Author: Library of Congress
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 852
Book Description
Music, Books on Music, and Sound Recordings
Author: Library of Congress
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 852
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 852
Book Description
Mapping the Motet in the Post-Tridentine Era
Author: Esperanza Rodríguez García
Publisher:
ISBN: 9781138207103
Category : Church music
Languages : en
Pages : 287
Book Description
The motet in the post-tridentine world : an introduction / Esperanza Rodríguez-García & Daniele V. Filippi -- Proper to the day : calendrical ordering in post-tridentine motet books / David Crook -- Vespers antiphons, motets and the performance of the post-tridentine liturgy / Jeffrey Kurtzman -- Motets and the liturgy for the dead in Italy : text typologies and contexts of performance / Antonio Chemotti -- Motets pro defunctis in the Iberian world : performance contexts and practices / Owen Rees -- Palestrina's mid-life compositional summary : the three motet books of 1569-75 / Noel O'Regan -- Modality as orthodoxy and exegesis : strategies of tonal organisation in Victoria's motets / Marco Mangani and Daniele Sabaino -- Beyond the denominational paradigm : the motet as confessional(ising) practice in the later sixteenth century / Christian Thomas Leitmeir -- In search of the English motet / Kerry McCarthy -- Songs without words : the motet as solo instrumental music after Trent / John Griffiths -- The soundtrack for a miracle and other stories of the motet from post-tridentine Milan / Daniele V. Filippi -- Mapping the motet in post-tridentine Seville and Granada : repertoire, meanings, and functions / Juan Ruiz Jiménez
Publisher:
ISBN: 9781138207103
Category : Church music
Languages : en
Pages : 287
Book Description
The motet in the post-tridentine world : an introduction / Esperanza Rodríguez-García & Daniele V. Filippi -- Proper to the day : calendrical ordering in post-tridentine motet books / David Crook -- Vespers antiphons, motets and the performance of the post-tridentine liturgy / Jeffrey Kurtzman -- Motets and the liturgy for the dead in Italy : text typologies and contexts of performance / Antonio Chemotti -- Motets pro defunctis in the Iberian world : performance contexts and practices / Owen Rees -- Palestrina's mid-life compositional summary : the three motet books of 1569-75 / Noel O'Regan -- Modality as orthodoxy and exegesis : strategies of tonal organisation in Victoria's motets / Marco Mangani and Daniele Sabaino -- Beyond the denominational paradigm : the motet as confessional(ising) practice in the later sixteenth century / Christian Thomas Leitmeir -- In search of the English motet / Kerry McCarthy -- Songs without words : the motet as solo instrumental music after Trent / John Griffiths -- The soundtrack for a miracle and other stories of the motet from post-tridentine Milan / Daniele V. Filippi -- Mapping the motet in post-tridentine Seville and Granada : repertoire, meanings, and functions / Juan Ruiz Jiménez
The Cambridge History of Sixteenth-Century Music
Author: Iain Fenlon
Publisher: Cambridge University Press
ISBN: 1108671276
Category : Music
Languages : en
Pages : 732
Book Description
Part of the seminal Cambridge History of Music series, this volume departs from standard histories of early modern Western music in two important ways. First, it considers music as something primarily experienced by people in their daily lives, whether as musicians or listeners, and as something that happened in particular locations, and different intellectual and ideological contexts, rather than as a story of genres, individual counties, and composers and their works. Second, by constraining discussion within the limits of a 100-year timespan, the music culture of the sixteenth century is freed from its conventional (and tenuous) absorption within the abstraction of 'the Renaissance', and is understood in terms of recent developments in the broader narrative of this turbulent period of European history. Both an original take on a well-known period in early music and a key work of reference for scholars, this volume makes an important contribution to the history of music.
