8 Bienal de La Habana PDF Download

Author:
Publisher: Centro de Arte Contemporaneo Wifredo Lam
ISBN:
Category : Art, Developing country
Languages : en
Pages : 442

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Author: Paloma Checa-Gismero
Publisher: Duke University Press
ISBN: 1478059486
Category : Art
Languages : en
Pages : 219

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In Biennial Boom, Paloma Checa-Gismero traces an archeology of contemporary art biennials to uncover the processes that prompted these exhibitions to become the global art world’s defining events at the end of the twentieth century. Returning to the early post-Cold War years, Checa-Gismero examines the early iterations of three well-known biennials at the borders of North Atlantic liberalism: the Bienal de La Habana, inSITE, and Manifesta. She draws on archival and oral history fieldwork in Cuba, Mexico, the US/Mexico borderlands, and the Netherlands, showing how these biennials reflected a post-Cold War optimism for a pacified world by which artistic and knowledge production would help mend social, political, and cultural divisions. Checa-Gismero argues that, in reflecting this optimism, biennials facilitated the conversion of subaltern aesthetic genealogies into forms that were legible to a nascent cosmopolitan global elite—all under the pretense of cultural exchange. By outlining how early biennials set the basis for what is now recognized as “global contemporary art,” Checa-Gismero intervenes in previous accounts of the contemporary art world in order to better understand how it became the exclusionary, rarified institution of today.

Author: Elena Shtromberg
Publisher: Getty Publications
ISBN: 1606067915
Category : Art
Languages : en
Pages : 290

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With insightful essays and interviews, this volume examines how artists have experimented with the medium of video across different regions of Latin America since the 1960s. The emergence of video art in Latin America is marked by multiple points of development, across more than a dozen artistic centers, over a period of more than twenty-five years. When first introduced during the 1960s, video was seen as empowering: the portability of early equipment and the possibility of instant playback allowed artists to challenge and at times subvert the mainstream media. Video art in Latin America was—and still is—closely related to the desire for social change. Themes related to gender, ethnic, and racial identity as well as the consequences of social inequality and ecological disasters have been fundamental to many artists’ practices. This compendium explores the history and current state of artistic experimentation with video throughout Latin America. Departing from the relatively small body of existing scholarship in English, much of which focuses on individual countries, this volume approaches the topic thematically, positioning video artworks from different periods and regions throughout Latin America in dialogue with each other. Organized in four broad sections—Encounters, Networks and Archives, Memory and Crisis, and Indigenous Perspectives—the book’s essays and interviews encourage readers to examine the medium of video across varied chronologies and geographies.

Author: Jana Evans Braziel
Publisher: Taylor & Francis
ISBN: 1000636119
Category : Art
Languages : en
Pages : 254

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Foregrounding street art in the capital cities of Cuba, Haiti, and Puerto Rico, this book argues that Antillean street artists diagnose the “impossible state” of the arrested present (colonized, occupied, or under dictatorship) while simultaneously imagining liberated futures and fully sovereign states. Jana Evans Braziel launches a comparative study of art, politics, history, urban street cultures, engaged citizenships, and social transformations in three Antillean capital cities—Havana, Cuba; Port-au-Prince, Haiti; and San Juan, Puerto Rico—of the Greater Caribbean. The book includes a photo documentary archive of street art, murals, and installations by key muralists in these cities: Yulier Rodriguez Pérez, "Jerry" Rosembert Moïse, and Colectivo Moriviví (Chachi González Colón, Raysa Rodríguez García, and Salomé Cortés). Braziel offers art historical and geopolitical analyses of the urban street art in their cities of production, underscoring street art as political, economic, and environmental engagements (and not as exclusively aesthetic ones) with urban space and street life. The book will be of interest to scholars working in art history, Caribbean studies, Latin American studies, and urban studies.

Author: Stacey Draper
Publisher:
ISBN:
Category : Art, Cuban
Languages : en
Pages : 112

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Author: Jasmine Chohan
Publisher:
ISBN:
Category : Bienal de La Habana
Languages : en
Pages : 116

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Author: Lauren Duffy
Publisher: Routledge
ISBN: 0429638655
Category : Business & Economics
Languages : en
Pages : 189

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Book Description
Cuba has experienced many social, economic, and political changes since Raul Castro retained presidency of the island nation in 2008. This comprehensive volume examines how Cuba has restructured some of its core economic policies in order to tackle stagnation; these include allowing for more legalized private enterprises, reducing the number of State-employed workers, and fostering additional outside investments. The authors explore the surge of entrepreneurial activity in tourism among Cuban residents due to these reforms, whether that be offering new tourism products or expanding traditional ones. Though the current diplomatic climate suggests continued uncertainty, the ripple effect of a potentially thawing relationship between Cuba and the USA resulted in an unexpected surge of international tourists wishing to experience Cuba before it opened to the American travel market. This book highlights the factors that are influencing, and in some cases complicating, tourism planning and development in Cuba. The authors explore a wide range of topics including tourism and land-use policy, competitiveness, responsible practices, gender and ethical advertising, the role of tour guides, emergence of casa particulares, experiential learning and solidarity, and authenticity through local art. This book will interest students, researchers, politicians and investors with a focus on Cuba. It was originally published as a special issue of the journal Tourism Planning & Development.

Author: Lisandro Prez
Publisher: University of Pittsburgh Press
ISBN: 0822970910
Category : History
Languages : en
Pages : 250

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Book Description
Cuban Studies has been published annually by the University of Pittsburgh Press since 1985. Founded in 1970, it is the preeminent journal for scholarly work on Cuba. Each volume includes articles in both English and Spanish, a large book review section, and an exhaustive compilation of recent works in the field.

Author: Rachel Weiss
Publisher:
ISBN: 9783865609939
Category : Art and globalization
Languages : en
Pages : 0

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« The third edition of the Bienal de La Habana, which took place in 1989, extended the global territory of contemporary art and redegined the biennial model. This book examines the project in its historical and international contexts ... Making art global (part 2) will focus on the Paris exhibition 'Magiciens de la Terre' of 1989 » --

Author:
Publisher:
ISBN:
Category : Art, Cuban
Languages : en
Pages : 160

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An exhibition of 26 contemporary Cuban artists such as Agustín Bejarano, Belkis Ayón, Eduardo Roca Choco, Flora Fong, Alexis Leyva Kcho, Eduardo Ponjuán, Roberto Fabelo, Los Carpinteros, Roberto Diago, Zaida del Río and others reflect in their artistic creations the plurality in art in Cuba and the country's introduction into the comercial art world. The exhibition curated by Juan Delgado, was part of the cultural events of the Festival Internacional de Música held in Morelia, Michoacán, a music event dedicated to Cuba.