Author: Ki S. B. JososharmodjoPublisher:
ISBN:
Category : Shadow shows
Languages : id
Pages : 8
Book Description
A brief outline on the aspects of the Javanese wayang kulit
Author: Ki S. B. JososharmodjoPublisher:
ISBN:
Category : Shadow shows
Languages : id
Pages : 8
Book Description
A Brief Outline on the Aspects of the Javanese Wayang Kulit
Author: Ki S. B. JosodharmodjoPublisher:
ISBN:
Category : Puppet plays
Languages : en
Pages : 24
Book Description
Javanese Wayang Kulit
Author: Edward C. Van NessPublisher:
ISBN:
Category : Javanese drama
Languages : en
Pages : 0
Book Description
Wayang Theatre in Indonesia
Author: Clara Van GroenendaelPublisher: BRILL
ISBN: 9004658270
Category : History
Languages : en
Pages : 229
Book Description
Phenomenology of a Puppet Theatre
Author: Jan MrázekPublisher: Kitlv Press
ISBN:
Category : History
Languages : en
Pages : 600
Book Description
No previous work on wayang has treated in depth what is the focus of this book: the power of the theatrical medium, the actuality of the performance as a physical, emotional, and social experience and event, and the sensations and feelings involved in performing and watching an all-night wayang performance. A single puppeteer moves puppets, delicately carved and painted according to a complex iconography, in dance-like patterns integrated with continuous music, which he also directs; he speaks the voices of all characters; and he represents beings and a mythological world that reflect (on) the human world, including the specific occasion and the people present. Paying attention to the wholeness of the 'multimedia' performance as an event, as well as to the sensations, subtle movements, and particular intonations of the performance, the author of this book bases his 'thick description' on years of learning to perform wayang, attending and participating in performances, interviews and discussions with people involved with wayang, supplemented by study of texts, from old manuscripts and performance manuals to newspaper articles and reports on performances. He shows the need not to be limited to any single discipline: in wayang, the relationships and interaction, for example, between visual movements and music, or between actions on the screen and actions among the audience-participants, are no less significant than, for example, the relationships within music. The book includes the most extensive discussion of recent changes in wayang theatre, its interaction with various traditional and modern entertainments, and the ways it is affected by politics and economy. A postscript focuses on the post-Soeharto era. The book is a contribution to the study of Indonesian performing arts and culture, but it is also intended for anyone interested in theatre and performing arts generally. Book jacket.
On the Wayang Kulit (purwa) and Its Symbolic and Mystical Elements
Author: Mangkunegara VII (of Surakata)Publisher:
ISBN:
Category : Cults
Languages : en
Pages : 64
Book Description
The Movement System in Javanese Wayang Kulit in Relation to Puppet Character Type
Author: Roger LongPublisher:
ISBN:
Category : Shadow shows
Languages : en
Pages : 263
Book Description
Educational Theatre Journal
Author: Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 646
Book Description
Innovation in Javanese Wayang Kulit Performances at the End of the Twentieth Century
Author: Lisa A. LeiberingWayang & Its Doubles
Author: Jan MrázekPublisher: National University of Singapore Press
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 372
Book Description
Much has been said about how Javanese puppet theatre, Wayang Kulit, richly reflects the Javanese world, and how changes and tensions in performance practice mirror those in culture and society. 0For decades, television has been as intensely part of the Javanese world as Wayang. This book explores the ways two complex media and modes of being, seeing and fantasising, with their different cultures, coexist and meet, and haunt or invade each other. It is what what a Javanese commentator calls a 'difficult marriage' - intimate on the one hand, deeply alienating on the other, institutionalised yet at the same time mercurial and shifting.0This encounter is explored on many levels including performance aesthetics, the technicalities of television production, issues of time, space, light, place, and movement, audience experience of live and televised performances, and the collaboration and struggle between performers and television producers. Central to the book are personal perspectives and experiences, as well as Javanese discussions surrounding the interaction between Wayang and television and their cultures.0They are brought into a conversation with reflections on media and technology by writers such as Karl Marx, Martin Heidegger, Maurice Merleau-Ponty, Jacques Derrida, Paul Virilio, and James Siegel. Wayang's relationship with television is considered in the context of the theatre's intercourse with older and newer media, including electricity, radio, audio- and video-recording, the internet and social media.