Author: Keith Christiansen Publisher: Metropolitan Museum of Art ISBN: 0870995758 Category : Lutenists Languages : en Pages : 98
Book Description
Published by the Metropolitan Museum of Art, 1000 Fifth Avenue, New York, NY 10028. The catalog (with a lengthy essay and scholarly paraphernalia) for an exhibition of a newly identified work by Caravaggio and other paintings by the artist or related to the musical theme. Annotation copyrighted by Book News, Inc., Portland, OR
Author: John Varriano Publisher: Penn State Press ISBN: 9780271047034 Category : Art Languages : en Pages : 304
Book Description
In Caravaggio, Varriano uncovers the principles and practices that guided Caravaggio's brush as he made some of the most controversial paintings in the history of art. He sheds an important new light on these disputes by tracing the autobiographical threads in Caravaggio's paintings, framing these within the context of contemporary Italian culture.
Author: John F. Moffitt Publisher: McFarland ISBN: 147660987X Category : Art Languages : en Pages : 268
Book Description
Michelangelo Merisi da Caravaggio (1571-1610) has long been recognized as one of the great innovators in the history of art. Through detailed analysis of paintings from his early Roman period, 1594-1602, this study now situates his art firmly within both its humanistic and its scientific context. Here, both his revolutionary painterly techniques--pronounced naturalism and dramatic chiaroscuro--and his novel subject matter--still-life compositions and genre scenes--are finally put into their proper cultural and contemporary environment. This environment included the contemporary rise of empirical scientific observation, a procedure--like Caravaggio's naturalism--committed to a close study of the phenomenal world. It also included the interests of his erudite, aristocratic patrons, influential Romans whose tastes reflected the Renaissance commitment to humanistic studies, emblematic literature and classical lore. The historical evidence entered into the record here includes both contemporary writings addressing the instructive purposes of art and the ancient literary sources commonly manipulated in Caravaggio's time that sanctioned a socially realistic art. The overall result of this investigation is characterize the work of the painter as an expression of "learned naturalism."
Author: Keith Christiansen Publisher: Metropolitan Museum of Art ISBN: 1588390063 Category : Art, Baroque Languages : en Pages : 498
Book Description
This beautiful book presents the work of these two painters, exploring the artistic development of each, comparing their achievements and showing how both were influenced by their times and the milieus in which they worked.
Author: Philip Steadman Publisher: ISBN: 9780192803023 Category : Art Languages : en Pages : 238
Book Description
Art historians have long speculated on how Vermeer achieved the uncanny mixture of detached precision, compositional repose, and perspective accuracy that have drawn many to describe his work as "photographic." Indeed, many wonder if Vermeer employed a camera obscura, a primitive form of camera, to enhance his realistic effects? In Vermeer's Camera, Philip Steadman traces the development of the camera obscura--first described by Leonaro da Vinci--weighs the arguments that scholars have made for and against Vermeer's use of the camera, and offers a fascinating examination of the paintings themselves and what they alone can tell us of Vermeer's technique. Vermeer left no record of his method and indeed we know almost nothing of the man nor of how he worked. But by a close and illuminating study of the paintings Steadman concludes that Vermeer did use the camera obscura and shows how the inherent defects in this primitive device enabled Vermeer to achieve some remarkable effects--the slight blurring of image, the absence of sharp lines, the peculiar illusion not of closeness but of distance in the domestic scenes. Steadman argues that the use of the camera also explains some previously unexplainable qualities of Vermeer's art, such as the absence of conventional drawing, the pattern of underpainting in areas of pure tone, the pervasive feeling of reticence that suffuses his canvases, and the almost magical sense that Vermeer is painting not objects but light itself. Drawing on a wealth of Vermeer research and displaying an extraordinary sensitivity to the subtleties of the work itself, Philip Steadman offers in Vermeer's Camera a fresh perspective on some of the most enchanting paintings ever created.
Author: David Franklin Publisher: ISBN: Category : Art Languages : en Pages : 352
Book Description
"The Italian artist Caravaggio (1571-1610) had a profound impact on a wide range of baroque painters of Italian, French, Dutch, Flemish, and Spanish origin who resided in Rome either during his lifetime or immediately afterward. This captivating book illustrates the notion of "Caravaggism," showcasing 65 works by Peter Paul Rubens and other important artists of the period who drew inspiration from Caravaggio. Also depicted are Caravaggio canvases that fully exhibit his distinctive style, along with ones that had a particularly discernible impact on other practitioners. Caravaggio's influence was greatest in Rome, where his works were seen by the largest and most international group of artists, and was at its peak in the early decades of the 17th century both before and after his untimely death at the age of 39. Not since Michelangelo or Raphael has one European artist affected so many of his contemporaries and over such broad geographic territory. Essays by an array of major Caravaggio scholars illuminate the underlying principles of the exhibit, reveal how Caravaggio altered the presentation and interpretation of many traditional subjects and inspired unusual new ones, and explore the artist's legacy and how he irrevocably changed the course of painting."--Publisher's description.
Author: Michael Fried Publisher: Princeton University Press ISBN: 069125298X Category : Art Languages : en Pages : 316
Book Description
A major reevaluation of Caravaggio from one of today's leading art historians This is a groundbreaking examination of one of the most important artists in the Western tradition by one of the leading art historians and critics of the past half-century. In his first extended consideration of the Italian Baroque painter Michelangelo Merisi da Caravaggio (1573-1610), Michael Fried offers a transformative account of the artist's revolutionary achievement. Based on the A. W. Mellon Lectures in the Fine Arts delivered at the National Gallery of Art, The Moment of Caravaggio displays Fried's unique combination of interpretive brilliance, historical seriousness, and theoretical sophistication, providing sustained and unexpected readings of a wide range of major works, from the early Boy Bitten by a Lizard to the late Martyrdom of Saint Ursula. The result is an electrifying new perspective on a crucial episode in the history of European painting. Focusing on the emergence of the full-blown "gallery picture" in Rome during the last decade of the sixteenth century and the first decades of the seventeenth, Fried draws forth an expansive argument, one that leads to a radically revisionist account of Caravaggio's relation to the self-portrait; of the role of extreme violence in his art, as epitomized by scenes of decapitation; and of the deep structure of his epoch-defining realism. Fried also gives considerable attention to the art of Caravaggio's great rival, Annibale Carracci, as well as to the work of Caravaggio's followers, including Orazio and Artemisia Gentileschi, Bartolomeo Manfredi, and Valentin de Boulogne. Please note: All images in this ebook are presented in black and white and have been reduced in size.
Author: Keith Christiansen
Author: Keith Christianson
Author: 
Author: Keith Christiansen
Author: John Varriano
Author: John F. Moffitt
Author: Keith Christiansen
Author: Philip Steadman
Author: David Franklin
Author: Michael Fried