Author: National Art Gallery of New South WalesPublisher:
ISBN:
Category : Art museums
Languages : en
Pages : 468
Book Description
A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales 1875-1952
Author: National Art Gallery of New South WalesPublisher:
ISBN:
Category : Art museums
Languages : en
Pages : 468
Book Description
A Catalogue of Australian Oil Paintings in the National Art Gallery of New South Wales, 1875-1952
Author: Art Gallery of New South WalesPublisher:
ISBN:
Category : Art
Languages : en
Pages : 248
Book Description
A Catalogue of Australian Oil Paintings 1875-1952
Author: Art Gallery of New South Wales (Sydney)Publisher:
ISBN:
Category :
Languages : en
Pages : 234
Book Description
A Catalogue of Australian Oil Paintings in the National Art Gallery OfNew South Wales 1875-1952
Author: A Catalogue of Australian Oil Paontings in the National Art Gallery of New South Wales
Author: National Art Gallery (New South Walles)Publisher:
ISBN:
Category :
Languages : en
Pages : 234
Book Description
Catalogue of the Exhibits in the New South Wales Courts
Author: New South Wales. Commissioners for the World's Columbian expositionPublisher:
ISBN:
Category : Industries
Languages : en
Pages : 800
Book Description
Art Gallery of New South Wales Catalogue of British Paintings
Author: Art Gallery of New South WalesPublisher: Agnsw
ISBN:
Category : Art
Languages : en
Pages : 234
Book Description
British Art for Australia, 1860-1953
Author: Matthew C. PotterPublisher: Routledge
ISBN: 0429752679
Category : Art
Languages : en
Pages : 603
Book Description
Traditional postcolonial scholarship on art and imperialism emphasises tensions between colonising cores and subjugated peripheries. The ties between London and British white settler colonies have been comparatively neglected. Artworks not only reveal the controlling intentions of imperialist artists in their creation but also the uses to which they were put by others in their afterlives. In many cases they were used to fuel contests over cultural identity which expose a mixture of rifts and consensuses within the British ranks which were frequently assumed to be homogeneous. British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian national galleries and other key Australian and UK institutions. Multiple audiences in the disciplines of art history, cultural history, and museology are addressed by analysing how Australians used British art to carve a distinct identity, which artworks were desirable, economically attainable, and why, and how the acquisition of British art fits into a broader cultural context of the British world. It considers the often competing roles of the British Old Masters (e.g. Romney and Constable), Victorian (e.g. Madox Brown and Millais), and modern artists (e.g. Nash and Spencer) alongside political and economic factors, including the developing global art market, imperial commerce, Australian Federation, the First World War, and the coming of age of the Commonwealth.
Catalogue of the Library of the National Gallery of Canada
Author: National Gallery of Canada. LibraryPublisher:
ISBN:
Category : Art
Languages : en
Pages : 792
Book Description
Australian Colonial Paintings in the Australian National Gallery
Author: Australian National GalleryPublisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 296
Book Description
The first of several volumes to be published in association with the Australian National Gallery, this book offers a comprehensive analysis of Australian painting from the 1820s to the mid-1880s. Bonyhady's rigorous analysis of the individual works, supported by a wealth of biographical and historical detail, recreates the lively and influential artistic climate that prevailed during the first hundred years of colonial settlement.