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Author: Nicholas Hagger Publisher: John Hunt Publishing ISBN: 178904586X Category : Philosophy Languages : en Pages : 452
Book Description
Between 1979 and 1982 Nicholas Hagger wrote three letters to the eminent literary critic Christopher Ricks about his poetic identity, and Ricks agreed with his final view that his verse blends the Romantic and Classical traditions within the Baroque tradition. In 1979 and again in 1982 Ricks asked him to select 30 poems. Forty years later A Baroque Vision presents a selection that shows his Baroque roots. Part One presents 30 poems written before 1979, and Part Two adds 70 verse selections written between 1979 and 2019. A Baroque Vision presents 100 verse selections drawn from 50 volumes of his poems, verse plays and masques. The Baroque style, which can be found in all European countries, combines the spiritual and the sensual, and features movement, transformation, the Mystic Way, the mysterious Light, the transcending of death, the divine soul and Heaven, as illustrated in Rubens' The Apotheosis of James I (shown on the front cover); and blends the Romantic and Classical traditions. In his Preface Hagger shows very clearly that his Baroque vision was behind, and grew into, his Universalism, his philosophy and worldview of the unity of the universe whose development can be traced in his Selected Letters and Collected Prefaces, and in the companion volume to this work The Essentials of Universalism (all published by O-Books). These 100 verse selections confirm that his Baroque vision is inspired by the 17th century (by the Metaphysical poets, Milton and Dryden), but also by the 18th and 19th centuries (by Pope, Wordsworth and Tennyson).
Author: Nicholas Hagger Publisher: John Hunt Publishing ISBN: 178904586X Category : Philosophy Languages : en Pages : 452
Book Description
Between 1979 and 1982 Nicholas Hagger wrote three letters to the eminent literary critic Christopher Ricks about his poetic identity, and Ricks agreed with his final view that his verse blends the Romantic and Classical traditions within the Baroque tradition. In 1979 and again in 1982 Ricks asked him to select 30 poems. Forty years later A Baroque Vision presents a selection that shows his Baroque roots. Part One presents 30 poems written before 1979, and Part Two adds 70 verse selections written between 1979 and 2019. A Baroque Vision presents 100 verse selections drawn from 50 volumes of his poems, verse plays and masques. The Baroque style, which can be found in all European countries, combines the spiritual and the sensual, and features movement, transformation, the Mystic Way, the mysterious Light, the transcending of death, the divine soul and Heaven, as illustrated in Rubens' The Apotheosis of James I (shown on the front cover); and blends the Romantic and Classical traditions. In his Preface Hagger shows very clearly that his Baroque vision was behind, and grew into, his Universalism, his philosophy and worldview of the unity of the universe whose development can be traced in his Selected Letters and Collected Prefaces, and in the companion volume to this work The Essentials of Universalism (all published by O-Books). These 100 verse selections confirm that his Baroque vision is inspired by the 17th century (by the Metaphysical poets, Milton and Dryden), but also by the 18th and 19th centuries (by Pope, Wordsworth and Tennyson).
Author: Christine Buci-Glucksmann Publisher: Ohio University Press ISBN: 0821444379 Category : Philosophy Languages : en Pages : 195
Book Description
Christine Buci-Glucksmann’s The Madness of Vision is one of the most influential studies in phenomenological aesthetics of the baroque. Integrating the work of Merleau-Ponty with Lacanian psychoanalysis, Renaissance studies in optics, and twentieth-century mathematics, the author asserts the materiality of the body and world in her aesthetic theory. All vision is embodied vision, with the body and the emotions continually at play on the visual field. Thus vision, once considered a clear, uniform, and totalizing way of understanding the material world, actually dazzles and distorts the perception of reality. In each of the nine essays that form The Madness of Vision Buci-Glucksmann develops her theoretical argument via a study of a major painting, sculpture, or influential visual image—Arabic script, Bettini’s “The Eye of Cardinal Colonna,” Bernini’s Saint Teresa and his 1661 fireworks display to celebrate the birth of the French dauphin, Caravaggio’s Judith Beheading Holofernes, the Paris arcades, and Arnulf Rainer’s self-portrait, among others—and deftly crosses historical, national, and artistic boundaries to address Gracián’s El Criticón; Monteverdi’s opera Orfeo; the poetry of Hafiz, John Donne, and Baudelaire; as well as baroque architecture and Anselm Kiefer’s Holocaust paintings. In doing so, Buci-Glucksmann makes the case for the pervasive influence of the baroque throughout history and the continuing importance of the baroque in contemporary arts.
Author: Vernon Hyde Minor Publisher: University of Toronto Press ISBN: 1442648791 Category : Architecture Languages : en Pages : 285
Book Description
Baroque Visual Rhetoric probes the Baroque s combination of style and message and the methodological basis on which the critical art historian comes to establish that meaning."