Publisher: Cambridge University Press
ISBN: 1108671276
Category : Music
Languages : en
Pages : 732
Book Description
Part of the seminal Cambridge History of Music series, this volume departs from standard histories of early modern Western music in two important ways. First, it considers music as something primarily experienced by people in their daily lives, whether as musicians or listeners, and as something that happened in particular locations, and different intellectual and ideological contexts, rather than as a story of genres, individual counties, and composers and their works. Second, by constraining discussion within the limits of a 100-year timespan, the music culture of the sixteenth century is freed from its conventional (and tenuous) absorption within the abstraction of 'the Renaissance', and is understood in terms of recent developments in the broader narrative of this turbulent period of European history. Both an original take on a well-known period in early music and a key work of reference for scholars, this volume makes an important contribution to the history of music.
Society and Individual in Renaissance Florence
Author: William J. Connell
Publisher: Univ of California Press
ISBN: 9780520232549
Category : History
Languages : en
Pages : 480
Book Description
Essays illustrate the ways Renaissance Florentines expressed or shaped their identities as they interacted with their society.
Publisher: Univ of California Press
ISBN: 9780520232549
Category : History
Languages : en
Pages : 480
Book Description
Essays illustrate the ways Renaissance Florentines expressed or shaped their identities as they interacted with their society.
The Requiem of Tomás Luis de Victoria (1603)
Author: Owen Rees
Publisher: Cambridge University Press
ISBN: 1107054427
Category : History
Languages : en
Pages : 277
Book Description
The first substantial study of Victoria's Requiem, among the most prominent Renaissance musical works, encompassing its genesis, style, and impact.
Publisher: Cambridge University Press
ISBN: 1107054427
Category : History
Languages : en
Pages : 277
Book Description
The first substantial study of Victoria's Requiem, among the most prominent Renaissance musical works, encompassing its genesis, style, and impact.
Renaissance Weddings and the Antique
Author: Jerzy Miziołek
Publisher: L'Erma Di Bretschneider
ISBN: 9788891312785
Category : Love in art
Languages : en
Pages : 496
Book Description
"This book is divided into two parts, the first comprises two chapters dealing with Karol Lanchkoronski and the fate of his collection, as well as wedding rituals in Renaissance Italy and the history of domestic painting. The second part, consisting of eight chapters, discusses the cassone panels and paintings derving from day beds--lettucci--and panelling of the walls--spalliere."--Back cover.
Publisher: L'Erma Di Bretschneider
ISBN: 9788891312785
Category : Love in art
Languages : en
Pages : 496
Book Description
"This book is divided into two parts, the first comprises two chapters dealing with Karol Lanchkoronski and the fate of his collection, as well as wedding rituals in Renaissance Italy and the history of domestic painting. The second part, consisting of eight chapters, discusses the cassone panels and paintings derving from day beds--lettucci--and panelling of the walls--spalliere."--Back cover.
Choral Repertoire
Author: Dennis Shrock
Publisher: Oxford University Press
ISBN: 0197622402
Category : Music
Languages : en
Pages : 929
Book Description
"Choral Repertoire is the definitive and comprehensive one-volume presentation of the most significant composers and compositions of choral music from the Western Hemisphere throughout recorded history. The book is designed for multiple uses-as a programming guide for practicing conductors, instructional resource for students and teachers of choral music, historic and stylistic reference for choral singers, and source of information about composers and compositions for choral enthusiasts-and as such, the book intends to further and make accessible important information relevant to the vast scope of choral music. Organized by era (Medieval, Renaissance, Baroque, Classical, and Modern), Choral Repertoire covers general characteristics of each historical era, trends and styles unique to various countries, biographical sketches of more than six hundred composers, and performance annotations of more than five thousand individual works. Of the composers, there is substantive coverage of women and composers of color, and of the repertoire, there is inclusion of lesser-known works as well as those works that are considered standard"--
