A Bel Canto Method, Or, How to Sing Italian Baroque Music Correctly Based on the Primary Sources PDF Download

Author: Edward Foreman
Publisher:
ISBN:
Category : Bel canto
Languages : en
Pages : 120

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Author: Robin Healey
Publisher: University of Toronto Press
ISBN: 1442642696
Category : Literary Criticism
Languages : en
Pages : 1185

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Book Description
"Italian Literature before 1900 in English Translation provides the most complete record possible of texts from the early periods that have been translated into English, and published between 1929 and 2008. It lists works from all genres and subjects, and includes translations wherever they have appeared across the globe. In this annotated bibliography, Robin Healey covers over 5,200 distinct editions of pre-1900 Italian writings. Most entries are accompanied by useful notes providing information on authors, works, translators, and how the translations were received. Among the works by over 1,500 authors represented in this volume are hundreds of editions by Italy's most translated authors - Dante Alighieri, [Niccoláo] Machiavelli, and [Giovanni] Boccaccio - and other hundreds which represent the author's only English translation. A significant number of entries describe works originally published in Latin. Together with Healey's Twentieth-Century Italian Literature in English Translation, this volume makes comprehensive information on translations accessible for schools, libraries, and those interested in comparative literature."--Pub. desc.

Author: Philip A. Duey
Publisher: Read Books Ltd
ISBN: 1446547094
Category : Music
Languages : en
Pages : 296

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Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Author: Lucie Manén
Publisher: Oxford University Press, USA
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 96

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Book Description
Lucie Manén, one of the most influential and admired vocal teachers of our time, presents the history of Bel Canto singing and details the physiological aspects of voice production, including posture, breathing, messa di voce, and coloratura. Illustrated with exercises from original Bel Canto manuals, this book is an invaluable guide for singers who wish to master this important style.

Author: Edward Foreman
Publisher:
ISBN:
Category : Singing
Languages : en
Pages : 506

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Author: David Clark Taylor
Publisher:
ISBN:
Category : Singing
Languages : en
Pages : 204

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Author: Pier Francesco Tosi
Publisher: Gregory Blankenbehler
ISBN: 0557122937
Category : Art
Languages : en
Pages : 119

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Book Description
Opinioni de' cantori antichi, e moderni o sieno osservazioni sopra il canto figurato (1723) -- Extended Edition. As the first full-length treatise ever to be published on singing, Tosi revealed to the world the secret method that accounted for the unworldly vocal abilities of the famous castrati. Living in a Europe alight with the virtuosic Baroque operas of Handel, Scarlatti and Porpora, Tosi revealed that it was extensive training in the old Italian school of singing that cultivated the beautiful tone and expression of their voices, as well as the infamous mezza di voce, trills and runs. What's more, Tosi revealed that the method worked equally well for any voice type, male or female, provided that its principles and techniques were adhered to with exactness and consistency. Written by one of the most famous singers and voice teachers of the early 18th century, Tosi's Opinioni has remained an indispensable text on the bel canto singing method, as well as Baroque stylistic techniques.

Author: Giovanni Battista Lamperti
Publisher:
ISBN:
Category : Singing
Languages : en
Pages : 40

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Author: Hermann Klein
Publisher: London : Oxford University Press
ISBN:
Category : Music
Languages : en
Pages : 64

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Book Description

Author: G. B. Lamperti
Publisher: Forgotten Books
ISBN: 9781330015865
Category : Music
Languages : en
Pages : 38

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Book Description
Excerpt from The Technics of Bel Canto It appears superfluous and aimless to add a new singing-method to those already before the public. However, during many years devoted to lesson-giving, I have observed far too often how little attention is paid nowadays to individualizing. No two persons are exactly alike, much less any two pupils. In vocal teaching, especially, it does great mischief to try to make one shoe fit every foot. I feel that those of my colleagues will agree with me, who, still possessing a thorough knowledge of the Bel Canto, have often undergone similar experiences. Yet the power of true vocal art, even in this decadent period, has lost but little of its effect on enthusiastic auditors. This is proved by the ever-renewed successes of Marcella Sembrich and others as contrasted with the great multitude of "natural" singers and dubious specialists with more or less voice. It is this fact, in particular, which encourages me to gather together the fruits of my experience in this little volume, for the benefit of my own pupils and other earnest vocal students. Let it be added, that this method has been tested by time, and that I can trace it back to the Italian singing-masters Gasparo Pacchierotti (d. 1821), Giovanni Battista Velluti (d. 1861), and others. Should the technical information contained in these pages be found useful in wider circles, and do its part toward attracting and preserving many a talent to the service of the divine art of song, it would give the author the liveliest satisfaction. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.