Author: Knisely MenningerPublisher:
ISBN:
Category : Bible
Languages : en
Pages :
Book Description
900 Bible Questions in Consecutive Order
Author: Knisely Menninger900 Bible Questions Answered
Author: William L. HettingillPublisher:
ISBN: 9780825435416
Category : Religion
Languages : en
Pages : 416
Book Description
1200 Bible Questions in Consecutive Order
Author: J. J. Hill1001 Bible Questions Answered
Author: William Leroy PettingillPublisher:
ISBN:
Category : Bible
Languages : en
Pages : 491
Book Description
Previously published in and abridged from two separate volumes: 900 Bible Questions Answered and 182 Bible Questions Answered.
Answers to 1200 Bible Questions in Consecutive Order
Author: J. J. HillTwo Thousand Nine Hundred and Ninety-five Bible Questions in Chronological Order
Author: Mittie Jane Farrester "Mrs. W. A. Harkey HarkeyPublisher:
ISBN:
Category : Bible
Languages : en
Pages : 62
Book Description
The Second Bible Quiz Book
Author: The Bible Quiz Book
Author: William Collins & SonsPublisher:
ISBN:
Category :
Languages : en
Pages : 64
Book Description
The World's Progress; a Dictionary of Dates
Author: George Palmer PutnamPublisher:
ISBN:
Category : Chronology, Historical
Languages : en
Pages : 1038
Book Description
Bach's Numbers
Author: Ruth TatlowPublisher: Cambridge University Press
ISBN: 131635234X
Category : Music
Languages : en
Pages :
Book Description
In eighteenth-century Germany the universal harmony of God's creation and the perfection of its proportions still held philosophical, moral and devotional significance. Reproducing proportions close to the unity (1:1) across compositions could render them beautiful, perfect and even eternal. Using the principles of her groundbreaking theory of proportional parallelism and the latest source study research, Ruth Tatlow reveals how Bach used the number of bars to create numerical perfection across his published collections, and explains why he did so. The first part of the book illustrates the wide-ranging application of belief in the unity, showing how planning a well-proportioned structure was a normal compositional procedure in Bach's time. In the second part Tatlow presents practical demonstrations of this in Bach's works, illustrating the layers of proportion that appear within a movement, a work, between two works in a collection, across a collection and between collections.