Publisher: Oxford University Press
ISBN: 0197622402
Category : Music
Languages : en
Pages : 929
Book Description
"Choral Repertoire is the definitive and comprehensive one-volume presentation of the most significant composers and compositions of choral music from the Western Hemisphere throughout recorded history. The book is designed for multiple uses-as a programming guide for practicing conductors, instructional resource for students and teachers of choral music, historic and stylistic reference for choral singers, and source of information about composers and compositions for choral enthusiasts-and as such, the book intends to further and make accessible important information relevant to the vast scope of choral music. Organized by era (Medieval, Renaissance, Baroque, Classical, and Modern), Choral Repertoire covers general characteristics of each historical era, trends and styles unique to various countries, biographical sketches of more than six hundred composers, and performance annotations of more than five thousand individual works. Of the composers, there is substantive coverage of women and composers of color, and of the repertoire, there is inclusion of lesser-known works as well as those works that are considered standard"--
European Music, 1520-1640
Author: James Haar
Publisher: Boydell Press
ISBN: 9781843832003
Category : Music
Languages : en
Pages : 606
Book Description
The sixteenth and early seventeenth centuries - the so-called Golden Age of Polyphony - represent a time of great change and development in European music, with the flourishing of Orlando di Lasso, Palestrina, Byrd, Victoria, Monteverdi and Schütz among others. The thirty chapters of this book, contributed by established scholars on subjects within their fields of expertise, deal with polyphonic music - sacred and secular, vocal and instrumental - during this period. The volume offers chronological surveys of national musical cultures (in Italy, France, the Netherlands, Germany, England, and Spain); genre studies (Mass, motet, madrigal, chanson, instrumental music, opera); and is completed with essays on intellectual and cultural developments and concepts relevant to music (music theory, printing, the Protestant Reformation and the corresponding Catholic movement, humanism, concepts of 'Renaissance' and 'Baroque'). It thus provides a complete overview of the music and its context. Contributors: GARY TOMLINSON, JAMES HAAR, TIM CARTER, GIULIO ONGARO, NOEL O'REGAN, ALLAN ATLAS, ANTHONY CUMMINGS, RICHARD FREEDMAN, JEANICE BROOKS, DAVID TUNLEY, KATE VAN ORDEN, KRISTINE FORNEY, IAIN FENLON, KAROL BERGER, PETER BERGQUIST, DAVID CROOK, ROBIN LEAVER, CRAIG MONSON, TODD BORGERDING, LOUISE K. STEIN, GIUSEPPE GERBINO, ROGER BRAY, JONATHAN WAINWRIGHT, VICTOR COELHO, KEITH POLK
Publisher: Boydell Press
ISBN: 9781843832003
Category : Music
Languages : en
Pages : 606
Book Description
The sixteenth and early seventeenth centuries - the so-called Golden Age of Polyphony - represent a time of great change and development in European music, with the flourishing of Orlando di Lasso, Palestrina, Byrd, Victoria, Monteverdi and Schütz among others. The thirty chapters of this book, contributed by established scholars on subjects within their fields of expertise, deal with polyphonic music - sacred and secular, vocal and instrumental - during this period. The volume offers chronological surveys of national musical cultures (in Italy, France, the Netherlands, Germany, England, and Spain); genre studies (Mass, motet, madrigal, chanson, instrumental music, opera); and is completed with essays on intellectual and cultural developments and concepts relevant to music (music theory, printing, the Protestant Reformation and the corresponding Catholic movement, humanism, concepts of 'Renaissance' and 'Baroque'). It thus provides a complete overview of the music and its context. Contributors: GARY TOMLINSON, JAMES HAAR, TIM CARTER, GIULIO ONGARO, NOEL O'REGAN, ALLAN ATLAS, ANTHONY CUMMINGS, RICHARD FREEDMAN, JEANICE BROOKS, DAVID TUNLEY, KATE VAN ORDEN, KRISTINE FORNEY, IAIN FENLON, KAROL BERGER, PETER BERGQUIST, DAVID CROOK, ROBIN LEAVER, CRAIG MONSON, TODD BORGERDING, LOUISE K. STEIN, GIUSEPPE GERBINO, ROGER BRAY, JONATHAN WAINWRIGHT, VICTOR COELHO, KEITH POLK
