Author: Esther SparksPublisher:
ISBN:
Category : Art
Languages : en
Pages : 1444
Book Description
A Biographical Dictionary of Painters and Sculptors in Illinois, 1808-1945
Author: Esther SparksA Biographical Dictionary of Painters and Sculptors in Illinois, 1808-1945
Author: Esther SparksA Biographical Dictionary of Painters and Sculptures in Illinois, 1808-1945
Author: Esther SparksA history of painting and sculpture in Illinois, 1808-1945
Author: Esther SparksPublisher:
ISBN:
Category : Painters
Languages : en
Pages : 1460
Book Description
Biographical dictionary
Author: Esther SparksPublisher:
ISBN:
Category : Painters
Languages : en
Pages : 1460
Book Description
Master Painter
Author: Jack R. LundbomPublisher: Wipf and Stock Publishers
ISBN: 1498223419
Category : Religion
Languages : en
Pages : 365
Book Description
Millions of people recognize the religious painting know as Head of Christ, of which an estimated five hundred million prints have been sold. Very few, however, know the artist, Warner E. Sallmann. Sallman's lack of notoriety in professional art circles can be explained by the fact that he made little or no attempt to put himself forward as a Chicago or even a Swedish American artist. He had no exhibitions of his works, and his public life consisted largely of appearances before church and community groups to do chalk drawings. More important was his attitude regarding personal fame. Sallman let the Christ he painted be in the foreground, while the artist remained in the background. "The time has come," argues Jack Lundbom, "for a broader public to know the man who stands behind the painting and the other artwork bearing the Sallman signature." Master Painter is a fascinating story of a gifted man with humble beginnings who overcame disappointment, ill health, and personal limitations in order to live out a vision: that his art serve not only for the enjoyment of humankind, but the practical end of instructing persons in the ways of God. Readers who know the art can now know the artist. It is a story eminently worth telling and one a broad public will be interested to know.
Biographical Dictionary of Painters, Sculptors, Engravers, and Architects, from the Earliest Ages to the Present Time; Interspersed with Original Anecdotes
Author: John GouldPublisher: BoD – Books on Demand
ISBN: 3385600154
Category : Fiction
Languages : en
Pages : 438
Book Description
Reprint of the original, first published in 1838.
Art in Chicago
Author: Maggie TaftPublisher: University of Chicago Press
ISBN: 022616831X
Category : Art
Languages : en
Pages : 441
Book Description
For decades now, the story of art in America has been dominated by New York. It gets the majority of attention, the stories of its schools and movements and masterpieces the stuff of pop culture legend. Chicago, on the other hand . . . well, people here just get on with the work of making art. Now that art is getting its due. Art in Chicago is a magisterial account of the long history of Chicago art, from the rupture of the Great Fire in 1871 to the present, Manierre Dawson, László Moholy-Nagy, and Ivan Albright to Chris Ware, Anne Wilson, and Theaster Gates. The first single-volume history of art and artists in Chicago, the book—in recognition of the complexity of the story it tells—doesn’t follow a single continuous trajectory. Rather, it presents an overlapping sequence of interrelated narratives that together tell a full and nuanced, yet wholly accessible history of visual art in the city. From the temptingly blank canvas left by the Fire, we loop back to the 1830s and on up through the 1860s, tracing the beginnings of the city’s institutional and professional art world and community. From there, we travel in chronological order through the decades to the present. Familiar developments—such as the founding of the Art Institute, the Armory Show, and the arrival of the Bauhaus—are given a fresh look, while less well-known aspects of the story, like the contributions of African American artists dating back to the 1860s or the long history of activist art, finally get suitable recognition. The six chapters, each written by an expert in the period, brilliantly mix narrative and image, weaving in oral histories from artists and critics reflecting on their work in the city, and setting new movements and key works in historical context. The final chapter, comprised of interviews and conversations with contemporary artists, brings the story up to the present, offering a look at the vibrant art being created in the city now and addressing ongoing debates about what it means to identify as—or resist identifying as—a Chicago artist today. The result is an unprecedentedly inclusive and rich tapestry, one that reveals Chicago art in all its variety and vigor—and one that will surprise and enlighten even the most dedicated fan of the city’s artistic heritage. Part of the Terra Foundation for American Art’s year-long Art Design Chicago initiative, which will bring major arts events to venues throughout Chicago in 2018, Art in Chicago is a landmark publication, a book that will be the standard account of Chicago art for decades to come. No art fan—regardless of their city—will want to miss it.
The Old Guard and the Avant-Garde
Author: Sue Ann PrincePublisher: University of Chicago Press
ISBN: 9780226682846
Category : Art
Languages : en
Pages : 344
Book Description
"The Old Guard and the Avant-Garde: Modernism in Chicago, 1910-1940 brings together the history and the critical reaction to the new developments in art and design, places them in the context of conservative yet innovative Chicago at the turn of the century, and explores the tensions between tradition and innovation. The individual essays present the best in specialized current research, yet one can clearly understand the impact of modernism on the broader intellectual and cultural life of the city. I eagerly await as cohesive and thorough an analysis of the subject for New York."—David Sokol, University of Chicago "This is fresh and fascinating research about the ups and downs of modernism in Chicago, a city where art students reportedly once hung Matisse in effigy. Regional studies like this one broaden our understanding of how the art world has worked outside of New York and gives depth to a story we know too narrowly. Applause all the way around."—Wanda M. Corn, Stanford University
Scenic Impressions
Author: Estill Curtis PenningtonPublisher: Univ of South Carolina Press
ISBN: 1611177170
Category : Art
Languages : en
Pages : 395
Book Description
The radical changes wrought by the rise of the salon system in nineteenth-century Europe provoked an interesting response from painters in the American South. Painterly trends emanating from Barbizon and Giverny emphasized the subtle textures of nature through warm color and broken brush stroke. Artists' subject matter tended to represent a prosperous middle class at play, with the subtle suggestion that painting was indeed art for art's sake and not an evocation of the heroic manner. Many painters in the South took up the stylistics of Tonalism, Impressionism, and naturalism to create works of a very evocative nature, works which celebrated the Southern scene as an exotic other, a locale offering refuge from an increasingly mechanized urban environment. Scenic Impressions offers an insight into a particular period of American art history as borne out in seminal paintings from the holdings of the Johnson Collection of Spartanburg, South Carolina. By consolidating academic information on a disparate group of objects under a common theme and important global artistic umbrella, Scenic Impressions will underscore the Johnsons' commitment to illuminating the rich cultural history of the American South and advancing scholarship in the field, specifically examining some forty paintings created between 1880 and 1940, including landscapes and genre scenes. A foreword, written by Kevin Sharp, director of the Dixon Gallery and Gardens in Memphis, Tennessee, introduces the topic. Two lead essays, written by noted art historians Estill Curtis Pennington and Martha R. Severens, discuss the history and import of the Impressionist movement—abroad and domestically—and specifically address the school's influence on art created in and about the American South. The featured works of art are presented in full color plates and delineated in complementary entries written by Pennington and Severens. Also included are detailed artist biographies illustrated by photographs of the artists, extensive documentation, and indices. Featured artists include Wayman Adams, Colin Campbell Cooper, Elliott Daingerfield, G. Ruger Donoho, Harvey Joiner, John Ross Key, Blondelle Malone, Lawrence Mazzanovich, Paul Plaschke, Hattie Saussy, Alice Ravenel, Huger Smith, Anthony Thieme, and Helen Turner.