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Mapping the Motet in the Post-Tridentine Era

Mapping the Motet in the Post-Tridentine Era PDF Author: Esperanza Rodríguez García
Publisher:
ISBN: 9781138207103
Category : Church music
Languages : en
Pages : 287

Book Description
The motet in the post-tridentine world : an introduction / Esperanza Rodríguez-García & Daniele V. Filippi -- Proper to the day : calendrical ordering in post-tridentine motet books / David Crook -- Vespers antiphons, motets and the performance of the post-tridentine liturgy / Jeffrey Kurtzman -- Motets and the liturgy for the dead in Italy : text typologies and contexts of performance / Antonio Chemotti -- Motets pro defunctis in the Iberian world : performance contexts and practices / Owen Rees -- Palestrina's mid-life compositional summary : the three motet books of 1569-75 / Noel O'Regan -- Modality as orthodoxy and exegesis : strategies of tonal organisation in Victoria's motets / Marco Mangani and Daniele Sabaino -- Beyond the denominational paradigm : the motet as confessional(ising) practice in the later sixteenth century / Christian Thomas Leitmeir -- In search of the English motet / Kerry McCarthy -- Songs without words : the motet as solo instrumental music after Trent / John Griffiths -- The soundtrack for a miracle and other stories of the motet from post-tridentine Milan / Daniele V. Filippi -- Mapping the motet in post-tridentine Seville and Granada : repertoire, meanings, and functions / Juan Ruiz Jiménez

Mapping the Motet in the Post-Tridentine Era

Mapping the Motet in the Post-Tridentine Era PDF Author: Esperanza Rodríguez García
Publisher:
ISBN: 9781138207103
Category : Church music
Languages : en
Pages : 287

Book Description
The motet in the post-tridentine world : an introduction / Esperanza Rodríguez-García & Daniele V. Filippi -- Proper to the day : calendrical ordering in post-tridentine motet books / David Crook -- Vespers antiphons, motets and the performance of the post-tridentine liturgy / Jeffrey Kurtzman -- Motets and the liturgy for the dead in Italy : text typologies and contexts of performance / Antonio Chemotti -- Motets pro defunctis in the Iberian world : performance contexts and practices / Owen Rees -- Palestrina's mid-life compositional summary : the three motet books of 1569-75 / Noel O'Regan -- Modality as orthodoxy and exegesis : strategies of tonal organisation in Victoria's motets / Marco Mangani and Daniele Sabaino -- Beyond the denominational paradigm : the motet as confessional(ising) practice in the later sixteenth century / Christian Thomas Leitmeir -- In search of the English motet / Kerry McCarthy -- Songs without words : the motet as solo instrumental music after Trent / John Griffiths -- The soundtrack for a miracle and other stories of the motet from post-tridentine Milan / Daniele V. Filippi -- Mapping the motet in post-tridentine Seville and Granada : repertoire, meanings, and functions / Juan Ruiz Jiménez

The Musical Shape of the Liturgy

The Musical Shape of the Liturgy PDF Author: William Peter Mahrt
Publisher:
ISBN: 9780984865208
Category : Church music
Languages : en
Pages : 455

Book Description
"Professor William Mahrt of Santford Univeristy and the Church Music Association of America has written a sweeping book--one that it is at once scholarly and practical--on that most controversial topic of music and the liturgy. He provides an over-whelming argument that every parish must have high standrads for liturgical music and he makes the full case for Gregorian chant as the model and the ideal of that liturgical music." - back cover

Musical Theory in the Renaissance

Musical Theory in the Renaissance PDF Author: CristleCollins Judd
Publisher: Routledge
ISBN: 1351556843
Category : History
Languages : en
Pages : 635

Book Description
This volume of essays draws together recent work on historical music theory of the Renaissance. The collection spans the major themes addressed by Renaissance writers on music and highlights the differing approaches to this body of work by modern scholars, including: historical and theoretical perspectives; consideration of the broader cultural context for writing about music in the Renaissance; and the dissemination of such work. Selected from a variety of sources ranging from journals, monographs and specialist edited volumes, to critical editions, translations and facsimiles, these previously published articles reflect a broad chronological and geographical span, and consider Renaissance sources that range from the overtly pedagogical to the highly speculative. Taken together, this collection enables consideration of key essays side by side aided by the editor‘s introductory essay which highlights ongoing debates and offers a general framework for interpreting past and future directions in the study of historical music theory from the Renaissance.