The Talmud in Dispute During the High Middle Ages
Author: Fidora, Alexander
Publisher: Servei de Publicacions de la Universitat Autònoma de Barcelona
ISBN: 8449089476
Category : Religion
Languages : en
Pages : 282
Book Description
The Christian discovery of the Babylonian Talmud is a significant landmark in the long and complex history of anti-Jewish polemic. While the Talmudic corpus developed in the same period as early Christianity, this post-biblical text was largely unknown to the Christians. Full awareness of the Talmud among Christian authors did not arise until the late 1230s, when the Jewish convert Nicholas Donin presented a Latin translation of Talmudic fragments to Pope Gregory IX. Though the Talmud was subsequently put on trial (1240) and burnt (1241/2) in Paris, the controversy surrounding it continued over the following years, as Pope Innocent IV called for a revision of its condemnation. The textual basis for this revision is the Extractiones de Talmud, that is, a Latin translation of 1.922 Talmudic fragments. The articles in this volume shed new light on this monumental translation and its historical context. They also offer critical editions of related texts, such as Donin’s anti-Talmudic polemic. Authors of the contributions are: Wout van Bekkum, Piero Capelli, Ulisse Cecini, Enric Cortès, Óscar de la Cruz Palma, Federico Dal Bo, Alexander Fidora, Görge K. Hasselhoff, Moisés Orfali, Ursula Ragacs and Eulàlia Vernet i Pons.
Publisher: Servei de Publicacions de la Universitat Autònoma de Barcelona
ISBN: 8449089476
Category : Religion
Languages : en
Pages : 282
Book Description
The Christian discovery of the Babylonian Talmud is a significant landmark in the long and complex history of anti-Jewish polemic. While the Talmudic corpus developed in the same period as early Christianity, this post-biblical text was largely unknown to the Christians. Full awareness of the Talmud among Christian authors did not arise until the late 1230s, when the Jewish convert Nicholas Donin presented a Latin translation of Talmudic fragments to Pope Gregory IX. Though the Talmud was subsequently put on trial (1240) and burnt (1241/2) in Paris, the controversy surrounding it continued over the following years, as Pope Innocent IV called for a revision of its condemnation. The textual basis for this revision is the Extractiones de Talmud, that is, a Latin translation of 1.922 Talmudic fragments. The articles in this volume shed new light on this monumental translation and its historical context. They also offer critical editions of related texts, such as Donin’s anti-Talmudic polemic. Authors of the contributions are: Wout van Bekkum, Piero Capelli, Ulisse Cecini, Enric Cortès, Óscar de la Cruz Palma, Federico Dal Bo, Alexander Fidora, Görge K. Hasselhoff, Moisés Orfali, Ursula Ragacs and Eulàlia Vernet i Pons.
Historia Salonitanorum Atque Spalatinorum Pontificum
Author: Thomas (Spalatensis, Archdeacon)
Publisher: Central European University Press
ISBN: 9789637326592
Category : Religion
Languages : en
Pages : 464
Book Description
This is the 4th volume of the series of Central European Medieval Texts, Latin and English bilingual editions of major historical documents. Ever since Thomas' "Historia Salonitana" was first published in 1666, it became a part of the corpus of European medieval literature. Thomas' aim was to write a history of the church of Split in order to prove that it was legally and justly the heir of the metropolitan rights of nearby Salona, an episcopal see from the 4th century. His reports on the fourth and fifth crusade and the Mongol invasion of 1241-2, are based on personal experience or on eyewitness reports.
Publisher: Central European University Press
ISBN: 9789637326592
Category : Religion
Languages : en
Pages : 464
Book Description
This is the 4th volume of the series of Central European Medieval Texts, Latin and English bilingual editions of major historical documents. Ever since Thomas' "Historia Salonitana" was first published in 1666, it became a part of the corpus of European medieval literature. Thomas' aim was to write a history of the church of Split in order to prove that it was legally and justly the heir of the metropolitan rights of nearby Salona, an episcopal see from the 4th century. His reports on the fourth and fifth crusade and the Mongol invasion of 1241-2, are based on personal experience or on eyewitness reports.