9/11 and its Remediations in Popular Culture and Arts in Africa PDF Download

Author: Heike Behrend
Publisher: LIT Verlag Münster
ISBN: 3643906277
Category : Art
Languages : en
Pages : 141

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Book Description
9/11 has been described as an "absolute event" that radically changed the course of history. It reinforced the opposition between Christian and Muslim worlds and led to the declaration of a unilateral war against a global network of terrorists that broke up the classical definition of war as a war between nation states. Yet, 9/11 also created responses in parts of the world that were not directly involved in the unfolding "war on terror." In Africa, local conflicts were re-mapped into an emerging new geography of anger that also reflects the effects of marginalization in a globalized world. The essays of this volume explore local remediations of 9/11 in African popular culture (posters, photographs, videos, cartoons, etc.) and visual arts. They give evidence of the fundamental ambivalence towards the event of 9/11 and provide insights into the various ways distant conflicts are translated into intense proximities. (Series: African Art and Visual Cultures - Vol. 3) [Subject: African Studies, Cultural Studies, Art]

Author: Hans Scheutz
Publisher: LIT Verlag Münster
ISBN: 3643508794
Category :
Languages : en
Pages : 105

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Book Description
Afrika gilt als die Wiege der Menschheit und begeistert immer wieder aufs Neue durch die archaischen, ausdrucksstarken Kunstobjekte seiner Volksstämme. Unter den vielen afrikanischen Volksgruppen gelten die Yoruba als die Kunstsinnigsten. Ein besonderer Bestandteil ihres religiösen Lebens und ihres daraus bedingten Kunstschaffens sind die Orakelbretter. Diese runden, ovalen oder auch rechteckigen Kultobjekte aus Holz zeigen am oberen Rand das Gesicht des Trickser-Gottes Eshu. Der Orakelpriester, der BABALAWO, übertrug mittels Strichzeichnungen die Ergebnisse der Würfe von 16 Palmnüssen auf das bemehlte Orakelbrett. Aus der Kombination dieser Striche ergaben sich über 3000 Orakelsprüche. Das Buch gewährt anhand von zahlreichen Abbildungen einen Einblick in den Formenreichtum der Ifa-Orakelbretter sowie in die Glaubensvorstellungen der Yoruba, speziell des Ifa-Orakelbundes. Bis vor kurzem wurde noch jeder Verrat des Geheimbundes mit der Todesstrafe geahndet. 2005 wurde das Ifa-Orakel als immaterielles Kulturerbe der UNESCO anerkannt und 2008 in die repräsentative Liste des immateriellen Kulturerbe der Menschheit aufgenommen.

Author: Kerstin Schankweiler
Publisher: Routledge
ISBN: 0429786239
Category : Social Science
Languages : en
Pages : 182

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Book Description
Recent political conflicts signal an increased proliferation of image testimonies shared widely via social media. Although witnessing with and through images is not a phenomenon of the internet era, contemporary digital image practices and politics have significantly intensified the affective economies of image testimonies. This volume traces the contours of these conditions and develops a conception of image testimony along four areas of focus. The first and second section of this volume reflects the discussion of image testimonies as an interplay of evidential qualities and their potential to express affective relationalities and emotional involvement. The third section focuses on the question of how social media technologies shape and subsequently are shaped by image testimonies. To further complicate the ethical position of the witness, the final section looks at image testimony at the intersection of creation and destruction, taking into account the perspectives of different actors and their opposed moral positions. With an emphasis on the affectivity of these images, Image Testimonies provides new and so far overlooked insights in the field. It will appeal to students and researchers interested in fields such as Sociology and Social Policy, Media and Communications, Visual Arts and Culture and Middle East Studies.

Author: Prita Meier
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 422

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Book Description
The multiauthored book accompanying the World on the Horizon exhibition organized by Krannert Art Museum is the first interdisciplinary study of Swahili visual arts and their historically deep and enduring connections to eastern and central Africa, the port towns of the western Indian Ocean, Europe, and the United States. At once exhibition catalogue and scholarly inquiry, the publication features eighteen essays in a mix of formats - personal reflections, object biographies, as well as more in-depth critical treatments - and includes never before published images of works from the National Museums of Kenya and Bait Al Zubair Museum in Oman. By approaching the east African coast as a vibrant arena of global cultural convergence, these essays offer compelling new perspectives on the situated yet mobile and deeply networked social lives of Swahili objects. Moving between the broader structural relations of political economic change to more intimate narratives through which such change is experienced, the essays throw light on the ways in which the material fabric of the arts structure Swahili people's sense of self and community in an ever-changing world of oceanic and terrestrial movement.

