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Author: André Grabar Publisher: Princeton University Press ISBN: 0691252092 Category : Art Languages : en Pages : 430
Book Description
An illuminating look at the iconography of the early church and its important place in the history of Christian art In this book, historian André Grabar demonstrates how early Christian iconography assimilated contemporary imagery of the time. Grabar looks at the most characteristic examples of paleo-Christian iconography, dwelling on their nature, form, and content. He explores the limits of originality in such art, its debt to figurative art, and the broader cultural climate in the Roman Empire, drawing a distinction between expressive images—that is, genuine works of art—and informative ones. Throughout, Grabar establishes the importance of imperial iconography in the development of Christian portraits and sheds light on the role they played alongside other forms of Christian piety in their day.
Author: André Grabar Publisher: Princeton University Press ISBN: 0691252092 Category : Art Languages : en Pages : 430
Book Description
An illuminating look at the iconography of the early church and its important place in the history of Christian art In this book, historian André Grabar demonstrates how early Christian iconography assimilated contemporary imagery of the time. Grabar looks at the most characteristic examples of paleo-Christian iconography, dwelling on their nature, form, and content. He explores the limits of originality in such art, its debt to figurative art, and the broader cultural climate in the Roman Empire, drawing a distinction between expressive images—that is, genuine works of art—and informative ones. Throughout, Grabar establishes the importance of imperial iconography in the development of Christian portraits and sheds light on the role they played alongside other forms of Christian piety in their day.
Author: Patrick Amory Publisher: Cambridge University Press ISBN: 9780521526357 Category : History Languages : en Pages : 552
Book Description
The barbarians of the fifth and sixth centuries were long thought to be races, tribes or ethnic groups who toppled the Roman Empire and racist, nationalist assumptions about the composition of the barbarian groups still permeate much scholarship on the subject. This book proposes a new view, through a case-study of the Goths of Italy between 489 and 554. It contains a detailed examination of the personal details and biographies of 379 individuals and compares their behaviour with ideological texts of the time. This inquiry suggests wholly new ways of understanding the appearance of barbarian groups and the end of the western Roman Empire, as well as proposing new models of regional and professional loyalty and group cohesion. In addition, the book proposes a complete reinterpretation of the evolution of Christian conceptions of community, and of so-called 'Germanic' Arianism.
Author: Ernst Kitzinger Publisher: Dumbarton Oaks ISBN: 9780884021797 Category : Design Languages : en Pages : 498
Book Description
The text explores the iconographic and stylistic sources of the Greek mosaicists, as well as the departures from Byzantine norms, and the relationship of the decoration to contemporary work in the royal foundations. Also included is a chapter on the architecture of the church by Slobodan Çurciç.
Author: Hallie M. Franks Publisher: Oxford University Press ISBN: 0190863188 Category : Social Science Languages : en Pages : 242
Book Description
In the Greek Classical period, the symposium--the social gathering at which male citizens gathered to drink wine and engage in conversation--was held in a room called the andron. From couches set up around the perimeter, symposiasts looked inward to the room's center, which often was decorated with a pebble mosaic floor. These mosaics provided visual treats for the guests, presenting them with images of mythological scenes, exotic flora, dangerous beasts, hunting parties, or the spectre of Dionysos: the god of wine, riding in his chariot or on the back of a panther. In The World Underfoot, Hallie M. Franks takes as her subject these mosaics and the context of their viewing. Relying on discourses in the sociology and anthropology of space, she presents an innovative new interpretation of the mosaic imagery as an active contributor to the symposium as a metaphorical experience. Franks argues that the images on mosaic floors, combined with the ritualized circling of the wine cup and the physiological reaction to wine during the symposium, would have called to mind other images, spaces, or experiences, and in doing so, prompted drinkers to reimagine the symposium as another kind of event--a nautical voyage, a journey to a foreign land, the circling heavens or a choral dance, or the luxury of an abundant past. Such spatial metaphors helped to forge the intimate bonds of friendship that are the ideal result of the symposium and that make up the political and social fabric of the Greek polis.
Author: André Grabar
Author: André Grabar
Author: Elizabeth A. Thurston
Author: Miklós Boskovits
Author: Erik Thunø
Author: Sheila D. Campbell
Author: William Smith
Author: Patrick Amory
Author: Sir William Smith
Author: Ernst Kitzinger
Author: Hallie M. Franks