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Author: Jane A. Bernstein Publisher: Oxford University Press ISBN: 9780195102314 Category : History Languages : en Pages : 1200
Book Description
Venetian music print culture of the mid-sixteenth century is presented here through a study of the Scotto press, one of the foremost dynastic music publishers of the Renaissance. For over a century, the house of Scotto played a pivotal role in the international book trade, publishing in a variety of fields including philosophy, medicine, religion, and music. This book examines the mercantile activities of the firm through both a historical study, which illuminates the wide world of the Venetian music printing industry, and a catalog, which details the music editions brought out by the firm during its most productive period. A valuable reference work, this book not only enhances our understanding of the socioeconomic and cultural history of Renaissance Venice, it also helps to preserve our knowledge of a vast musical repertory.
Author: Jane A. Bernstein Publisher: Oxford University Press ISBN: 9780195102314 Category : History Languages : en Pages : 1200
Book Description
Venetian music print culture of the mid-sixteenth century is presented here through a study of the Scotto press, one of the foremost dynastic music publishers of the Renaissance. For over a century, the house of Scotto played a pivotal role in the international book trade, publishing in a variety of fields including philosophy, medicine, religion, and music. This book examines the mercantile activities of the firm through both a historical study, which illuminates the wide world of the Venetian music printing industry, and a catalog, which details the music editions brought out by the firm during its most productive period. A valuable reference work, this book not only enhances our understanding of the socioeconomic and cultural history of Renaissance Venice, it also helps to preserve our knowledge of a vast musical repertory.
Author: Jill Kraye Publisher: Cambridge University Press ISBN: 9780521436243 Category : History Languages : en Pages : 350
Book Description
From the fourteenth to the seventeenth century, humanism played a key role in European culture. Beginning as a movement based on the recovery, interpretation and imitation of ancient Greek and Roman texts and the archaeological study of the physical remains of antiquity, humanism turned into a dynamic cultural programme, influencing almost every facet of Renaissance intellectual life. The fourteen essays in this 1996 volume deal with all aspects of the movement, from language learning to the development of science, from the effect of humanism on biblical study to its influence on art, from its Italian origins to its manifestations in the literature of More, Sidney and Shakespeare. A detailed biographical index, and a guide to further reading, are provided. Overall, The Cambridge Companion to Renaissance Humanism provides a comprehensive introduction to a major movement in the culture of early modern Europe.
Author: Martin Luther Publisher: Fortress Press ISBN: 9780800603311 Category : Religion Languages : en Pages : 458
Book Description
The young Luther emerges in this volume in his role of reformer. We follow him through his early years of clarifying his evangelical doctrines and relive with him the stirring events that were to influence the fate of Germany, all of Europe, and eventually the whole world.
Author: Dolores Pesce Publisher: Oxford University Press ISBN: 0195351657 Category : Music Languages : en Pages : 393
Book Description
The motet was unquestionably one of the most important vocal genres from its inception in late twelfth-century Paris through the Counter-Reformation and beyond. Heard in both sacred and secular contexts, the motet of the Middle Ages and Renaissance incorporated a striking wealth of meaning, its verbal textures dense with literary, social, philosophic, and religious reference. In Hearing the Motet, top scholars in the field provide the fullest picture yet of the motet's "music-poetic" nature, investigating the virtuosic interplay of music and text that distinguished some of the genre's finest work and reading individual motets and motet repertories in ways that illuminate their historical and cultural backgrounds. How were motets heard in their own time? Did the same motet mean different things to different audiences? To explore these questions, the contributors go beyond traditional musicological methods, at times invoking approaches used in recent literary criticism. Providing as well a cutting-edge look at performance questions and works by composers such as Josquin, Willaert, Obrecht, Byrd, and Palestrina, the book draws a valuable new portrait of the motet composer. Here, intriguingly, the motet composer emerges as a "reader" of the surrounding culture--a musician who knew liturgical practice as well as biblical literature and its exegetical traditions, who moved in social contexts such as humanist gatherings, who understood numerical symbolism and classical allusion, who wrote subtle memorie for patrons, and who found musical models to emulate and distort. Fresh, broad-ranging, and unique, Hearing the Motet makes vital reading for scholars, performers, and students of medieval and Renaissance music, and anyone else with an interest in the musical culture of these periods. Contributors include Rebecca A. Baltzer, Margaret Bent, M. Jennifer Bloxam, David Crook, James Haar, Paula Higgins, Joseph Kerman, Patrick Macey, Craig Monson, Robert Nosow, Jessie Ann Owens, Dolores Pesce, Joshua Rifkin, Anne Walters Robertson, Richard Sherr, and Rob C. Wegman.
Author: Yuan Gao Publisher: Religions and Discourse ISBN: 9781787076730 Category : Emotions Languages : en Pages : 0
Book Description
This book presents the first systematic study of Augustine's insights into passions as well as his approach to the therapy of emotions and their sanctification. Analysing various phases of Augustine's writings, this work explores the systematic structure of Augustine's tenets on emotions and on freedom from passions. The general context is Augustine's philosophical and theological convictions on the issue of amor sui and amor Dei. Based upon a detailed analysis of original Latin texts and a critical examination of recent research, the author demonstrates how the language and conception of passions are tightly linked with Augustine's developing views of the philosophical paradigm of emotions and his later theological disputes with schismatics and heretics. In offering a comprehensive account of freedom from passions in Augustine's theological anthropology, this book makes a creative contribution to his understanding of the moral psychology of passions in social and political dimensions and the idea of the deification of emotions.
Author: Jane A. Bernstein Publisher: Oxford University Press, USA ISBN: 0195141083 Category : Business & Economics Languages : en Pages : 248
Book Description
This volume examines the commerce of music and its connection to the printing and publishing industry in mid-sixteenth century Venice. It presents a broad portrayal of the Venetial music booktrade and explores business strategies.
Author: Steven Saunders Publisher: ISBN: Category : Music Languages : en Pages : 392
Book Description
This book introduces a nearly lost music culture: the Vienna court of the Holy Roman Emperor Ferdinand II (1619-37). During the Thirty Years War, Vienna was home to one of the largest, most resplendent musical organizations in Europe, making it an important hub for the assimilation of modern Italianate music in the German-speaking lands. Saunders looks at the music in its cultural context, showing how sacred music at this pivotal center was shaped by the composers, institutions, and ideas of the period, and he examines the life and works of the most important court composers, particularly the two imperial chapel masters Giovanni Priuli and Giovanni Valentini.
Author: Richard Newhauser Publisher: Cambridge University Press ISBN: 1139425013 Category : Literary Criticism Languages : en Pages : 266
Book Description
The history of avarice as the deadliest vice in western Europe has been said to begin in earnest only with the rise of capitalism or, earlier, the rise of a money economy. In this first full-length study of the early history of greed, Richard Newhauser shows that avaritia, the sin of greed for possessions, has a much longer history, and is more important for an understanding of the Middle Ages, than has previously been allowed. His examination of theological and literary texts composed between the first century CE and the tenth century reveals new significance in the portrayal of various kinds of greed, to the extent that by the early Middle Ages avarice was available to head the list of vices for authors engaged in the task of converting others from pagan materialism to Christian spirituality.
Author: Jane A. Bernstein
Author: Jane A. Bernstein
Author: New York Public Library. Music Division
Author: Jill Kraye
Author: Martin Luther
Author: Dolores Pesce
Author: Yuan Gao
Author: Jane A. Bernstein
Author: Steven Saunders
Author: Adriaan Verhulst
Author: Richard Newhauser