Author: Andrew Schopp
Publisher: Fairleigh Dickinson Univ Press
ISBN: 0838642071
Category : History
Languages : en
Pages : 301

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Book Description
The War on Terror and American Popular Culture is a collection of original essays by academics and researchers from around the world that examines the complex interrelation between the Bush administration's "War on Terror" and American popular culture. Written by experts in the fields of literature, film, and cultural studies, this book examines in detail how popular culture reflects concerns and anxieties about the September 11 attacks and the war those attacks generated, how it interrogates the individual and collective impacts that war has wrought, how it might challenge or critique current policy, and how it might reinforce or endorse the war and its sociopolitical paradigms.

Author: James Yékú
Publisher: Indiana University Press
ISBN: 0253060508
Category : Computers
Languages : en
Pages : 292

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Book Description
How does social media activism in Nigeria intersect with online popular forms—from GIFs to memes to videos—and become shaped by the repressive postcolonial state that propels resistance to dominant articulations of power? James Yékú proposes the concept of "cultural netizenship"—internet citizenship and its aesthetico-cultural dimensions—as a way of being on the social web and articulating counter-hegemonic self-presentations through viral popular images. Yékú explores the cultural politics of protest selfies, Nollywood-derived memes and GIFs, hashtags, and political cartoons as visual texts for postcolonial studies, and he examines how digital subjects in Nigeria, a nation with one of the most vibrant digital spheres in Africa, deconstruct state power through performed popular culture on social media. As a rubric for the new digital genres of popular and visual expressions on social media, cultural netizenship indexes the digital everyday through the affordances of the participatory web. A fascinating look at the intersection of social media and popular culture performance, Cultural Netizenship reveals the logic of remediation that is central to both the internet's remix culture and the generative materialism of African popular arts.

Author: Sara E. Quay
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Social Science
Languages : en
Pages : 548

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Book Description
This book offers an exploration of the comprehensive impact of the events of September 11, 2001, on every aspect of American culture and society. On Thanksgiving day after September 11, 2001, comic strip creators directed readers to donate money in their artwork, generating $50,000 in relief funds. The world's largest radio network, Clear Channel, sent a memo to all of its affiliated stations recommending 150 songs that should be eliminated from airplay because of assumptions that their lyrics would be perceived as offensive in light of the events of 9/11. On the first anniversary of September 11th, choirs around the world performed Mozart's Requiem at 8:46 am in each time zone, the time of the first attack on the World Trade Center. These examples are just three of the ways the world—but especially the United States—responded to the events of September 11, 2001. Each chapter in this book contains a chronological overview of the sea of changes in everyday life, literature, entertainment, news and media, and visual culture after September 11. Shorter essays focus on specific books, TV shows, songs, and films.

Author: Jeff Birkenstein
Publisher: A&C Black
ISBN: 1441119051
Category : Social Science
Languages : en
Pages : 258

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Book Description
A collection of analyses focusing on popular culture as a profound discursive site of anxiety and discussion about 9/11 and demystifies the day's events.

Author: Burcu Dogramaci
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110476673
Category : Art
Languages : en
Pages : 428

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Book Description
How can we think of art history as a discipline that moves process-based, performative, and cultural migratory movement to the center of its theoretical and methodical analyses? With contributions from internationally renowned experts, this manual, for the first time, provides answers as to what consequences the interaction of migration and globalization has on research in the field of the science of art, on curatory practice, and on artistic production and theory. The objective of this multi-vocal anthology is to open up an interdisciplinary discourse surrounding the increased focus on the phenomenon of migration in art history.

Author: Christine Muller
Publisher: Springer
ISBN: 3319501550
Category : Social Science
Languages : en
Pages : 229

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Book Description
This book investigates the September 11, 2001 attacks as a case study of cultural trauma, as well as how the use of widely-distributed, easily-accessible forms of popular culture can similarly focalize evaluation of other moments of acute and profoundly troubling historical change. The attacks confounded the traditionally dominant narrative of the American Dream, which has persistently and pervasively featured optimism and belief in a just world that affirms and rewards self-determination. This shattering of a worldview fundamental to mainstream experience and cultural understanding in the United States has manifested as a cultural trauma throughout popular culture in the first decade of the twenty-first century. Popular press oral histories, literary fiction, television, and film are among the multiple, ubiquitous sites evidencing preoccupations with existential crisis, vulnerability, and moral ambivalence, with fate, no-win scenarios, and anti-heroes now pervading commonly-told and readily-accessible stories. Christine Muller examines how popular culture affords sites for culturally-traumatic events to manifest and how readers, viewers, and other audiences negotiate their fallout.