Author: Christie, Manson & Woods
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 18
Book Description
Catalogue of a Truly Capital & Highly Valuable Assemblage Chiefly of Distinguished Italian, and a Few Spanish, French, Flemish, and Dutch Pictures, of the Finest Class
Author: Christie, Manson & Woods
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 18
Book Description
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 18
Book Description
A Catalogue of a Truly Capital and Highly Valuable Assemblage Chiefly of Distinguished Italian, and a Few Spanish, French, Flemish, and Dutch Pictures of the Finest Class
Author: James Christie
Publisher: Forgotten Books
ISBN: 9781397291325
Category : Art
Languages : en
Pages : 24
Book Description
Excerpt from A Catalogue of a Truly Capital and Highly Valuable Assemblage Chiefly of Distinguished Italian, and a Few Spanish, French, Flemish, and Dutch Pictures of the Finest Class: The Genuine and Entire Collection of William Young Ottley, Esq. J W1 by Guidd himself, biit' for the most part by his school' independent of' itdmi'etit, the oiiginanty orthté'pic'isre w 'is uneqmvoe'fll y prbved by the several alterations, or, nhjm' as the Italiawris e'all'them, pentimentz', which, upon m it maybe seen, the artist made in his picture in the course of its' execution. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9781397291325
Category : Art
Languages : en
Pages : 24
Book Description
Excerpt from A Catalogue of a Truly Capital and Highly Valuable Assemblage Chiefly of Distinguished Italian, and a Few Spanish, French, Flemish, and Dutch Pictures of the Finest Class: The Genuine and Entire Collection of William Young Ottley, Esq. J W1 by Guidd himself, biit' for the most part by his school' independent of' itdmi'etit, the oiiginanty orthté'pic'isre w 'is uneqmvoe'fll y prbved by the several alterations, or, nhjm' as the Italiawris e'all'them, pentimentz', which, upon m it maybe seen, the artist made in his picture in the course of its' execution. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
A Catalogue of a Truly Capital & Highly Valuable Assemblage, Chiefly of Distinguished Italian and a Few Spanish, French, Flemish, and Dutch Pictures, of the Finest Class, the Genuine and Entire Collection of William Young Ottley,...
A Catalogue of a Truly Capital & Highly Valuable Assemblage Chiefly of Distinguished Italian, and a Few Spanish, French, Flemish, and Dutch Pictures of the Finest Class
The Athenaeum
Athenaeum and Literary Chronicle
The academy
Athenaeum and Literary Chronicle
Author: James Silk Buckingham
Publisher:
ISBN:
Category :
Languages : en
Pages : 888
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 888
Book Description
The Art Journal
Luxury Arts of the Renaissance
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.