Musica Poetica: Musical-Rhetorical Figures in German Baroque Music

Musica Poetica: Musical-Rhetorical Figures in German Baroque Music PDF Author: Dietrich Bartel
Publisher: U of Nebraska Press
ISBN: 9780803235939
Category : Music
Languages : en
Pages : 496

Book Description
Musica Poetica provides an unprecedented examination of the development of Baroque musical thought. The initial chapters, which serve as an introduction to the concept and teachings of musical-rhetorical figures, explore Martin Luther’s theology of music, the development of the Baroque concept of musica poetica, the idea of the affections in German Baroque music, and that music’s use of the principles and devices of rhetoric. Dietrich Bartel then turns to more detailed considerations of the musical-rhetorical figures that were developed in Baroque treatises and publications. After brief biographical sketches of the major theorists, Bartel examines those theorists’ interpretation and classification of the figures. The book concludes with a detailed presentation of the musical-rhetorical figures, in which each theorist’s definitions are presented in the original language and in parallel English translations. Bartel’s clear, detailed analysis of German Baroque musical-rhetorical figures, combined with his careful translations of interpretations of those figures from a wide range of sources, make this book an indispensable introduction and resource for all students of Baroque music.

The cartulary and charters of Notre-Dame of Homblières

The cartulary and charters of Notre-Dame of Homblières PDF Author: Notre-Dame d'Homblières (Abbey : France)
Publisher:
ISBN:
Category : History
Languages : en
Pages : 376

Book Description


Allegorical Play in the Old French Motet

Allegorical Play in the Old French Motet PDF Author: Sylvia Huot
Publisher: Stanford University Press
ISBN: 9780804727174
Category : Music
Languages : en
Pages : 264

Book Description
This book focuses on the literary artistry of the texts of Old French and bilingual motets, notably the special feature of motets that distinguished them from other medieval lyric forms: the phenomenon of polytextuality.

Captivi

Captivi PDF Author: Titus Maccius Plautus
Publisher:
ISBN:
Category :
Languages : la
Pages : 190

Book Description


The Sounds of Milan, 1585-1650

The Sounds of Milan, 1585-1650 PDF Author: Robert L. Kendrick
Publisher: Oxford University Press, USA
ISBN: 0195135377
Category : Language Arts & Disciplines
Languages : en
Pages : 551

Book Description
Examines the cultural contexts of music in early-modern Milan. This book describes the buildings that served as performance spaces in Milan, analyses the power structures in the city and discusses the devotional rites of the Milanese.

Music and Musicians in Renaissance Cities and Towns

Music and Musicians in Renaissance Cities and Towns PDF Author: Fiona Kisby
Publisher: Cambridge University Press
ISBN: 9780521661713
Category : History
Languages : en
Pages : 224

Book Description
Examines musical culture in the towns and cities of Renaissance Europe and the New World.

Giovanni Gabrieli and His Contemporaries

Giovanni Gabrieli and His Contemporaries PDF Author: Richard Charteris
Publisher: Taylor & Francis
ISBN: 1000951464
Category : Music
Languages : en
Pages : 355

Book Description
For more than three decades Richard Charteris has researched European music, sources and collections, focusing particularly on late Renaissance England, Germany and Italy. This group of essays, many concerning previously unknown or unexplored works and materials, covers the 16th and early to mid 17th centuries. The studies involve variously 'new' compositions, music manuscripts and editions, and documents that relate to figures such as the Italians Giovanni Gabrieli, Claudio Monteverdi and Alfonso Ferrabosco the Elder, the Germans Hans Leo Hassler and Adam Gumpelzhaimer, as well as the Englishmen John Coprario, John Dowland, John Jenkins, Henry Lawes, William Lawes, Peter Philips, and the French composer Marin Marais. In addition, Charteris elucidates contemporary performance practice in relation to works by Gabrieli, investigates printed music editions that originated from the Church of St Anna, Augsburg, and evaluates materials in collections, inlcuding ones in Berlin, Hamburg, Kraków, London, Regensburg and Warsaw.