the poem has traditionally been read and understood. This title is available as Open Access on Cambridge Books Online and via Knowledge Unlatched.

Author: Lawrence Warner
Publisher: Cambridge University Press
ISBN: 1107043638
Category : Literary Criticism
Languages : en
Pages : 241

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A revisionary account of the powerful myths that grew up around the production and reception of the great medieval poem. Also available as Open Access.

Author: V. Langford Oliver
Publisher: Рипол Классик
ISBN: 5871960944
Category : History
Languages : en
Pages : 435

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Author:
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Category : England
Languages : en
Pages : 950

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Author: Winchester College
Publisher:
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Category : Endowed public schools (Great Britain).
Languages : en
Pages : 438

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Author:
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 1660

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Author: Oriel College (University of Oxford)
Publisher:
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Category : Oxford (England)
Languages : en
Pages : 838

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Author: Charles Abraham Owen
Publisher: Boydell & Brewer
ISBN: 9780859913348
Category : Literary Collections
Languages : en
Pages : 150

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Owen investigates what the manuscripts of the Canterbury Tales reveal about the way they came into being. [see revs] This study of the manuscripts of the Canterbury Talescalls into question previous efforts to explain the complexities, the different orderings of the tales and the extraordinary shifts in textual affiliations within the manuscripts. Owen sees the manuscripts that survive, most of them collections of all or almost all the tales, as derived from the large number of single tales and small collections that circulated after Chaucer's death. This theory takes issue with all modern editions of the Canterbury Tales, which in Owen's view reflect the effort of medieval scribes and supervisors to make a satisfactory book of the collection of fragments Chaucer left behind. It is this collection of fragments, the authentic Tales of Canterbury by Geoffrey Chaucer, which reflects the different stages of the plan that was still evolving at his death. CHARLES A. OWEN Jr is former Professor of English and Chairman of Medieval Studies at the University of Conneticut.