Author: Alicia R Zuese Publisher: University of Wales Press ISBN: 178316784X Category : History Languages : en Pages : 316
Book Description
By examining the pictorial episodes in the Spanish baroque novella, this book elucidates how writers create pictorial texts, how audiences visualise their words, what consequences they exert on cognition and what actions this process inspires. To interrogate characters’ mental activity, internalisation of text and the effects on memory, this book applies methodologies from cognitive cultural studies, Classical memory treatises and techniques of spiritual visualisation. It breaks new ground by investigating how artistic genres and material culture help us grasp the audience’s aural, material, visual and textual literacies, which equipped the public with cognitive mechanisms to face restrictions in post-Counter-Reformation Spain. The writers examined include prominent representatives of Spanish prose —Cervantes, Lope de Vega, María de Zayas and Luis Vélez de Guevara— as well as Alonso de Castillo Solórzano, Gonzalo de Céspedes y Meneses and an anonymous group in Córdoba.
Author: Alois Riegl Publisher: Getty Publications ISBN: 1606060414 Category : Architecture Languages : en Pages : 294
Book Description
Delivered at the turn of the twentieth century, Riegl's groundbreaking lectures called for the Baroque period to be judged by its own rules and not merely as a period of decline.
Author: Ofer Gal Publisher: University of Chicago Press ISBN: 022621298X Category : Art Languages : en Pages : 348
Book Description
Presents a perspective on the study of early modern science. This title examines science in the context of the baroque, analyzes the tensions, paradoxes, and compromises that shaped the New Science of the seventeenth century and enabled its spectacular success.
Author: Babette Bohn Publisher: John Wiley & Sons ISBN: 9781444337266 Category : Art Languages : en Pages : 0
Book Description
A Companion to Renaissance and Baroque Art provides a diverse, fresh collection of accessible, comprehensive essays addressing key issues for European art produced between 1300 and 1700, a period that might be termed the beginning of modern history. Presents a collection of original, in-depth essays from art experts that address various aspects of European visual arts produced from circa 1300 to 1700 Divided into five broad conceptual headings: Social-Historical Factors in Artistic Production; Creative Process and Social Stature of the Artist; The Object: Art as Material Culture; The Message: Subjects and Meanings; and The Viewer, the Critic, and the Historian: Reception and Interpretation as Cultural Discourse Covers many topics not typically included in collections of this nature, such as Judaism and the arts, architectural treatises, the global Renaissance in arts, the new natural sciences and the arts, art and religion, and gender and sexuality Features essays on the arts of the domestic life, sexuality and gender, and the art and production of tapestries, conservation/technology, and the metaphor of theater Focuses on Western and Central Europe and that territory's interactions with neighboring civilizations and distant discoveries Includes illustrations as well as links to images not included in the book
Author: William Egginton Publisher: Stanford University Press ISBN: 0804773491 Category : Literary Criticism Languages : en Pages : 184
Book Description
The Theater of Truth argues that seventeenth-century baroque and twentieth-century neobaroque aesthetics have to be understood as part of the same complex. The Neobaroque, rather than being a return to the stylistic practices of a particular time and place, should be described as the continuation of a cultural strategy produced as a response to a specific problem of thought that has beset Europe and the colonial world since early modernity. This problem, in its simplest philosophical form, concerns the paradoxical relation between appearances and what they represent. Egginton explores expressions of this problem in the art and literature of the Hispanic Baroques, new and old. He shows how the strategies of these two Baroques emerged in the political and social world of the Spanish Empire, and how they continue to be deployed in the cultural politics of the present. Further, he offers a unified theory for the relation between the two Baroques and a new vocabulary for distinguishing between their ideological values.
Author: Michael J. Schreffler Publisher: Penn State University Press ISBN: Category : Art Languages : en Pages : 214
Book Description
The Art of Allegiance explores the ways in which Spanish imperial authority was manifested in a compelling system of representation for the subjects of New Spain during the seventeenth century. Michael Schreffler identifies and analyzes a corpus of "source" material--paintings, maps, buildings, and texts--produced in and around Mexico City that addresses themes of kingly presence and authority as well as obedience, loyalty, and allegiance to the crown. The Art of Allegiance opens with a discussion of the royal palace in Mexico City, now destroyed but known through a number of images, and then moves on to consider its interior decoration, particularly the Hall of Royal Accord and the numerous portraits of royalty and government officials displayed in the palace. Subsequent chapters examine images in which the conquest of Mexico is depicted, maps showing New Spain's relationship to Spain and the larger world, and the restructuring of space in and through imperial rule. Although the book focuses on material from the reign of Charles II (1665-1700), it sheds light on the wider development of cultural politics in the Spanish colonial world.
Author: Beatriz de Alba-Koch Publisher: University of Toronto Press ISBN: 144264883X Category : Art Languages : en Pages : 355
Book Description
The Ibero-American Baroque is an interdisciplinary, empirically-grounded contribution to the understanding of cultural exchanges in the early modern Iberian world.
Author: Nicholas Hagger
Author: Nicholas Hagger
Author: Christine Buci-Glucksmann
Author: Vernon Hyde Minor
Author: Alicia R Zuese
Author: Alois Riegl
Author: Ofer Gal
Author: Babette Bohn
Author: William Egginton
Author: Michael J. Schreffler
Author: Beatriz de Alba-Koch